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বধূ (1962)
Character: Phatik's Wife
Kalyani is married into an aristocratic family. Bhuban Mohan Choudhury is unhappy because his daughter-in-law, Kalyani, has dark skin and is illiterate. Despite this, Kalyani becomes the heart of the family. Over time, Bhuban undergoes a transformation as he witnesses how lovingly Kalyani takes care of everyone in the household. However, Bhuban’s son-in-law, Phatik Chand Basu, who lives in the house, conspires and breaks the unity of the family. Can Kalyani bring the family back together?
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ମହାଲକ୍ଷ୍ମୀ ପୂଜା (1959)
Character: N/A
Made in the budget of Rs. 85,000, this is the debut film of Sarat Pujari. The tale of Goddess Lakshmi leaving the temple to teach brothers Lord Jagannath and Lord Balabhadra a lesson was presented in the movie. This movie later remade in Hindi as "Jai Jagannath". Prashant Nanda acted as child Shri Krushna. Geeta Dutt was in the Hindi version. Famous singer Hemant Kumar also given voice in this film.
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হাঁসুলীবাঁকের উপকথা (1962)
Character: Bhalo Bou
Set in 1941, the film delves into the complexities of rural life in Bengal. It sheds light on the oppressive Zamindari system, a social structure that perpetuates inequality and suffering. By exploring the lives of individuals caught within this system, the film offers a poignant commentary on the changing social dynamics and the growing discontent that would ultimately lead to significant transformations.
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অনন্যা (1949)
Character: N/A
A Bengali Drama Film directed by Sabyasachi (Ajoy Kar & Binoy Chattopadhyay).
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পরিণীতা (1969)
Character: Charus Mother
Shekhar and Lalita love each other, but Shekhar's father brainwashes him to marry a rich woman. When Girin enters Lalita's life, Shekhar begins to feel insecure about Lalita's relationship with him.
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দিবারাত্রির কাব্য (1970)
Character: N/A
Throughout her life, Supriya loved a man and was married to another man however she did not either escape from her responsibilities as a doting wife. However, her inner feelings keep tormenting her all her life and her married life becomes an utter failure. She not only ruins her life but everybody else's around her. In the end, her life becomes nothing more than fragmented pieces of broken images.
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এখনই (1971)
Character: N/A
Ekhonee depicts the lives and frustrations of a bunch of youth struggling to cope with the adversities of a bureaucratic society. There's a bunch of college students Arun, Tiklu, Shambhu, Biman, Sujit, Urmi whose lives undergo a change after the carefree days of college are over.
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मासूम (1960)
Character: Mrs. Gupta
Set in the early 1960s in a large Indian city. The story of three orphaned children, the eldest of whom, Debu, is twelve years old. Debu does his best to earn money so that his brother and sister do not become homeless vagrants. With the help of kind people, Debu manages to provide for his brother and sister, as well as himself.
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মন্ত্রশক্তি (1954)
Character: N/A
Ambernath a well-educated Sanskrit pundit was different from his childhood. The way he thought and described everything was quite different from others. His master Jagannath Tarka Churamoni loved him a lot and after his death, Ambernath took his place. In such a situation Bani the daughter of local zamindar and Ambernath met. After few days, they got married. Bani were very skeptical about her husband and they were not happy with their relation. Later Ambernath left his wife and stayed alone. In the meantime, Bani also understood the affection and love she had for her husband. She came to know about life and commitment. One day Bani heard that Ambernath was very ill and he stayed in a lonely place. Bani rushed there and put her every effort to make him healthy. Later they came to know each other and lived happily.
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কঙ্কাবতীর ঘাট (1955)
Character: N/A
When Mr. Mukherjee's wife drowns herself in the Ganges to save her ailing husband, people start showering her with respect. Years later, things head towards the same direction for her daughter. Uma meets her rival Mrinaal with almost compassion, keeps her son at her refuge and follows the same path of her mother Kangkabati.
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অঙ্কুশ (1954)
Character: N/A
Tapan Sinha's debut film is based on a Narayan Ganguly story SAINIK, which figured an elephant in the central character.
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শুভ ও দেবতার গ্রাস (1964)
Character: N/A
Subho O Debotar Gras was a film in 2 parts- one was the story of the deaf-mute Shubha who features in a short story by Rabindranath Tagore & the second part was based on the poem titled "Debotar Gras", in which Tagore describes the frantic desire of a dip in holy waters during the Ganga Sagar pilgrimage as well as the selfishness of the pilgrims.
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বালিকা বধূ (1967)
Character: N/A
The movie is about child marriage, a custom that was prevalent amongst various Indian societies. Set during British Raj in India, the movie tells the story of a village school boy Amal, who is married to a younger girl named Rajni.
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ওরে যাত্রী (1951)
Character: N/A
Uttam Kumar's 4th Film. The film has Uttam Kumar and Prabha Devi as the lead actors.
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দত্তা (1951)
Character: Nalini
The film is a romantic story about a wealthy Brahmo woman and a poor but intelligent Hindu man. It explores their growing love despite societal obstacles. Sarat Chandra Chattopadhyay, combines humor with serious themes and social commentary, creating a timeless story that respects women.
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বিভাস (1964)
Character: Bidyut Bala
A jobless man reaches a village where he finds work in a doctor's office. Later, he learns that the doctor has murdered many people and cons them of their wealth on false pretenses. He decides to expose the doctor and save the villagers.
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ব্রতচারিনী (1954)
Character: N/A
Jyotirmoy rejects Sita and marries Anuva without his grandfather's approval. As a result, he gets deprived from his wealth and the entire property goes to Sita. Will Sita help Jyotirmoy?
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কবি (1949)
Character: Thakurjee
A railway porter, Nitai, gains a reputation as a poet after participating in many debates. However, his life is filled with tragedy when he gets involved with women he is not supposed to be with.
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রত্নদীপ (1951)
Character: N/A
A son in a rich family has gone missing for a long time. A man intrudes into the family feigning as their lost son. He enjoys life with the wealth in the family. However, when the wife approaches him with trust and affection his conscience demands a hearing. Even though he is an imposter he does not want to take advantage of the wife's innocence. Finally, it is a victory for the conscience.
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শেষ পর্যন্ত (1960)
Character: N/A
The gloomy life of a young boy gets filled with joy when a new family moves into his neighbourhood. As the young boy sees the new girl, who becomes his new neighbour, he immediately falls in love. But things do not go easy for him as she lives with her uncle who has a very suspicious wife.
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চাঁপাডাঙ্গার বৌ (1954)
Character: Kadambini AKA Champadangar Bou
Setap, a money-minded man, gets insecure when he hears a rumour about his dutiful wife and spendthrift brother, Mahatap. Soon, things go out of hand when Setap's rage takes over. Setap became mad hearing those words from Ghoton.
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অনুপমা (1955)
Character: Kalyani
Abani, a young man from a poor family, elopes with Sudha after her uncle forces her to marry a sick man. However, a misunderstanding among his family members threatens to destroy their relationship.
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ধন্যি মেয়ে (1971)
Character: N/A
Bogola, the captain of a football team, travels to a village to play in a tournament. There, he meets and falls in love with Monosha. The president of the local football club tries to force Monosha and Bogola to marry to keep the tournament trophy in the family. However, their love prevails, and they can marry despite the opposition.
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ত্রিযামা (1956)
Character: Nabola
Swarupa, an introvert, fails to express her love to Kushal, who falls for Nabola, a rich and beautiful woman. However, things take a sharp turn when greedy Nabola leaves him for a wealthier man.
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শ্যামলী (1956)
Character: N/A
Shyamali, who is both hearing and speech impaired, faces several struggles in life. While the man she marries supports her, she is not accepted by her in-laws.
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জয় জয়ন্তী (1971)
Character: Jayanta's Elder Sister
Jayanti takes up a job of a governess in the Roy family. Sanjoy Roy, the uncle of the five kids, is an arrogant man. Soon, Jayanti wins the kids' hearts and Sanjoy's respect.
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পদ্মা গোলাপ (1970)
Character: Mamata
Ramakanta is a businessman whose wife Lata dies under mysterious circumstances. Lata had adopted Rita, the daughter of Mamata, as she was childless. Lata writes a letter to Mamata before her death and Mamata comes to probe her death and prove that Ramakanta was behind it. Tapas Roy, an investigative officer joins Ramakanta’s office. Police are suspicious that Ramakanta deals in drugs. Ramakanta owns a deserted fort that is haunted and a mysterious woman figure is seen roaming there and singing. Mamata reaches Ramakanta’s town with her other daughter Sarama, Rita’s twin. Several twists and turns reveal that Ramakanta killed Lata and carried illegal business from the deserted mansion. Sarama gets killed by Ramakanta. But the police finally managed to catch him.
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প্রথম কদম ফুল (1970)
Character: Sukanto's Aunt
Kakoli and Sukanto meet in a library reading room. They gradually grow closer to each other and start meeting frequently. One day, she visits Sukanto at his home and her appearance moves everyone in his family. Sukanto's mother wants them to marry but Kakoli's parents refuse the proposal. So, Kakoli leaves the home of her father and begins working as a receptionist. However, misunderstandings soon develop between her and Sukanto.
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ছদ্মবেশী (1971)
Character: Labanya
A romantic comedy, where a newlywed couple and their friend pulls a prank on the bride's unsuspecting elder brother and his wife. The groom poses as the driver for the family and the friend poses as the groom. What ensues is an all-time classic of Bengali Cinema.
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একটুকু বাসা (1965)
Character: N/A
A 1965 Bengali Romantic Comedy Film directed by Tarun Majumdar, featuring Soumitra Chattopadhyay and Sandhya Ray.
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কলকাতা ৭১ (1972)
Character: N/A
The spirit of a condemned 20-year-old student wanders through time, linking together four stories of people struggling for survival in this gritty meditation on poverty, natural disaster and political strife in India. A middle-class family's home is no match for the monsoons, while another clan's morality is compromised when famine strikes. Young boys smuggle rice, and politicians pity the poor while living in the lap of luxury.
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পলাতক (1963)
Character: Golap
A wealthy man is struck by wanderlust that always takes him to new places where he mingles with the lives of different people.
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কাঞ্চনজঙ্ঘা (1962)
Character: Anima
Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
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