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Lauter Lügen (1938)
Character: Elisabeth
The stories' setup: a bunch of passive weaklings being dominated by two strong and ambitious women who fight for the same man.
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Was will Brigitte? (1941)
Character: Beate Forbach
The young fashion designer Brigitte Arend is not having any success with her work, and since she has also been given notice to leave her room, she is facing ruin. Even the man she loves, the composer Stefan Roland, makes her doubt herself, because he likes to devote himself to other women, and not without success. In her desperation, she takes a job as a maid for Director Forbach, where a big party is currently taking place.
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Schwarzer Jäger Johanna (1934)
Character: Johannas Tante, Philine Melchior
Germany under Napoleon. Johanna is travelling by stagecoach when one of its occupants, Major Korfes, is arrested by the French militia. Before capture, he gives Johanna a mysterious letter. To solve the mystery, she joins the German corps as the “Black Hunter”. A fantastic breeches role for the lesbian Marianne Hoppe, who two years later, married her gay film partner Gustav Gründgens to prevent persecution by the Nazis.
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Alte Kameraden (1934)
Character: Liselotte Klarerdag
In this comedy, a crude country girl from Poland is brought to Germany and turned into a fine lady by a cosmopolitan jeweler.
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Der Ammenkönig (1935)
Character: Theres
Rather coarse, pre-War comedy about a Markgraf -- Heinrich XXVI -- who bathes in the springs of the Ammendorf to strengthen his potency. The town and its springs are especially well known for the many couples with lots of children, who, for tax reasons, live there unmarried. The town smithy and bully provides his vitality to ensure the countess has an heir for the throne.
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Die Werft zum grauen Hecht (1935)
Character: Mila Schellhase
Otto is pressured by his former girlfriend Mila to marry her. His friend and colleague Franz gets him a new job at Bernhard Münchow's remote auto repair shop, where Otto is safe from Mila for the time being. But then he falls in love with Käthe, the daughter of the owner of the shipyard “Zum grauen Hecht,” and finds a bitter enemy in Ladewig, who is also in love with Käthe and who puts Mila back on Otto's trail. Mila, however, falls in love with garage owner Münchow, who is only interested in her supposed fortune...
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Henker, Frauen und Soldaten (1935)
Character: die Kesse
Nazi propaganda film with Hans Albers starring in a dual role as a daring German airman and a Russian general, two cousins who find themselves facing each other in bitter enmity after the end of World War I.
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Melodie des Schicksals (1950)
Character: Betty Müller
A mediocre conductor unscrupulously steals his friend's—a piano teacher's—wife. At first, the piano teacher wants to shoot his rival, but then, surprisingly, he abandons his thoughts of revenge—a piano concerto he composed in prison ultimately brings the three main characters together in peace.
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Ein Sommer, den man nie vergißt (1959)
Character: Therese Leuchtenthal
The young Ernst Leuchtenthal is planning to travel to the USA for a year to study. Before he leaves, his father asks him for a meeting. Consul Leuchtenthal wants to get his son a "good" marriage before he disappears overseas. The old man has the very young, attractive Christine von Auffenberg in mind, who runs a breeding farm for chinchillas. This would fit in well with the consul's business, as he earns good money as a fur trader. Ernst is not too keen on marrying a woman his father has chosen for him, especially as he does not love Christine. In the local children's home he meets the light-blonde Marianne, and for him it is like love at first sight.
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Schüsse in Kabine 7 (1938)
Character: Daisy Lennox
The Minerva Mines Company is interested in transporting two particularly valuable diamonds from Cape Town to Amsterdam. To confuse potential thieves, two detectives are sent on two different ships with steel suitcases and they have no clue whether they’re carrying pebbles or diamonds. Nevertheless, a collection of questionable characters come on board both ships. The hunt for the diamonds begins; the suitcases are stolen; everyone is suspect.
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Die goldene Maske (1939)
Character: Nora
The gifted painter Alexander Poschinger receives a financial windfall. His friends Paul and Sepp, both painters, too, aren't in the slightest bit surprise by his success, since he only paints rich women. These women come to Alexander, because whomever he paints looks pretty on the canvas. But valauble paintings from an earlier time show quite well what Alexander is capable of. In a shopping center, Alexander makes the acquaintanceship of a women, with whom he immediately falls in love. She, however, disappears --- and didn't even give him his name (ah, true, deep love). A short time later, he sees her again at a Fasching ball. She is wearing a golden mask, which practically hides her entire face. This supposedly unknown woman falls in love with Alexander and becomes his lover the next day.
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Petermann ist dagegen (1938)
Character: Hanne Krüger - Leiterin der Betriebskantine
Experiences during a voyage with a KDF-steamer (Kraft Durch Freude = Power Through Joy, a nazi campaign that allowed working class people to make affordable holidays often on steamers).Grumpy old Petermann is a moaner, but during a KDF-tour on the "Der Deutsche" there's so much Freude that he is transformed into a playful nice old chap. It has some beautiful moments despite the obvious promotion of the KDFconcept.
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Das Erbe von Pretoria (1934)
Character: Lilly Clausen
The businessman Bernhard Fredersen, who has been blinded by an eye disease, shuts down his long-established company in Hamburg and moves to Pretoria to spend his retirement years with his wife Agnes. While on the journey, Agnes is seen by the treacherous Eugen Schliebach.
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Mutter und Kind (1934)
Character: Frau Hellinger
Consul Petersen and his wife are desperate, because they lost their only child and can’t have another. At the same time, the maid Anna is expecting a child, whose father, Jurgen, works in a sawmill. When both of them lose their jobs, they fear they won’t be able to feed the newborn. Thus, they strike a deal with the Petersens, which works for both couples: Anna and Jurgen will receive a farm from the Petersens, free and clear; and the two will allow the Petersens to adopt the child. Anna and Jurgen marry and are quite happy; but when the child is finally born, Anna doesn’t wish to surrender him and flees with the child into the Wattenmeer.
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Das gestohlene Jahr (1951)
Character: Anna von Boehlen
A humble girl who works in an Austrian village post office discovers a dream world,including an aspiring violinist she is attracted to, on a trip to Vienna.Should the young lovers,to get money for a new existence, steal from her workplace?
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Stimme des Blutes (1938)
Character: N/A
Two brothers (Albert Matterstock and Attila Hoerbiger), who are trapeze artists, are getting along just fine until Hoerbiger runs off with his brother's wife. Matterstock isn't very pleased when his wife is killed.
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Charleys Tante (1934)
Character: Mary Fin
Charley Wyckham and Jack Chesney pressure fellow student Fancourt Babberly to pose as Charley's Brazilian Aunt Donna Lucia. Their purpose is to have a chaperone for their amorous visits with Amy and Kitty, niece and ward of crusty Stephen Spettigue. Complications begin when Fancourt, in drag, becomes the love object of old Spettigue and Sir Francis Chesney.
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Heinz im Mond (1934)
Character: Madame Pythia
A young man of property is engaged to two women at once.
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In München steht ein Hofbräuhaus (1951)
Character: Hermine Kackelmann
Berlin tongue encounters Munich lifestyle. A comedy around Oktoberfest. Movies, FRG, 1951 Fita Benkhoff, Paul Kemp, Liesl Karlstadt, etc. A Berlin producer of nerve healing, vitamin-enriched and expanding its life-prolonging lemonade stand in front of all the Schottenhammel at the Oktoberfest on - under the slogan helps Berlin Munich: an intolerable provocation. And then come the Saxons ... Turbulent comedy about beer, Oktoberfest and a lot of originals from Germany!
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Fanfaren der Ehe (1953)
Character: Daisy van Roy
Two married women musicians get work on a cruise ship; their husbands dress as women to be able to join them.
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Kapriolen (1937)
Character: Peggy MacFarland
Mabel is a successful pilot who hates sensational media, but falls in love with Jack, a womanizer journalist with conservative views on gender. When the two of them get married, they make a deal: Mabel will cease to fly as long as Jack doesn't interview any more women. But how long can they keep their pact?
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Wenn Frauen schwindeln (1957)
Character: Tante Fita
Daisy, the daughter of Hellmann, a millionaire toy inventor, is a reporter for Damenwelt, a women’s magazine. In a series of reports, she sets out to prove what men are really like. Above all, Daisy’s aunt is thrilled by her niece’s journalistic zeal, while her father reacts with less enthusiasm, especially since Daisy’s methods keep drawing warnings from the police for causing a public nuisance.
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Majestät auf Abwegen (1958)
Character: Berta Linke
The new-rich mother of a film child who became famous overnight is trying to bring her little son together with the twelve-year-old king of a Balkan country, who is currently in Brussels, for validity and advertising reasons. The children actually get to know each other and run away with an 'Liftboy' to Antwerp for adventure.
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Heiratsschwindler (1938)
Character: Frau Lindemann
A confidence trickster is released from prison and travels to a village where he blackmails and tricks women out of their savings.
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Die beiden Seehunde (1934)
Character: Thekla
The mustached ruler of a mythical principality, learning that his people dislike his spending so much time going hunting, allows his twin brother to take his place.
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Immer nur Du (1941)
Character: Isolde Brummel
The two stars of an upcoming operetta performance quarrel constantly. but they also fall in love with each other.
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Schneider Wibbel (1939)
Character: Fin, seine Frau
During the Napoleonic occupation of the German states in 1812, a tailor by the name of Anton Wibbel is sentenced to sit in jail for insulting the Emperor. The tailor manages to get out of this by paying off a friend to go to prison in his place. But then, the "phony" prisoner suddenly dies in his cell and everyone now thinks Wibbel is dead.
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Diskretion – Ehrensache (1938)
Character: Lilian
Nazi era depiction of decadent British aristocracy: A madcap country heiress was betrothed to a Lord but runs off with a young inventor after she is found in a compromising position, to avoid a scandal.
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Frau Luna (1941)
Character: Frau Elisabeth Gerlack
Berlin's theatre crowd is excited about the new operetta "Frau Luna". But for the head of the city's vice police, who was invited to the dress rehearsal, the costumes for the ladies onstage are a bit too revealing. He demands the show be cancelled as offensive. The president of the Thusneldenbund has taken it upon himself to alert everyone about the growth of immorality in the capital. The theatre director Knopp has come up with an idea to convince these "fine" gentlemen to let the operetta go onstage again: He intends to win over the friendship of the moral police and then nothing will stand in the way of "Frau Luna" once more being performed.
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Ein Engel namens Schmitt (1964)
Character: Schwester Cornelia
In 1950s Germany, tyrannical boss Gerlach spares affection for his secretary Tommy, until Tommy is misdiagnosed with a fatal illness. Believing he’ll die, Tommy blossoms, wins the boss’s daughter Gaby’s love, and is named junior partner. When the truth surfaces, Tommy and Gaby - and Gerlach and the guilty nurse - find unexpected happiness.
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Frühling in Baden-Baden (1967)
Character: Tante Elsa
Although Baron Arvid von Frühling travels to the fashionable spa town with his fiancée Stephanie, he soon neglects her because of the Baden-Baden Grand Prix, which he is determined to win with his racehorse Eintagsfliege. The writer Victor Duplessis, known in the town as Casanova, seizes his chance and approaches Stephanie. When Arvid finds out about this, he challenges Victor to a duel, which turns out to be a strange affair: In the end, the two become friends. Arvid, who then dumps Stephanie, gets Victor to give him tips on how to seduce her, and soon they are both involved with the beautiful Margot. When the charming Charlotte arrives at the race, the love chaos is perfect.
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Moral (1936)
Character: Ernina Lapomme
The double standards of a social class, which pontificates with big words what is proper and improper in the world of morality, while in its heart thinks very differently and acts accordingly.
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Ich brauche Dich (1944)
Character: Hedi Scholz
The actress Julia Bach is married to the famous director, Professor Paulus Allmann; however, no one is to know about the marriage. Julia doesn't want a career simply because she has a famous spouse. For that reason, Paulus always has to go on his concert tours alone. It's no wonder then, that he soon starts to feel neglected. These feelings of neglect are encouraged by his ex-wife Hedi, who's always hanging around. When Paulus one day forgets his wife's birthday, she goes on the rampage in the presence of guests. Wounded, Paulus leaves their home. Julia thinks there's only one way to save their marriage: for one year -- until her next birthday -- they are not to see one another. In that period of time, it should be abundantly clear whether they belong together or not.
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Ich habe von dir geträumt (1944)
Character: Maria Dahlberg
After a successful concert, the singer Maria dreams about a man with a boquet of lilies, who follows her and kisses her. A short time later, she actually meets such a man: his name is Peter and he’s on his way to his bride, Helene. In the afternoon, Maria receives a valuable diamond pin from a messenger, which was actually intended for Helene. This confusion will now trigger a wild chase through concert halls and overnight trains. During all of this, Maria’s fiancée will show up, who, in light of all this nonsense, decides he’d be better off with someone less fickle and breaks off the engagement. Maria and Peter, who barely know one another, will be drawn closer together by fate and will eventually marry … and will stay so until Maria no doubt dreams of a lawyer with a divorce decree knocking on her door.
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Muss man sich gleich scheiden lassen? (1953)
Character: Elisabeth Lindpaintner
Everything seems perfect in the lives of Andreas and Garda. They have a happy marriage and up-and-coming talent Andreas is constantly striving to reach the top of his sport. But their happiness is suddenly clouded when the racing driver suffers a serious accident at the Nürburgring. He is sent to Switzerland to recover. There, however, a second shadow looms over the couple's idyll, this time in the form of the beautiful, rich Argentinian widow Joan de Portago. When Garda finds out about her husband's flirtations, she becomes jealous and begins to fake an affair of her own in return. When Joan's old admirer Dr. Albys joins the triangle, the web of love becomes increasingly tangled.
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Taxi-Kitty (1950)
Character: Elvira Rembrandt
An unemployed musician proves her worth by working as a temporary employee in a canteen for taxi drivers, and thanks to the helpful drivers, she gets the chance to successfully showcase her artistic talent.
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Ihr Privatsekretär (1940)
Character: Frau Helene Kiepergass
When a charming young man arrives to serve as a private secretary for the eccentric Helene Kiepergass a, he quickly becomes entangled in a series of mysterious events in her house. Amidst the arrival of a suspicious "nephew" from Mexico and a house full of peculiar guests, a romance blossoms between the secretary and the lovely companion Mary. He eventually is able to unmask two confidence tricksters amidst the residents.
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Von Liebe reden wir später (1953)
Character: Margot Hollmann
The beautician Angela Bell, a well-off middle-aged lady, and the respected fashion doctor Prof. Christian Hollmann would like to get married, but there is a catch: Hollmann is still married to his somewhat annoying wife Margot. Angela, however, has to get married as soon as possible because as a foreigner she will lose her work permit if she does not become a German citizen soon. The couple then come up with the idea of marrying Angela to the German bachelor Jonny Pitter, a writer - a sham marriage with no dishonorable consequences, of course. What neither Angela nor Prof. Hollmann suspect is that Jonny has been in love with Angela for some time
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Das Fräulein von Barnhelm (1940)
Character: Franziska
During the Seven Years' War, Prussian Major von Tellheim sacrifices his own fortune to save a Saxon estate from being plundered. After the war ends he is discharged and left penniless when the government suspects his noble deed was actually due to a bribe. Believing his lost honour makes him unworthy Tellheim breaks his engagement to Minna von Barnhelm, but she tracks him down to a Berlin tavern to win him back. To test his love Minna pretends she has also lost her wealth, prompting Tellheim’s protective instincts to finally override his stubborn pride. The film concludes with a royal decree from Frederick the Great, restoring Tellheim's rank and fortune and allowing the couple to marry.
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Spaßvögel (1939)
Character: Katharina Eberhorn
Mayor Eberhorn is known as a womanizer to everyone in the village. Katchen, his wife, is constantly trying to convert him to a proper way of life … but in vain. When one morning, Casanova finds a stroller with a clever slogan referencing his affairs at his front door, Eberborn seeks revenge. Top suspects for the prank? The “Spassvogel”: seven friends led by the former sailor Hannes Strobel.
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Die Mitternachtsvenus (1951)
Character: Madame Lavable
An inventive small-town tailor rises to international success with his daring and unusual designs.
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Straßenmusik (1936)
Character: Hilde Neumann
The three musicians Hans, Otto and Paul have no work and propose becoming street musicians with the support of Grete, who lives in the same apartment building. One day, Otto finds a valuable object. Rather than turn it in to the police, he sells it for money and then uses the money to buy alcohol. Hans, however, squanders his share at a fair and flirts with the widow Neumann. This hurts Grete deeply, who, without Hans’ knowledge, is expecting a child.
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Die un-erhörte Frau (1936)
Character: Lisa Brandt
Lisa's marriage is all in all quite happy; unfortunately, her husband never listens to her when it comes to buying new things. To change this situation, she fakes a loss of memory and pretends not to know who her husband is. When he calls the young psychiatrist Dr. Spinelski for help, Lisa acts, as if she believes he is her husband; and as part of the therapy, Spinelski makes sure that Lisa gets everything she wants. Finally, Lisa comes to the conclusion that she'd rather have her real husband and so pretends to fall for him, whereupon they start a new life together. I'll remember to try that the next time I'm not allowed to buy some beer.
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Casanova heiratet (1940)
Character: Johanna 'Joe' Brinkmann
The actor Ralph Gregor plays "Casanova" on the stage and everyone expects, that he also lives out the role in real life. Johanna Brinkmann, known as "Joe", tries everything to make her husband jealous of Ralph. Ralph, however, is actually dating his colleague Steffie. After a fight with her, he takes off on a short trip into the countryside and there gets to know the attractive Gertrude, with whom he falls in love. In short order, he proposes to and marries her. Soon, however, Gertude gets to know Steffie and Joe, who appear to know Ralph much better than they do, and Gertrude loses it.
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Drunter und drüber (1939)
Character: N/A
Dr. Brunner spends the night with a childhood friend. Instead, he tells his wife he met a friend—who then shows up shortly afterwards, completely unsuspecting. A chaotic comedy of mistaken identity and jealousy.
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Boccaccio (1936)
Character: Bianca, seine Frau
The film is set during the Italian Renaissance in the 14th century. Petruccio lives in Ferrara with his wife, Fiametta. Initially, he works as a scribe at the city court. Under the pseudonym Giovanni Boccaccio, he writes amorous tales that divide opinion within the city. While the women read the texts with delight, the men are outraged by their moral licentiousness.
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Die Diebin von Bagdad (1952)
Character: Suleika
Fatme has quite the talent for getting herself into trouble and escaping with her head intact. But when she's caught rifling through Caliph Omar's possessions, she finds herself in serious trouble. News of a theft makes the rounds and now the caliph's men are after her. Fortunately, she's able to find refuge with a sheikh, who isn't quite so thorough in checking his possessions. And it's thanks to him, that Fatme is able to get away with her newly acquired goods.
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Der Biberpelz (1949)
Character: Auguste Wolff
Mother Wolffen, a washerwoman, is a woman of principle: A poor man must do what he must to get through life, only he mustn't get caught doing it. All sorts of crooked deals contribute to the improvement of the daily menu and the increase of household funds. When everyone is searching for pensioner Krueger's missing beaverskin coat, Mother Wolffen and her family are calmly enjoying fresh roast venison.
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Liebeslied (1935)
Character: Angelina
An opera tenor replaces a humble performer in a honky tonk show and wins the heart of the soprano.
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Wenn abends die Heide träumt (1952)
Character: Hermine Knauer
A film about men's friendship and the complications of love: Karl and Peter are close buddies since they were pilots in defense of German cities during ww-ii. Now they are working together in a bomb disarm unit. During a vacation they visit Karl's mother and fiancée Helge in the heath-land. When Helge meets Peter, it's love on first sight. But Karl, who's considering quitting his job and buying a local gas station, fails to notice it. Torn between his feelings for Helge and his friendship to Karl, Peter accepts a dangerous job.
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Freitag, der 13. (1945)
Character: Vilma Reckennagel, die Hausdame
Mr. Rapp was close to selling Rauhenegg Castle when suddenly some young men turn up claiming that the place is haunted. The seller wants to prove the opposite and invites the men to spend a night in the building themselves.
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Ein Mädel wirbelt durch die Welt (1934)
Character: Fräulein Pape
A woman is torn between two different composers, within the larger conflict between traditional classical and the newer contemporary popular music.
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Opernball (1939)
Character: Dienstmädchen Hanni
After the operetta of the same name of Richard Heuberger in 1890-1914 all kinds of situation comic from happy-go-lucky Vienna of the turn of the century, the time of the first cars and the absurd bath costumes: Husbands in the Chambre Separee, her little dizziness and mistake plays, the tumultuous whirl of a grand ball... - A high-spirited comedy at considerable entertainment level.
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Krach um Jolanthe (1934)
Character: Erna Klüfkorn
Comedy about a prize pig, who’s more than a tad responsible for the turbulent adventures in his small town.
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Geisterkomödie (1965)
Character: Miss Arcati
Writer Charles Condomine invites a fortune teller to his home to study for a planned book and learn her particular jargon. A married couple, Mr. and Mrs. Bradman, are also invited to the planned séance. The result of the necromancy is unexpected: Condomine's first wife, Elvia, who died years ago, appears. Was she summoned by her husband's unspoken wish? He is now married to Ruth, which makes his first wife's return from the afterlife somewhat unpleasant. Especially for Ruth, for whom her rival remains invisible for a long time. Meanwhile, Elvira settles down at home and woos her husband. Charles is initially flattered, but gradually two women begin to get on his nerves...
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Gold (1934)
Character: N/A
Using an atomic reactor, two scientists try to create gold.
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Was bin ich ohne Dich (1934)
Character: Frau Winkler
A struggling composer gets one of his pieces into a film program and his wife captures the lead part in the production as well.
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Drei Mädels vom Rhein (1955)
Character: Therese Hübner
Therese Hübner, owner of the “Linde”, is desperately trying to protect her long-established business from being taken over by the “Palasthotel”. But the bank manager doesn't want to grant her the loan she urgently needs, as he is betting on the newly opened luxury hostel. It's now old or new for the Linden landlady, who is shocked to realize that her daughters are also in favor of “modernity”. But just as she's about to give up, the tide turns. An admirer in love with his daughter Sabine plays fate...
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Wenn Frauen schweigen (1937)
Character: Lilo - seine Frau
Curt serenades his wife Charlott from the garden without her recognizing him. When she later doesn't refer to the incident he assumes that she is falling for the 'unknown' suitor and deliberately puts a notorious womanizer on her trail.
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Auf der Reeperbahn nachts um halb eins (1954)
Character: Luise
After many years on the oceans, sailor Hannes Wedderkamp has finally returned to Hamburg. On St. Pauli, Hannes sings songs from the sea in the hippodrome of his best friend Pitter Breuer on the Reeperbahn with the "Quetschkommode" songs and cares for the audience.
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Durch dick und dünn (1951)
Character: Else Müller
Theo Müller and his family inherit a vintage car that turns out to have a wayward mind of its own, fixing the family troubles and some romances with a series of guardian angel and/or matchmaking shenanigans.
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Wenn der Vater mit dem Sohne (1955)
Character: Miss Biermann
After Clown Teddy lost his son, he lost his gift for laughter. He opened a joke shop and lives above the shop. His landlady has had a foster son since birth, and Teddy decides to raise the child, who always believed that Teddy was his father. When the mother suddenly appears five years later and wants her son, Teddy decides to run away with the child and goes back onstage with his son. Will the family catch up with them, or will the mother never get her son back?
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Johann (1943)
Character: Marie Pietschmann
Johann, the trusted valet of Count Zirndorf, has an affair with chambermaid Marie, but this liaison ends, as does the count's marriage. Years later trouble ensues when the count's daughter falls for young Hans who might be her brother.
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Ein Herz voll Musik (1955)
Character: Ellinor Patton
Ellinor Patton is so wealthy that her six unsuccessful marriages are considered befitting of her status. She is currently unhappily single again and hoping for her lucky number seven. Vico, the hotel owner's son, dreams of a career as a singer and is in love with the flower girl Blanche. His father is eagerly trying to prevent both. Vico proves that he really has talent at a concert by the Mantovani orchestra.
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Amphitryon – Aus den Wolken kommt das Glück (1935)
Character: Andria
Lamenting Thebian women are waiting for the men to come back from war. God Jupiter is attracted to one of them: Alkmene. He goes to earth and tries to seduce her as himself: an old man. Failing in this, he disguises himself as Amphitryon (Alkemene's husband) and tries again. Next morning Amphitryon and his men come back from war; he suspects adultery and wants a divorce. Jupiter's wife Juno now also comes to earth and clears things up.
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Die Frauen des Herrn S. (1951)
Character: Stabila
The action is relocated to occupied Athens after the Peloponnesian War (404 BC), where Mr. S. (= Socrates, played by Paul Hörbiger) proposes double marriage for men to the Athenian parliament and the four occupying powers for hidden personal reasons. Outwardly, he is concerned with providing for the many war widows. His deeper intention is to free the beautiful slave Euritrite as a concubine alongside the quarrelsome Xanthippe. The four occupying powers of the Macedonians (= US Americans), Persians (= Russians), Cretans (= English) and Corinthians (= French) are gently teased. On Socrates' advice, the law is adopted with an anonymous dissenting vote so that everyone at home can claim that it was him. Socrates can marry Euritrite. Xanthippe, however, favors the mutual infatuation of Euritrite and Socrates' student Plato (who had already invented Platonic love out of sheer desperation), and the other women also know how to spoil their husbands' pleasure in the new law.
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