|
Od zlata jabuka (1986)
Character: Baba Todora
In the first year of freedom after WW2, a poor family from rocky Herzegovina moves to fertile province of Vojvodina hoping for a better life. However, there they face different type of troubles following the Tito's break-up with Stalin in 1948. Destinies of individual members of this family are about to have a tragic epilogue.
|
|
|
Usijanje (1979)
Character: Kolonistkinja
Small village farmers grow tobacco which they are forced to sell to the government for next-to-nothing prices. This repeats with Italians during the WW2, and with the communists after the war. Boiling point is getting high.
|
|
|
Vreme ljubavi (1966)
Character: (segment "Kavez")
"The Time of Love" is omnibus of two parts. Part I: Experiences and growing up of a 16 years old girl without much of parents' attention. Part II: A brother looks for a husband for his sickly sister, but during that search she finds her true love.
|
|
|
Tango je tužna misao koja se pleše (1997)
Character: N/A
A famous fashion designer returns to his birthplace in a tiny Serb town, in the wake of the recent war. Although the inhabitants still love to dance the tango and live life's pleasures to the full, the Mafia have gained a foothold.
|
|
|
Koštana (1976)
Character: Kata, Hadži Tomina žena
TV adaptation of the Bora Stankovic drama, the most staged play in the history of Serbian theatre. Set in the southern Serbian town of Vranje, it is a tragedy about a Gypsy singing girl destined to marry but not for love. The old man Mitke loves her beauty and singing, but doesn't love her as a woman. Her talent and free spirit reminds him of his youth, young age and all he had to sacrifice for loveless marriage and unhappiness in order to fit into conventions.
|
|
|
Marija (1976)
Character: Marijina majka
On her deathbed, the sister tries to help her brother who, burdened with his poor background, can't figure out his life's directions after completing studies.
|
|
|
Švabica (1980)
Character: Gospođa Jula, majka Mišina
A story about forbidden love between student Misa and German girl Ana.
|
|
|
Dani od snova (1980)
Character: Stamena
Jelena spends her summer holiday tending a flock of sheep. A plane from a nearby aerodrome attracts her attention and she and the pilot engage in spontaneous games.
|
|
|
Osma vrata (1959)
Character: Marica, služavka
Story of an old university professor, who accidentally becomes involved in the activities of the resistance movement.
|
|
|
Proždrljivost (1972)
Character: Majka
A TV drama “Gluttony” is part of the unfinished “Seven Deadly Sins” cycle. The main subject of this story is a dedication to one of the greatest biblical sins – gluttony itself.
|
|
|
Zakopajte mrtve (1969)
Character: N/A
An expressionist and anti-war drama by the American playwright Irwin Shaw. It dramatizes the refusal of six dead soldiers during an unspecified war—who represent a cross-section of American society—to be buried. Each rises from a mass nameless grave to express his anguish.
|
|
|
Nesreća (1973)
Character: N/A
An architect in a construction company gets close to a young girl who has just graduated, whom he met while she was a student doing an internship at that company. Their relationship becomes more and more serious, and despite a few small frictions, they stay together. He is going on a business trip by plane to Libya. The plane crashes on landing. He survives, but remains immobile. Despite such an accident, she stays by his side.
|
|
|
Noć i magla (1968)
Character: Marusija Rigo
Written and performed in 1968, Night and Fog is, in Kiš’s words, “a set of lyrical variations on the theme of time and memory”. After 20 years, Andreas Sam returns to a Hungarian village where he spent the war years. Each of the three characters-Andy, Mrs & Mr.Rigo – sees the past in their own way.
|
|
|
|
|
Ujed (1979)
Character: Svekrva
Jovana lives alone with two young sons, while her husband is temporarily working in Germany. In addition to all the work in the fields and the kitchen, she is also building a new house. Handymen Relja and Milos show undisguised sympathy for her. Suddenly, the husband returns and brings new problems.
|
|
|
Otac i sin (1987)
Character: Kosana
Village goverment has changed, father has authority no more, neither in his house and in the village, and the son decides to leave his father and switch sides, joining the new village goverment.
|
|
|
Jahači put mora (1969)
Character: Maurya
A one-act tragedy, the play is set at Inishmaan in the Aran Islands, and like all of Synge’s plays it is noted for capturing the poetic dialogue of rural Ireland. The plot is based not on the traditional conflict of human wills but on the hopeless struggle of a people against the impersonal.
|
|
|
Malograđani (1983)
Character: Akulina Ivanova, supruga
Theatre adaptation of Maxim Gorky’s timeless drama first published in 1901, about narrow-mindedness, exclusivism, containing one’s self in some arbitrary, imaginary borders, strict divisions… All these traits help to define the various situations and human relations within the text.
|
|
|
Interesi (1980)
Character: Dejanova majka
A 1980 Serbo-Croatian language short film directed by Dimitrije Jovanovic, starring Ljiljana Krstic, Branislav Jerinić and Radmila Andrić.
|
|
|
Snaha (1969)
Character: Gospođa Gaskojn
A Serbian TV adaptation of the famous play by D. H. Lawrence.
|
|
|
Petak veče (1972)
Character: Gospođa Lambert
A Yugoslavian TV adaptation of the three-act by D.H. Lawrence, the very first play he wrote. The mother, Mrs. Lambert, loves her son Ernest with a deep possessive love against which he is beginning to strain, though he loves her deeply. Mother and children all reject and despise the father.
|
|
|
Divlje meso (1982)
Character: Marija Andrejević, majka
In Skopje in 1939 a family of a disabled bricklayer clashes over tradition, patriarchal morality and modern world views as fascism and World War II loom on the horizon.
|
|
|
|
Isidora (1995)
Character: Isidora Sekulić
A dramatic tale of greatest Serbian female writer Isidora Sekulic, an exceptional woman who all her life fought with her work and creative impulses. It starts with her death - towards life, maturity, youth and childhood, emerging from her authentic texts, letters, prose, travelogues and essays.
|
|
|
Deca rastu noću (1976)
Character: Sretenova žena Angelina
Father, the ex-WWII fighter and head of the family, is reluctant to use connections to help his son to get a job. His idea of morale and conscience are to be juxtaposed to the actions he must take.
|
|
|
Svadbeni marš (1995)
Character: N/A
In the family of Colonel Mitrovic, all three daughters are ready for marriage, but they have problems finding husbands. The icebreaker occurs when the youngest daughter marries a young assistant at the university. Her wedding, however, starts a chain of events which helps the other two daughters.
|
|
|
Darovi moje rođake Marije (1969)
Character: Dada
Following the death of his female cousin Marija, Moma sets out to her house where only her aunt lives. The old woman remembers Marija's awkward temper that left her unmarried and even led to a suicide of one of her courters. Based on a novel written by Momčilo Nastasijević.
|
|
|
Berlin kaputt (1981)
Character: Markova majka
Story of three partisans whose fates are determined by different encounters with women.
|
|
|
Nokaut (1971)
Character: Majka
Scourged by the need to be different from his contemporaries and driven by an insatiable hunger for adventurous living, Marko, a young man of 25, returns from America where he has spent a few years. He wants to impress people in his native town, but eventually everything turns against him.
|
|
|
Vetar je stao pred zoru (1959)
Character: Sidina majka
Members of Jasna's group are suspicious because of her firing from occupation Special police squad and they start avoiding her. She finds out the members of the group have been betrayed but they become even more suspicious. At the moment when they were ready to liquidate her the true traitor is revealed. Thanks to Jasna's courage an action becomes success and she regains their trust.
|
|
|
Iskušavanje đavola (1989)
Character: Zmajevićka
Two themes arise from the story, themes that are interlocked: the theme of love and of man's eternal submission to traditional symbols. The director Živko Nikolić continues his movie saga of human nature. Both themes develop the mythical idea of temptation. It is basic human relation: from the intimate to the families' vying with each other.
|
|
|
Petrijin venac (1980)
Character: Vela Bugarka
This film takes place in a small mining town in Serbia, within a time span covering the prewar, war, and postwar period. A story about tragic life of an illiterate woman from village, about her life with three men she loved. Her life, torn between dreams and reality, is a life of suffering, loneliness, disappointment, hope and love.
|
|
|
Nije nego (1978)
Character: Markova majka
Professor Herceg struggling with difficulties, it is not easy to determine how students conveyed knowledge, and even harder to avoid the hatred of the disciples, and sympathy for the students. Arrival of television in school, a poll about the new school, students' imaginations and similar conditions will not relieve his problem.
|
|
|
Savior (1998)
Character: Old Lady
A hardened mercenary in the Foreign Legion begins to find his own humanity when confronted with atrocities during the fighting in Bosnia.
|
|
|
Tri Ane (1959)
Character: Službenica u Crvenom krstu
A retired tram driver tries to find his daughter named Ana whom he lost in the Second World War.
|
|
|
Pad Italije (1981)
Character: Antica
The setting is the islands off the Dalmatian coast of Yugoslavia, during WW II. The islands are controlled by occupying Italian forces, and a resistence movement of Communists is dedicated to sabotaging and ending the occupation. When a wealthy young man joins the resistence, he falls in love with a woman who turns out to be a spy for the Italians. As a result of his liaison and her activity, they are both executed by a Communist comrade - a previous friend. The comrade is dedicated to the hard-line policies of the resistence, until he himself falls in love with the daughter of a bourgeois landowner on the island - a landowner who has collaborated with the Italians. Neither the Italian occupying army (one officer is shown in an attempted rape scene) nor the resistence fighters are stereotyped forces for good or evil, but all are equally subject to the dehumanizing effects of war.
|
|
|
Harrison's Flowers (2000)
Character: Old Woman
1991. Harrison Lloyd, a renowned photojournalist covering the war in Yugoslavia, is reported missing. Sarah, his wife, convinced that he is not dead, decides to go to Bosnia to find him.
|
|
|
Sumnjivo lice (1954)
Character: Ciganka gatara
A small town is disturbed by the arrival of a "suspicious person", an unknown man wanted by the local authorities. During the hunt, it turns out that the suspect is no one else than the mayor's son-in-law who checked under his false name in order to hide his whereabouts from his girlfriend's parents.
|
|
|
Pesma (1961)
Character: Nastojnica zgrade
An influential Serbian poet decides to leave Nazi-occupied Belgrade and join partisans in the country. A young resistance activist, however, is not so thrilled with the idea because the old and womanizing intellectual doesn't fit in with his strict moralistic standards.
|
|
|
La steppa (1962)
Character: L'ostessa
Based on a Anton Chekhov short story, this slight tale has some good moments as the drama of a young boy's journey unfolds. The lad comes from peasant stock, and one day his family decides it would be best for him to go live with his uncle in the city. The only problem is that the city is all the way across the Russian steppes, and at this time in history, that arduous journey could only be undertaken by horse and carriage. Reminiscent of the American pioneer wagon trains heading West, the tale lacks any attacks from hostile forces but is filled with charming vignettes. In one part of the journey, the boy comes across some fishermen along a river, harpooning their catch for the day. In another segment, he is entertained when some folk dancers do a lively show. But in general, it is too long and unmomentous a journey to hold attention well for nearly two hours.
|
|
