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Bağdat Hırsızı (1968)
Character: N/A
Halit Süfyan orders his men to kill Ömer Muttalip and all his family and servant but his child Yusuf is rescued by Mahmut the faithful servant. Yusuf grows up to be a young handsome man in Baghdad, but he falls in love with Halit Süfyan's daughter without know realizing that her father is the man who killed all his family. Yusuf is mixed up with the schemes and plans to murder the khalif Abdül Velid by his wife , he tries his best to save his khalif and the woman he loves.
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Ağlayan Kadın (1967)
Character: N/A
Osman, who opposes his father for the woman he loves, starts preparations for marriage with Sükran. Meanwhile, Sükran learns a great secret about her mother, and is abandoned by Osman when the secret is revealed.
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Korkusuz Kabadayı (1963)
Character: N/A
The leader of a criminal organization, Ulvi, is shot dead by an unknown assailant. His will is opened. He has left his inheritance and leadership to his friend Fikret, on condition that the killer is found within a week.
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Namusum İçin (1966)
Character: N/A
An ordinary couple's marriage life turns into nightmare after the wife gets raped and goes nuts.
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Urfa İstanbul (1968)
Character: Tayfur'un Adami
Because of the huge heritage, some attempt to kill an innocent baby. Involved in the plot, Ayşe (Hülya Asan) flees with the child for safety and her path crosses that of a young man (Ahmet Mekin)...
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Beşikteki Miras (1969)
Character: N/A
The sequel to the 1968 film Urfa-Istanbul. This time film depicts Ahmet and Ayse's adventure after their arrival in Istanbul.
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Ana Hakkı Ödenmez (1968)
Character: N/A
Fatma and Orhan are a happily married couple with a baby. However, their little baby has contracted a rare disease and needs surgery. Under the circumstances at that time, the surgery could only be performed abroad and required a large amount of money. Orhan's efforts to find the money are unsuccessful. Meanwhile, the daughter of the owner of the company where he works is in love with Orhan and is pressuring her father to allow her to marry him. Her father, however, is unwilling to destroy his own home, even for the sake of his daughter's happiness. However, as his daughter's obsession reaches a fever pitch, he tells Orhan about the situation and offers to give him the money needed to save his child in exchange for divorcing his wife and marrying his daughter. Orhan vehemently rejects this offer, but this time, the ugly proposal is made to Fatma, who is now a mother.
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Devlerin Kavgası (1965)
Character: N/A
Murat's older brother Nuri goes astray. Because of Nuri, Murat gets into a muddle.
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Yarın Ağlayacağım (1972)
Character: N/A
Sevda is a poor woman. Kemal, the owner of a nightclub, has taken her under his wing and made her a famous singer. Kemal is in love with Sevda. He is jealous of everyone who comes near her. The young woman asks for time to think before responding to her boss's marriage proposal. She is considering telling him in a tactful way that she does not love him. In Bodrum, where she has gone on vacation, someone is waiting to make her forget Kemal and his proposal. The young woman, who becomes close to Murat the moment they meet, is attracted to this sailor. However, Kemal is following them like a dark shadow.
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Utanç Yılları (1987)
Character: N/A
After graduating from medical school, a young doctor returns to his hometown and is forced to treat a fugitive.
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Fatoş'un Fendi Tayfur'u Yendi (1964)
Character: N/A
Tayfur manages his father's company in Istanbul from Adana. One day, his father comes to Istanbul to check on business. Seeing Tayfur's mischief, he wants to marry Tayfur to Fatoş, the daughter of an old friend. However, Fatoş surpasses even Tayfur in her flirtatiousness and cunning.
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Şoför Nebahat Bizde Kabahat (1965)
Character: N/A
There is an eternal rivalry between Nebahat and Polim Hüseyin, who work at the same taxi stand. They witness the last breath of an elderly man who dies as a result of a settling of scores between Arab mafias. Before he dies, the man offers them a large reward if they find his nephew. There is now a valid reason for the rivalry between Nebahat and Polim Hüseyin. They take action to find Zennube and fulfill her will. However, the situation is more serious than they anticipated. They must set aside their stubbornness and work together.
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Nazar Değmez İnşallah (1965)
Character: N/A
Saim and Nazım, who are musicians, travel by ship to Istanbul. On board, they rescue a woman named Belma who is about to commit suicide. Belma was raised by her step-aunt after being left orphaned. Now her step-aunt is taking her to Istanbul to marry her off to her brother. Belma does not want to marry a man she does not love, but she cannot defy her aunt. Therefore, Saim and Nazım will try to prevent the wedding.
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Fıstık Gibi (1970)
Character: Selim
Fikri and Naci are musicians. One plays the accordion, the other the darbuka. One day, Selim and his men raid the nightclub where they are performing. They kill Sülük Niyazi and everyone else in the nightclub. Fikri and Naci manage to escape from Selim and his men. They join the entourage of a girls' orchestra that is traveling to Kuşadası to perform at a hotel, disguised as women. This desperate measure they take to save their lives will lead to trouble.
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Adsız Cengaver ve Sultan Gelin (1970)
Character: N/A
Unlike all other films of Cuneyt Arkin, this film picture is taken by a highly skilled team with quite a lot of preparations. The scenario is a fairy tale which is pleasantly supported by some high quality visual effects (prepared in a visual lab in England). The scenes are all supported with high quality decorations of the old times of the tale. Cuneyt Arkin with his athletic capabilities enables the hero of this tale to be brought to life in his act. It is really unlucky for the film team to prepare such a good film after a series of junk films which directly reduced the interest to this high quality film.
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Kral Affetmez (1986)
Character: N/A
The film tells the story of a hired killer. Seyit, whose father is a famous hired killer, loses his mother at a young age. His father entrusts Seyit to a friend and moves to another city. Growing up alone, Seyit waits for his father to return for years. Thirty years pass, and Seyit becomes a killer like his father. Seyit will reunite with his father while carrying out his final assignment.
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Dağlar Bulutlu Efem (1962)
Character: N/A
During the final years of the Ottoman Empire, occupying forces raided villages and oppressed the people. Nationalist fighters Süleyman Ağa and his friends organized themselves and planned to launch a resistance against the enemy. They wanted Mehmet, Süleyman Ağa's son in Istanbul, to lead the organization. For this reason, Mehmet returned to his homeland years later. However, Mehmet would not act according to the plans made by the nationalist fighters.
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Bataklı Damın Kızı Aysel (1969)
Character: N/A
The second film adaptation of the legend of Aysel who, seduced by her boss, becomes pregnant. Giving birth to the child, she applies to the court for alimony, but the father rejects the child.
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Vahşi Bir Erkek Sevdim (1968)
Character: N/A
While Kamal helps his smuggler father in smuggling operations, the police arrest them, and his father is killed, and Kamal is thrown into prison. Kamal's brother Murad and his mother have to go to Istanbul. There, he joins the police and investigates smuggling cases. Years later, Kamal is released and moves to Turkey, without giving up his job. For this reason, the two brothers will come face to face.
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Dokunma Bozulurum (1965)
Character: N/A
The film tells the story of a man who cooperates with the police to bring down a gang. Öztürk tries to earn money by playing the clarinet on the streets. One day, dancer Adalet happens to hear Öztürk playing. She offers him a job at the nightclub where she works. A few days after starting work, Öztürk is summoned to the police headquarters. The police ask Öztürk for help in dismantling the criminal gang that Adalet is a member of. Öztürk will do everything in his power to ensure the police succeed.
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Yangın Var (1960)
Character: N/A
One day, Murat, a firefighter from Kadırga, goes to put out a fire at a mansion. Hilmi Pasha's daughter, Müjgân, sees Murat and falls in love with him. Müjgân's brother, Nihat, wants to become a firefighter like Murat. Müjgân and Murat meet again on this occasion. Müjgân confesses her love to Murat in a letter. However, Murat has promised Hilmi Pasha that he will protect his family's honor. Therefore, he is forced to reject Müjgân's love. Meanwhile, Murat's rival, Yalaza Nuri, learns of the closeness between the two.
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بنت الشيخ (1970)
Character: N/A
The city governor feels that his death is approaching, so he summons his friend Sheikh Hesham (Emad Hamdi) to succeed him after his death, and brings with him the knight (Karim Khan) to take over the security affairs of the state.
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Güneş Doğmasın (1961)
Character: N/A
Turkish adaptation of Graham Greene's "A Gun For Sale" (This Gun for Hire).
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Üç Korkusuz Arkadaş (1966)
Character: N/A
When Ayşe, a young woman from Anatolia, moves to Istanbul for work, she accidentally uncovers a weapons smuggling operation involving her employer.
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Kovboy Ali (1966)
Character: Ömer
The story of a young man who, influenced by a movie he watched, aspires to become a cowboy.
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Tarkan: Mars'ın Kılıcı (1969)
Character: Azuk
Tarkan, a fearless and loyal warrior of Attila the Hun, enters into a bloody struggle to capture the sword of God Mars, a weapon granting world domination to those who wield it.
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Belalı Torun (1962)
Character: N/A
Captain Bey's only dream is to have a grandson. His daughter Bedriye knows this and therefore she keeps her daughter Kamuran away from her father for years, raising her in Europe.
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Fıstık Gibi Maşallah (1964)
Character: N/A
Two musicians witness a mob hit and need to quickly find a way out of city. Their only opportunity comes in the form of joining an all-girl band as they prepare to leave on a tour. The two disguise themselves as women and struggle to keep their identities secret as the gangsters close in.
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Rıfat Diye Biri (1962)
Character: Çete Üyesi
Rıfat is tricked by a criminal network run by his ex-girlfriend Zişan. He is sent to prison for a series of murders he did not commit. He escapes from prison to prove his innocence. He tries to reach people who can testify in his favor. However, the witnesses are killed one by one before he can reach them. Rıfat meets Lale at the mansion where he takes refuge while injured. As events unfold, Lale becomes Rıfat's greatest ally. However, there are some things Rıfat does not know.
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Üç Arkadaş (1958)
Character: Ayi Recep
Three men live in an abandoned building and try to eke out a living by pooling their meagre resources. They come upon a lonely blind girl one night, befriend her, and take her in as their guest, pretending they are rich. They learn that 800 lira will cure her blindness. One of the three decides to get the money by any means necessary, because he has fallen in love with her.
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İstanbul Sokaklarında (1964)
Character: N/A
Metin, who ruined the coke factory owned by his father because of his fondness for women and gambling, working for his ex-lover Sevim's father as a driver. Will his father, who has fallen as a beggar, be able to forgive Metin?
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Son Vurgun (1968)
Character: The hired killer
Sedat is man of gunrunner Atif. Sedat and Ahmet are captured but they don't inform against Atif. When they get out of prison, they give chase to Atif.
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Elveda Sevgilim (1965)
Character: Nuri
Nuri, from the Selimoğulları family, kills Turgut, from the Kadiroğulları family. However, he is saved from prison thanks to his relatives who witnessed the crime. Both families have children who have been educated abroad. Dr. Osman, from the Kadiroğulları family, is in love with his uncle's daughter, Türkan. However, Türkan sees him as an older brother. Kemal, an engineer from the Selimoğulları family, also loves Türkan. The three young people begin to fight in their own way to resolve the blood feud. Over time, Kemal and Türkan grow closer. However, the feuding families oppose this relationship and make plans for revenge.
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Üç Tekerlekli Bisiklet (1962)
Character: N/A
Üç tekerlekli bisiklet (Tricycle aka The Three-Wheeled Bicycle, I962) is a love story about a lonely woman with a small child and the man she hides in her house, who is chased and trapped, one of the staple motifs of Lutfi Akad’s cinema.
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Turist Ömer (1964)
Character: Yusuf
Tourist Ömer is a poor man who lives a carefree life without worries. He has never held down a steady job and always got fired. His closest friend is Ruknettin. Tourist Ömer eventually takes a job distributing advertising funds for a bank. When he goes to the bank to collect the advertising funds, he accidentally takes a suitcase full of real money stolen from a robbed bank.
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Beni Osman Öldürdü (1963)
Character: N/A
After the death of a wealhty man, family members are gather in the mansion to receive the hereditary share. The police enters the circuit after some mysterious deaths in the mansion.
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Gül ve Şeker (1968)
Character: N/A
The film tells the story of a love affair between two young people who hide their true identities. A wealthy father from Adana sends one of his sons to Istanbul with his brothers to marry the daughter of an old friend. The three brothers meet their other brother, Ömer, who left home years ago. Ömer, an engineer, needs money. His brother, who does not want to marry, convinces Ömer to take his place. Meanwhile, Filiz, who is being forced to marry by her father, switches roles with the housekeeper. Ömer believes Filiz to be a poor housekeeper, while Filiz thinks Ömer is a wealthy playboy. Though they initially cannot get along, the two will grow closer over time.
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Beş Şeker Kız (1964)
Character: N/A
Şükran and Ali, who love each other, want to become famous. They plan to run away together. However, a fight breaks out between Şükran's brother Hüseyin and Ali. Ali is sent to prison. Because of this, he ends his relationship with Şükran. Left alone, Şükran starts working in a dance group. Ali, meanwhile, tries to secretly support Şükran with the songs he composes in prison.
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Şaka ile Karışık (1965)
Character: N/A
The story of Osman begins to take a different direction, with a bet of 1 million that two enemies and a wealthy family have entered into the possibility of an honorable singer.
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Çapkın Kız (1963)
Character: N/A
The father of a flirtatious woman makes an offer to a young man, to protect her daughter.
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Karaoğlan: Baybora'nın Oğlu (1966)
Character: Balaban
In this follow-up to "Karaoğlan – Altay’dan Gelen Yiğit", Kartal Tibet reprises the role that launched his career. The film is set in Byzantine Constantinople and features Emel Turgut, Engin Inal and Reha Yurdakul.
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Arka Sokaklar (1963)
Character: N/A
The film tells the story of Elif, who has her sights set high, and her quest to find the truth. Elif is the daughter of Ömer, a foreman at a factory. Murat, who works at the same factory, is in love with Elif but cannot bring himself to tell her. Necdet, the factory owner, visits Ömer, who has been injured in an accident at the factory, and takes a liking to Elif. They begin to see each other. Elif, who dreams of a wealthy life, believes she can achieve this dream by marrying Necdet. However, Necdet's intentions are not marriage. Elif's aunt Leman, who left the neighborhood years ago to live in better conditions and ended up on the wrong path, will not allow her niece to be dragged down the same path.
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Otobüs Yolcuları (1961)
Character: N/A
An example of social realism in Turkish cinema, the story follows a bus driver who takes side of the poor who has been exploited by a rich man with the promise of making new apartments for them.
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Bir Avuç Toprak (1957)
Character: N/A
The fight of poor Omer and rich Kerim, who want to marry the same woman.
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Sevimli Haydut (1961)
Character: N/A
The story of two siblings who were thrown in different directions at a young age.
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Sinekli Bakkal (1967)
Character: Muzaffer (uncredited)
The love and marriage story of Rabia, who was raised with religious education, and Italian pianist Peregrini, who became a Muslim for her sake.
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Zehir Hafiye (1989)
Character: N/A
The story of a young man who loves crime fiction books, and the daugher of a mafia leader.
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Avare Mustafa (1961)
Character: N/A
Mustafa is a reckless, unemployed young man. He is in love with his neighbor's daughter, Aynur, and wants to marry her. However, his family pressures him to contribute to the household budget. Everything changes when a wealthy family decides to build an apartment building in their neighborhood. The family's daughter, Hülya, falls in love with Mustafa. Mustafa, caught between Hülya and Aynur and her family, faces difficult days ahead.
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Uçurumdaki Kadın (1964)
Character: İzzet
Ayşim, who graduated from the boarding school she attended fourteen years ago, faints when she returns home. Dr. Tarık, who comes to the house to examine her, says that Ayşim needs attention. The people living in the house try to be kind to the young girl. However, Ömer, the head of the household, is not happy about Ayşim's return. Ömer's constant attempts to belittle Ayşim begin to unsettle everyone in the house. Ayşim, who is trying to adjust to life at home, begins to realize that the others are hiding something from her.
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İki Gemi Yanyana (1963)
Character: N/A
After the release, Iki Gemi Yanyana (Two Ships Side by Side) stirred controversy over its treatment of lesbians, showing two women kissing each other on the lips (later, in Dul BirKadın (A Widow), director Atıf Yılmaz took up the same theme again). This scene creates a moment of interest in this otherwise conventional film.
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Altın Kafes (1958)
Character: N/A
A love story between a chauffeur, a poor girl and a very rich woman.
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Cellat (1975)
Character: N/A
Cellat, the Turkish version of Death Wish, sticks fairly close plot wise to the template of the American film, with some scenes and bits of dialogue being almost identical. However, it also deviates from its inspiration at times and is at its most interesting and valuable in these little moments, providing lurid snapshots of a place and a culture.
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Dağlar Şahini (1969)
Character: Damalı
Sahin works as a farmer for Hidir Aga. Sahin is in love with Zeynep who is fancied by Hidir's son Suleyman, too. Enmity comes to exist between Sahin and Hidir Aga. Hidir denounces him to the gendarme chief Hasan. Yet Hasan believes Sahin and sets him free. Hidir urges Zeynep to get engaged with his son. Sahin kidnaps Zeynep. Suleyman and his men follow them, Zeynep kills Suleyman. Hidir and his men are after them now. They find their trace. Zeynep gets injured in the fight and dies. Now, the time has come for Sahin to take revenge and death is inevitable.
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Ne Şeker Şey (1962)
Character: N/A
The story of young people who are under the same roof and introduce each other with different identities.
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Sayılı Kabadayılar (1965)
Character: N/A
A whole gang of racketeers in Istanbul share their interests in the next amnesty proclamation, for Osman (Yilmaz Güney), lying in prison for murder, belongs to those who are expected to benefit from this amnesty law...
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Cici Can (1963)
Character: N/A
Based on a comic novel, this Turkish fantasy movie shows some resemblance to Casper.
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آخر الطريق (1968)
Character: N/A
A youth joins a gang to help his family. After the gang robs a supermarket, they flee in a car, which later breaks down. With the police on their trail, the gang enters a prominent lawman's home, threatening him and his family and trying to hide their loot there, but things get out of hand as another escaped gang joins them.
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Tarkan: Gümüş Eyer (1970)
Character: Sorkof
Atilla the Hun gives a Silver Saddle to Altar as a gift. The intention of Kostok is the get rid of the Huns and seize the valuable saddle. Little Tarkan's foster mother is forced to leave him in a cave. His cry attracts the attention of a wolf, who raises Tarkan like his own cub.
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Turist Ömer Arabistan'da (1969)
Character: N/A
In the sixth film of the Turist Ömer series, Turist Ömer travels to Saudi Arabia and humorously portrays the cultural differences between himself and a different society.
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Keşanlı Ali Destanı (1964)
Character: N/A
The film tells the story of a legendary folk hero from the outskirts of the city. Ali is imprisoned on charges of killing Ihsan, one of the troublemakers of Sineklidağ. During his time in prison, his name becomes legendary in Sineklidağ. When a general amnesty is declared, Ali is released. However, his girlfriend Zilha, who is İhsan's niece, is not interested in him. Ali cannot convince Zilha that he did not kill her uncle İhsan. Finally, he decides to use the legend that has grown around his name.
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Bire On Vardı (1963)
Character: N/A
Turkish adaptation of the novel “Deadline at Dawn” by Cornell Woolrich.
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