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Kali Ghata (1951)
Character: Ram / Ram Narayan
After his brother gets married to his former lover, a playboy meets a French archeologist and his daughter as they are studying the Ellora Caves.
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Buzdil (1951)
Character: N/A
Two brothers fall in love with the same girl, but the girl loves younger brother creating an intriguing love triangle.
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Kala Pani (1958)
Character: Rai Bahadur Jaswant Rai
Based on A.J.Cronin's 'Beyond This Place', this movie narrates the story of an untiring crusade for justice. A young man, learning about his father's wrongful implication in a fifteen-year-old murder, vows to bring the true criminals to justice and release his innocent father from 'kaala paani' (life imprisonment), for which he enlists the help of a press reporter, a retired police inspector and an unwitting prostitute who happens to possess some key evidence.
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Beti (1969)
Character: Mr. Verma
Sudha Verma wants to be the ideal daughter for her dad, and mom. Unfortunately, her mom passes away, and her dad re-marries, this time to Kamla, who is self-serving and not at all interested to see Sudha marry and settle down. Sudha meets with Dr. Rajesh Anand, and both fall in love. All approve of the marriage, until Rajesh sees the invitation card for Sudha's marriage, and realizes that his marriage has been arranged with Sharda, and that Sudha is to marry Rakesh. Rajesh attempts to straighten this out, but idealistic Sudha does not agree as she does not want to embarass her dad. Unfortunately, Sudha marriage does not take place, as the dowry money has been stolen. Rajesh returns and hopes to marry Sudha, but finds that Sudha and her dad are missing, and are untraceable, and then returns home to find a look-alike of Sudha, who calls herself Asha, but denies ever being or knowing anyone named Sudha Verma.
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Bade Sarkar (1957)
Character: Pratap Singh 'Lal Panja'
Encountering a young couple on the road, an elderly lady tells them her story
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ज़लज़ला (1952)
Character: N/A
Bengal's struggle to get rid of British domination by terrorism and underground intrigue.
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Punar Milan (1940)
Character: N/A
A quarrel at a birthday party ends in a guest’s death, and the son takes the blame to protect his father. Fleeing to the city, he struggles until a street dancer helps him, and the two grow close. A chance encounter between the dancer and the man’s sister sets off events involving love, misunderstandings, and the eventual unveiling of the truth.
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पूनम की रात (1965)
Character: Doctor
Prakash and Chandan are enjoying their college trip with with their friends when Sumer Singh arrives with the news that Chandan's father is unwell and his mother has asked him to rush home.Paraksh who wants to slip from flirty Rekha accompanies Chandan to his house to provide him moral support.On the way Prakash finds out that the mansion he is going is haunted by a spirit of a women named Rani who was suspected to be murdered by Lala Bajinath.
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Gambler (1971)
Character: Public Prosecutor
Raja (Dev Anand) has been abandoned by his biological mother at a very young age, and grows up with Master (Jeevan), a criminal don and card-sharp, who would like Raja to continue working with him on a commission basis. Raja learns all that could be learned about playing cards, quits work with Master, and starts work on his own. He succeeds considerably, and soon gets rich and wealthy. He falls in love with beautiful Chandra Gangaram (Zaheeda), and would like to marry her. But her father would like her to marry U.K. settled Ram Mehta(Sudhir), before Raja could do or say anything against this alliance, he is charged with the cold-blooded murder of Master. The climax in Raja's life is in the Court Room where he will find out about his past, and about his parents - while he awaits the outcome of the trial. From http://en.wikipedia.org/wiki/Gambler_(film)
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Mayurpankh (1954)
Character: Kunver anjit Singh
Famous British author Joan Davis goes to India with her boyfriend and encounters Ranjit Singh, a game hunter, in the jungles of India. They fall in love but Joan discovers that Ranjit is married. They meet again in Jaipur at Ranjit's palace, during Ranjit's sister's wedding and Joan meets his wife Shanti. They immediately start liking each other. Ranjit's father is a mining baron and Joan's boyfriend a mining engineer. Both of them strike a deal and Ranjit has to go to England with them. Ranjit's heart wavers and he is undecided as to which love to follow, but he eventually decides.
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Bahurani (1940)
Character: Vijay
In pre-independence India, a wealthy young zamindar brings a village girl of illegitimate birth into his household after her mother’s death. As she grows up, their bond deepens into love—challenging family expectations and deep-rooted societal prejudices.
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काला बाजार (1960)
Character: N/A
A man sells movie tickets on the black market, but starts to have a change of heart after he falls in love.
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Vakil Babu (1982)
Character: Justice Rajvansh
Shekar is a sculptor who is blind. He eventually falls in love with Kalpana though his insecurities make him kill her ex lover who he thinks is having an affair with her. What is Shekar's fate now?
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हरे रामा हरे कृष्णा (1971)
Character: N/A
A young man travels to Kathmandu to find his long-lost sister who is with a band of hippies and bring her back to the family. But doing so may be more difficult than he thought.
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शिमला में प्यार (1960)
Character: General Rajpal Singh (Sonia's uncle)
After the untimely death of her father and step-mother, Sonia is orphaned and lives with her aunt and paternal uncle (Mrs. and General Rajpal Singh). Sonia is plain-looking as her real mother, and often invites unappreciative, taunts, and critical remarks from her aunt and cousin-sister, Sheela. Sheela has a boyfriend, Dev Kumar Mehra, and she plans to marry him. Fed-up of hearing frequent taunts and adverse remarks about her plain-looks, Sonia challenges Sheetal that she will make Dev fall in love with her.
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The Guide (1965)
Character: Marco
When mistaken to be a sage by some villagers, an ex-tour guide reflects on his past and lost love to search for spiritual wisdom to guide the villagers in this lesser-known English-language version of R.K. Narayan's classic.
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