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Porca società (1978)
Character: N/A
Paulo joins a student protest, where he meets the socialist Michela. She has been separated from her husband. Paul is intrigued and spiritually attracted by the new political movement. Peaceful demonstrations keep turning into riots.
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Il delitto Matteotti (1973)
Character: Emilio Lussu
How the Italian Fascist Party managed to turn the physical elimination of a political enemy into a test of strength fundamental for the ascent into the totalitarian regime.
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Gli assassini sono nostri ospiti (1974)
Character: Vicecommissario
After a bungled diamond heist a trio of killers take refuge at the home of a country doctor and force him at gunpoint to attend to their mortally wounded colleague. They abuse the doctor and take sexual advantage of his wife. But everything is not as it seems.
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Quanto È Bello Lu Murire Acciso (1975)
Character: Congiurato
How Sweet it is to Die Murdered (Quanto è bello lu murire acciso) is an Italian historical film written and directed by Ennio Lorenzini and released in 1975. The original title of the film is that of a popular song reworked by Roberto De Simone, who is considered the precursor of the Neapolitan folk revival of the 1970s. The film depicts the failed expedition organized by Carlo Pisacane in 1857 to provoke an uprising in the Kingdom of the Two Sicilies.
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Sotto il segno dello scorpione (1969)
Character: N/A
An island has been decimated by a volcanic eruption and the few survivors escape to a nearby island. Led by Rutolo, they know that their new home is equally susceptible to such a catastrophe via its own volcano, but they are unable to convince the current inhabitants of Island #2 to flee with them to a mainland.
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Il vero e il falso (1972)
Character: Bruno Neri, the eyewitness with glasses
Luisa Latin, betrayed by her husband, is imprisoned for the murder of her husband's mistress - who is still alive. When Luisa is released from prison, she kills her.
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La casa dalle finestre che ridono (1976)
Character: Man at Restaurant (uncredited)
Stefano, a young restorer, is commissioned to save a controversial mural located in the church of a small, isolated village.
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Cagliostro (1975)
Character: N/A
After attending esoterical studies with a wise man, Cagliostro, a mysterious Italian count, received the gift of supernatural powers. He started to travel all over Europe to heal the poor. But he is also a member of a pre-revolutionary lodge the aim of which is to give freedom to the populations of Europe. This cannot be tolerated by the 18th century's establishment and bought the Pope and the regal house of France try to eliminate him. So Cagliostro is locked up in a castle, while his wife is killed. But when in 1795 the door of his cell is opened there is nothing inside but a sword...
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Il vizio ha le calze nere (1975)
Character: Mario
A woman dressed in black is murdering young women. The police question lawyer Anselmi for whom one of the girls worked as a secretary, and it turns out that all the victims were friends of lawyer's wife Leonora.
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Bianco, rosso e Verdone (1981)
Character: Doctor
Three Italians travel to their hometown to vote for elections: Pasquale is a Southern immigrant living in Munich who's genuinely happy to come back to Italy, even if just for a few days, but the country he dreams of is far from reality; Furio travels to Rome with his family, but his niggling attitude threatens to push his wife Magda over the edge; young Mimmo is also going to Rome, but the trip is repeatedly interrupted by worries about his grandma's health.
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L'uomo del colpo perfetto (1967)
Character: (uncredited)
When $300,000,000 in diamonds are stolen from a fiery plane wreck the British Government become concerned that it might be part of a plot to undermine the value of sterling. They hire professional photographer, amateur lady-killer, and undercover agent Steve Norton to investigate.
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Telefoni bianchi (1976)
Character: Il partigiano occhialuto
This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.
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La mazurka del barone, della santa e del fico fiorone (1975)
Character: Uomo Vaticano
A fig tree growing in the estates of Baron Anteo Pellacani has been worshipped since the Middle Ages, after a Saint was supposedly martyred there. The Baron, who was crippled in a fig tree-related accident and has since become a raging atheist, vows to tear it down—until he mistakes a beautiful prostitute momentarily lying on the tree for the Saint herself, falling in love with her. Her pimp, his relatives and the clergy try to take advantage of his newfound faith.
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Zeder (1983)
Character: N/A
A young journalist buys a used typewriter and notices some text still legible on the ribbon; he reconstructs the story of a scientist who discovered that some types of terrain have the power to revive the dead.
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L'Agnese va a morire (1976)
Character: Tarzan
After the Nazis take her husband away, an illiterate old washerwoman joins the Resistance as a bike courier in the Central Italian countryside.
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Povero Cristo (1976)
Character: Gavetta / Giuda
A provincial young man with aspirations of becoming a private investigator is approached by a stranger that promises 100 million lire if he provides evidence of the existence of Jesus Christ.
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Blue Movie (1978)
Character: Barman
Touching upon art, trauma, madness and sexual perversion Blue Movie centers around Silvia who has suffered an attempted rape. She escapes the attack and is rescued by Claudio, a photographer who takes her under his wing. Claudio is obsessed by war images that tell of death, devastation and pain. While working with a supermodel, Daniela, it appears that their relationship is bordering sado-masochistic. Things slowly build, with a fair dose of nudity and perversion. Observing all this as best she can Silvia begins to fall in love with Claudio, however she struggles to discern between reality and her traumatic past, especially while Daniela, who is locked in a room, regresses to an almost bestial dimension.
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