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La plaine du Vivivouioui (1970)
Character: N/A
Slow wandering of fantasy characters in settings reduced to the state of signs. Their eyes are open, but they no longer see anything; the mouth is open but only a cry comes out. A film about mental partitions.
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Et la femme créa l'amour (1966)
Character: Leda
Laurent, a young playboy, lives off his charms, maintained by wealthy women of the world. He becomes the lover of Sonia, a young woman painter, a lover at heart of course. But Sonia has a provincial friend, Clotilde. One day, Clotilde pays Bona a visit. As she has just come into a large inheritance, Laurent courts her and marries her. The young couple embark on a misguided life of easy pleasures and questionable company. Clotilde's nerves crack at this game. Among Laurent's acquaintances, François, a doctor, treats her in his clinic: sleep cure, rest, etc. Meanwhile, Laurent distracts himself with other women. But Clotilde, convalescing, refuses to resume life together. Laurent turns to his former mistress, Sonia.
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Comment les séduire (1968)
Character: N/A
A seasoned lady-killer introduces a series of Decameronic vignettes about men's resourcefulness in seducing women and the price some of them have to pay for it.
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Démons de midi (1979)
Character: Hélène
At 45, divorced, unemployed and father of two children, Franois Morot realizes that he can no longer support the society in which he lives and decides to leave everything.
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Fil à fil (1973)
Character: Self - Puppeteer
A drama between two marionettes slowly develops.
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La Décalcification (1973)
Character: N/A
On the screen, considered as a mental landscape, dance the multicolored shadows born from the spectacle of the struggle of flesh against death.
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Une femme aux abois (1967)
Character: Evelyne
While entertaining her lover one weekend, a woman's marriage is threatened by the sudden appearance of her evil step-brother. Beyond using her home to hide from the police after his recent heist, he also blackmails her in to a horrendous weekend filled with debauchery and violence. After her ordeal she is anything but bored.
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Allégorie (1974)
Character: N/A
Two young men and a young girl, who do not know each other, try to escape a constraining society, in search of another world, which is in their image. In the raging crowd, they find each other, get lost, find themselves on a beach, where life becomes different. A film without dialogue and without words, bathed in music.
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Une fille pour l'été (1960)
Character: The Redhead (uncredited)
Philippe, a little known artist, has a mistress, Viviane, a woman he does not love. When he learns the bailiffs are about to seize his paintings, Philippe decides to leave alone for the French Riviera and spend, as he regularly does, comfortable and carefree holidays in the luxurious villa of his friend Paule. But, on his way, he meets Manette, a beautiful but poor girl to whom he offers to become his companion for the Summer. Manette accepts the strange deal in exchange for bed and board. As Philippe always comes in the company of his mistress of the time, the presence of Manette does not pose a problem. But the young woman soon feels ill-at-ease in such a dubious environment. moreover, she realizes that she is falling in love with Philippe, who might not be so cynical as he wants to appear.
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Angélique, marquise des anges (1964)
Character: L'amie de Carmencita
In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.
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