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Entre Cuba y México, todo es bonito y sabroso (2016)
Character: N/A
An account of the relationship of brotherhood between Cuba and Mexico led by an unprecedented interview with Eliseo Alberto Diego, Lichi that weaves together history, music, cinema, literature, and the character of both nations. Its also presents testimonies of diplomats, intellectuals, artists, athletes, educators and townspeople, who speak of this cultural fraternity.
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La carne manda (1948)
Character: N/A
Childhood friends move up the economic ladder from slumrat to middle class comfort, but the marriage between two of them is threatened by a bad woman from a nightclub.
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Se acabaron las mujeres (1946)
Character: N/A
Widower with three grown daughters wants to go out and mack on chorus girls and stuff with his Argentine best-buddy.
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Se permuta (1985)
Character: N/A
Gloria, Yolanda's mother, exchanges their old house in Guanabacoa for a modern apartment in Vedado to keep Yolanda away from her boyfriend, but her plans soon backfire.
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El mariachi desconocido (1953)
Character: Rosita Fornés
This film is considered one of Tin Tan's funniest comedies. This time, the charismatic comedian incarnates a mariachi musician that lives the most entertaining an extraordinary adventures while traveling from Mexico to the paradisaic island of Cuba. An example of the excellent cinematographic comedy that only Tin Tan can achieve.
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Me gustan todas (1954)
Character: N/A
Wealthy Mexican tourist gets swindled by a Cuban woman pretending to be his daughter from a previous visit.
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Tin Tan (2010)
Character: Herself
Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.
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El deseo (1948)
Character: Olga
Two sisters fall in love with the same man while one of them suffers from an incurable illness. Based on Hermann Sudermann's novel Der Wunsch, the film explores love, jealousy, sacrifice, and the moral conflicts that arise when desire threatens family bonds.
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Piel canela (1953)
Character: Cantante
Marucha (Sarita Montiel) has had a shattered face since childhood, but she has a beautiful figure and covers half of her face with her hair. She is a singer and performs in neighborhood theaters. Marucha and Ramon are professionals in crime.
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No me olvides nunca (1956)
Character: N/A
Publicist on a movie set invents a romance between two stars, and then they start getting all mushy for real. But one of them's married, uh-oh.
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Palmer ha muerto (1962)
Character: Silvia Darnell
Palmer is a famous star that accidentally witnesses the murder of the producer of the show he is working in. Soon after, a mutilated body appears on the railroad tracks and everyone believes it is the famous actor. His secretary, however, says she has seen him alive.
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