|
Ataúdes de luz (2009)
Character: himself
In December 1974, a Spanish filmmaker named Sergio del Monte died under strange circumstances while shooting his debut film. Only a few people were able to see the footage that had been captured, and they all allegedly went blind or suffered the same fate as the director. The producers made the negatives disappear, however some cans filed in an Italian laboratory appear to have survived...
|
|
|
Master of Horror (1965)
Character: various characters
An anthology film of two classic tales from Edgar Allan Poe. A re-edited and dubbed version of Masterworks of Terror (1960) for American cinemas.
|
|
|
País S. A. (1975)
Character: Actores invitados
A useless kidnapper tries to kdnap a rich industrialist.
|
|
|
Todo el año es Navidad (1960)
Character: N/A
A celestial envoy comes to Earth to help solve some small conflicts between humans, related to their attitude and relationships.
|
|
|
Berenice (1959)
Character: N/A
Edgar Allan Poe's short story adapted as a TV-Movie in Argentina
|
|
|
El guión (1970)
Character: N/A
A lonely writer one day meets a prostitute to whom he offers his money in exchange for her time and friendship. However, she begins to tire of him when his economy declines, so he must get money at all costs. Pilot episode of a series that was not broadcast at the time by TVE.
|
|
|
Obras maestras del terror (1960)
Character: Sidney
Three extraordinary tales written by Edgar Allan Poe, the Master of the Grotesque: a man who is dead but is not; a cask of wine and a meditated revenge; and a heart that refuses to stop beating.
|
|
|
Muertos de risa (1999)
Character: Chicho Ibáñez Serrador
Nino and Bruno are two comedians who reach the heights of success with their duo act, turning them into huge TV celebrities. However, the hate between them grows fast, as much as their fame.
|
|
|
Carola de día, Carola de noche (1969)
Character: N/A
Due to the triumph of a revolution, Carola, a young and beautiful heiress to the throne, leaves her country to save her life; but her new existence, constantly watched, threatened by her enemies, subjected to the punctilious demands of her position, bores her desperately.
|
|
|
|
|
Nadie inquietó más (2008)
Character: Self - Filmmaker
A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.
|
|
|
¿Quién puede matar a un niño? (1976)
Character: Man Next to the Bus (uncredited)
A couple of English tourists arrive at the island of Almanzora, off the Spanish Mediterranean coast, where they discover that there are no adults in a small fishing village, only some children who stare at them and smile mysteriously.
|
|
|
El televisor (1974)
Character: Narrator (voice) (uncredited)
Enrique buys a color television set just to satisfy a personal pleasure long time deferred but, from that moment on, he becomes obsessed with it in such way that eventually he is incapable to differ reality from fiction.
|
|
|
Horror Europa with Mark Gatiss (2012)
Character: Self
Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.
|
|
|
Culto al terror (2017)
Character: Self - Filmmaker
A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.
|
|
