Varvara Alyokhina

Personal Info

Known For

Acting

Known Credits

0.1199

Gender

Female

Birthday

01-May-1889

Age

(137 years old)

Place of Birth

Russian Empire [now Russia]

Also Known As
  • Varvara Alekhina
  • Varvara Alyokhina
  • Варвара Алехина
  • Варвара Алёхина
  • В. Алехина

Varvara Alyokhina

Biography

NO BIOGRAPHY AVAILABLE


Credits

Рваные башмаки Рваные башмаки (1933) Character: School teacher
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
Настенька Устинова Настенька Устинова (1934) Character: Ryvacheva
About the fate of a former prisoner of war, who returns to his homeland, to the Soviet Union.
Медвежья свадьба Медвежья свадьба (1925) Character: Old and demented Adelina
Konstantin Eggert both directed and starred as Count Shemet, cursed by his insane mother’s traumatic experience with a bear to have seizures during which he himself becomes a “bear” on the kill.
Марионетки Марионетки (1934) Character: Old princess (uncredited)
Fearing the Soviet Union, rich businessmen who want more influence in Europe decide to give the nation of Boufferia a new king, an easy to handle drunkard.
Земля в плену Земля в плену (1928) Character: (uncredited)
Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only for a barren, rocky, useless acreage. The pair struggle to make do on this land, but then the Baron demands that Maria leave her husband to serve as wet nurse to his married daughter Anya's new baby, on threat of eviction. While nursing the daughter's baby, Maria receives unwelcome attentions from the daughter's husband, and a scandal erupts, ruining Maria in her husband's eyes. When she escapes from her employers and seeks to return home, the police give her the yellow passport signifying a prostitute, further degrading her. She approaches home, unsure of the reception that awaits her.



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