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Nanette (1940)
Character: Schauspielerin
Successful playwright goes undercover to get new material and finds romance.
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Was will Brigitte? (1941)
Character: Margot Reuter
The young fashion designer Brigitte Arend is not having any success with her work, and since she has also been given notice to leave her room, she is facing ruin. Even the man she loves, the composer Stefan Roland, makes her doubt herself, because he likes to devote himself to other women, and not without success. In her desperation, she takes a job as a maid for Director Forbach, where a big party is currently taking place.
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Der Ammenkönig (1935)
Character: Frau von Prillwitz
Rather coarse, pre-War comedy about a Markgraf -- Heinrich XXVI -- who bathes in the springs of the Ammendorf to strengthen his potency. The town and its springs are especially well known for the many couples with lots of children, who, for tax reasons, live there unmarried. The town smithy and bully provides his vitality to ensure the countess has an heir for the throne.
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Ein ganzer Kerl (1939)
Character: Leonie
Jule (Heidemarie Hatheyer), a 25 year old women is not having an easy life. Her cousin Stefan Rüdiger (Albert Matterstock) has left "manor Jobshagen" as an 18 year old and Jule has had to manage business since then. Her uncle, Stefan's father, never could get over the leaving of his son and isolated himself from the world. Jule, once a blithe youngster, became a tough woman by the time. And there are heavy debts on the manor Jobshagen, 6000 Marks. The innkeeper Meyer could give Jule the money, but he wants a big part of the estates of manor Jobshagen for exchange and that is the last thing that Jule would accept.
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Fräulein – Falsch verbunden (1932)
Character: Frau West
Miss Inge Becker is a telephone operator. She makes an appointment with her unknown opera singer West. Simultaneously, Rainer, the young director of the telephone distribution, makes an appointment with him unknown Miss Lotte Schröder. The location of the meeting and sign of recognition of the two pairs are the same. An exchange with consequences cannot be avoided, as the next day the director wants to speak with Inge, because she neglects her service.
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Die Pranke (1931)
Character: Telephonistin
German-Italian crime drama with a racing milieu: The International criminal, "The Paw", who kills his victims with a prosthesis, has struck again! An engineer, who has designed a new racing car for the Italian firm Alberti has been found beaten to death. The plans for the car have been stolen. Rappis, the firm's director, takes part in the race and hits the finish line at the same time as the German racer, Peter Kruger. Then Rappis is found beaten to death, too.
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Kora Terry (1940)
Character: Olly Laurens
When Bartos, the director of the Odeon variety theater, cancels an artist at short notice, he hires the Terrys out of necessity, whose parents were successful variety artists, but who had not yet received an engagement themselves. Both are supported by Tobs, a friend of their parents. While blonde Mara Terry arrives punctually for the first rehearsal, her dark-haired sister Kora is late like a diva and acts aloof and snippy. At their first performance together the next day, Kora is overtired from partying the night before. During a dangerous act in which she has to balance her upside-down sister on her head, she becomes careless...
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Heimatland (1939)
Character: Ellinor
The opera singer Maddalena had been cast out by her family after they learned she was to bear the child of a banker, von Keller, who had seduced and abandoned her. Her return to her native city has her father warn her to remain away, because she is a threat to her family, and her sister Marie's wedding. However, von Keller threatens the reputation of her family with an underhanded banking scheme. He commits suicide, and Maddalena is reconciled with her family.
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Die Gräfin von Monte-Christo (1932)
Character: Filmdiva
The two aspiring actresses Jeanette and Mimi are waiting for their big chance. But the real breakthrough is slow in coming. Jeanette especially desperately needs a big success, since her friend, the journalist Stephan, is about to lose his job. When the two have their chance to take a ride in a posh car during a shooting, Jeanette slams on the throttle and the two friends take off. Their aimless journey takes them to a fashionable winter sports’ hotel, where Jeanette reserves a name under “The Countess of Monte Christo”. Everything’s going dandy; no one suspects a thing. That is, until two impostors, Rumowski and “The Baron” take residence in the same hotel.
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Das Hofkonzert (1936)
Character: Gräfin Hadersdorff
Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.
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Quick (1932)
Character: Charlotte
Lilian Harvey plays Eva, a young girl taking some time in a health spa and spending her evenings in the town's vaudeville theatre enamoured by a heavily made-up clown called Quick. Quick takes a shine to her and tries to woo her without make-up and masquerading as the theatre's manager. Unable to resolve her feelings for Quick and the theatre manager, Eva is angered when she finally learns that they are one and the same.
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Ohm Krüger (1941)
Character: Agentin Flora Shaw
An anti-British propaganda film from Nazi Germany which depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War.
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