|
Graustark (1915)
Character: Prince Bolarez
While traveling by train from Denver to Washington, DC, wealthy young Grenfall Lorry meets a beautiful young girl. When they are accidentally left behind in a mining town, they race through the mountains and finally catch it. They travel to Washington and have a great time, but they soon part. They meet again later in the small European country of Graustark, where Grenfall and his friend Harry rescue her from kidnappers, and they then discover that she is actually the country's Princess Yetiva. She is engaged to Prinze Lorenz of Asphan in order to pay off Graustark's enormous debt from the war, but Lorenz is murdered and Grenfall is framed for the crime. Complications ensue.
|
|
|
Face à l'océan (1920)
Character: Lefranc
Lefranc is vain selfish man. The only person he loves is his eldest son Bernard, a ship-of-the-line lieutenant. Richard, the youngest son, is a common fisherman. Bernard gets married to a rich heiress, Hélène d'Argel and Richard gets married on the same day with Louise Kermarech, daughter of a fisherman. Years later, Bernard looses his wife and disappears at sea. His daughter Germaine ignores her cousin Gaud and Yvonnic Lefranc. Richard also dies at sea. Germaine will bring grand-father Lefranc closer to his grand-children.
|
|
|
L'Empereur des pauvres (1922)
Character: Le père Silve
Marc Anavan, a rich young man, leads a profligate life and when he understands his fortune is about to evaporate he decides to change his life, to become a vagabond and to do good around him. The task is not easy but his faith in his mission and the love of Silvette will help Marc to overcome all the hardships on his way.
|
|
|
La Porteuse de pain (1923)
Character: L'abbé Laugier
The Bread Peddler is a 1923 French silent drama film directed by René Le Somptier and starring Suzanne Desprès, Gabriel Signoret and Geneviève Félix. It is based on Xavier de Montépin's novel of the same title.
|
|
|
That Sort (1916)
Character: Doctor Maxwell
John Heppell, a wealthy young man about town, falls in love with Diana Laska, a noted actress, and marries her. After their child is born he tires of her and goes back to his old way of living. Infuriated at his neglect, Diana leaves him and goes abroad with Philip Goodier. He also tires of her in time, and she becomes a notorious character on the continent.
|
|
|
Why America Will Win (1918)
Character: The Kaiser / Field Marshal von Hindenburg
This is not a romance but the biography of the man who now leads our vast forces in France. It shows him from boyhood to his present high command, and the story of his life tells why Pershing was selected to lead the American forces overseas and how he has his own personal account to settle with the ruthless Hun.
|
|
|
The Dixie Winner (1916)
Character: Judge Boyce
Little Joyce Fairfax loves her thoroughbred colt “Satan.” When financial difficulties force her young, widowed mother to sell her estranged grandfather, Judge Boyce, who had disapproved of her mother’s choice of husband, buys him secretly. When the judge also suffers reverses, he enters Satan in the Dixie Stakes where the unscrupulous Silas Morgan tries trickery to prevent the colt from running. He almost succeeds until a mysterious rider comes to the barrier, and rides Satan to victory. When Mrs. Fairfax hastens to the paddock, she finds Joyce very muddy and soiled in her jockey colors, just then Judge Boyce arrives, and the trio are reunited.
|
|
|
Temper (1915)
Character: Bradbury's Son
Driven from home because of his father’s temper, 20-year-old Frank Bradbury struggles to control his own strong emotions. When a schoolmate harasses his sweetheart, Rose Claybourne Frank attacks him and is expelled from university. After becoming engaged to Rose they return to his home, seeking his father's consent for their engagement. Their mothers are hopeful for reconciliation, but Frank’s father is enraged. Frank arrives while the father is attacking his mother and Frank kills him with a paper weight. Brought to trial he is acquitted on the grounds of justifiable homicide and Rose and he marry.
|
|
|
A Daughter of the City (1915)
Character: Le Moyne
Margaret Fowler is a daughter of the city. Her mother, mean and avaricious, ground down to poverty, is willing to sacrifice her daughter's happiness and love for wealth and position. The girl longs for the beautiful things of life. Prompted by her own mother's pleadings, she turns her back on love.
|
|
|
Max Comes Across (1917)
Character: Maupain
The adventures of Max Linder, some based on real events, some fictional, as he travels by ocean liner from France to America.
|
|
|
Efficiency Edgar's Courtship (1917)
Character: Mr. Pierce
Efficiency wins success in business; why not in love? Edgar Bumpus, a rising young man, applies this reasoning to his courtship of Mary Pierce. He first eliminates Wimple, his closest competitor, who plays a guitar, by learning to play a saxophone, which makes louder noise, and by sending Mary flowers and candy each time Wimple calls on her. The plan works O.K., until the saxophone disturbs Mr. Pierce's slumbers. He and Edgar clash and the latter is forbidden to visit Mary any more. Edgar employs a clipping bureau to send news items to Mr. Pierce which tells of the troubles young girls get into when their fathers refuse to let them have beaux. One eloped with a milkman; another disappeared. This has no effect upon Mr. Pierce, however, except to make him hate Edgar more. However, the youth's persistence finally wins Mary's love. Then Edgar plays his trump card. He gets Mary to sign a legal agreement to forfeit $10,000 to him, unless she marries him.
|
|
|
|
|
The Prince of Graustark (1916)
Character: William H. Blithers
Graustark needs thirty million dollars to satisfy a Russian loan. The Prince of Dawsbergen, ruler of the adjoining principality, will advance the money if the young Prince of Graustark marries his daughter. Prince Robin, however, inherits an independent spirit, his father having been an American. He refuses absolutely to marry a Princess whom he has never seen. His councilors plead in vain. With the ruin of his country imminent, the boy ruler hastily sails for America to negotiate the loan, hoping at the same time to meet the girl of his dreams. The money is readily advanced by William W. Blithers, a self-made millionaire anxious to have his daughter marry into royalty. The daughter, however, avoids the Prince and he does not see her. He rescues a girl from drowning and falls in love with her. He believes her to be Blithers' daughter, but she does not reveal her identity.
|
|
|
Vultures of Society (1916)
Character: Abraham Cleverman
Young Teddy Bimms craves the good life and finds plenty of intrigue and danger when she falls in love with a jewel thief, who is masquerading as a prince. Ultimately, the young girl reveals his true identity and rescues the grateful prince, who promptly proposes marriage.
|
|
|
Lest We Forget (1918)
Character: Undetermined Role
A story of the First World War, told in semi-documentary style, focusing on the iniquities of the German war machine, and with its dramatic center the sinking by a German U-boat of the passenger liner Lusitania in 1915.
|
|
|
Captain Jinks of the Horse Marines (1916)
Character: Prof. Belliarti
Jonathan Jinks, a man known for his charm, gets into a bet about seducing opera star Aurelia Trentoni, leading to a series of comical misunderstandings and a secret engagement before a happy resolution.
|
|
|
Lafayette, We Come (1918)
Character: The marquis
Leroy Trenchard loves Therese Verneuil, and when Leroy enters the army goes to France to fight, Therese follows as a Red Cross nurse. But suspicion arises that Therese is actually Princess Sonia, a German spy.
|
|
|
The Man Who Was Afraid (1917)
Character: Colonel Cory
Young Benton Clune is not a coward at heart. He is a victim of over-zealous mother love which has grown to exert too great an influence over him. When the President's call to arms comes, Clune's regiment of National Guard prepares. Mrs. Clune is terror-stricken.
|
|
|
The Raven (1915)
Character: John Allan
After a brief view of Edgar Allan Poe's family background, his grandfather, David Poe, Sr., an Irish immigrant to America, and his father, David Poe, Jr., the poet's life is depicted from the death of his mother and his subsequent adoption by John Allan, to his own tortured death in 1849. Expelled from the University of Virginia for incurring too many debts, Poe nonetheless courts and marries Virginia Clemm but is disowned by his foster father. While residing in Fordham, New York, Poe tries to earn a living as a writer but meets with little financial success. Overwhelmed by their impoverished state, Virginia dies and Poe sinks into a profound depression. Always a victim of alcohol and subject to hallucinations, Poe first imagines that his neighbor, Helen Whitman, is Virginia, then plunges himself into an elaborate delusion in which his wife's spirit, various other spectres and a raven finally drive him to his own death.
|
|
|
Sherlock Holmes (1916)
Character: Professor Moriarty
When a couple of scammers hold young Alice Faulkner against her will to discover the whereabouts of letters whose dissemination could cause a scandal affecting the royal family, Sherlock Holmes decides to take over the case. (Considered lost, a copy was found in 2014, in the vaults of the Cinémathèque Française.)
|
|
|
Le Miracle des loups (1924)
Character: N/A
King Louis XI tries to unify France by all means fair or foul, which does not please his powerful rival Charles the Bold. It is against this troubled backdrop that the loves of the daughter of a wealthy bourgeois and the king's god-daughter Jeanne Fouquet and knight Robert Cottereau unfurl in spite of all the obstacles in their way. One of these being a pack of hungry wolves trying to stop Jeanne from carrying out an important mission assigned to her by the king himself.
|
|
|
Monte Cristo (1929)
Character: Monsieur Morrel
This epic adaptation of The Count of Monte Cristo was directed by Henri Fescourt, and stars Jean Angelo, Lil Dagover, Pierre Batcheff, the beautiful Marie Glory, and Bernhard Goetzke as the Abbé Faria.
|
|
|
|