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お染久松 そよ風日傘 (1959)
Character: N/A
A young, feisty woman named Osome searches for her true love in the midst of a family crisis.
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女賭博師乗り込む (1968)
Character: N/A
Sixth film in the long-running series Daiei Studio's Woman Gambler with Kyoko Enami starring where she plays the woman gambler Ogin.
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女賭博師みだれ壷 (1968)
Character: N/A
Eleventh film in the long-running series Daiei Studio's Woman Gambler with Kyoko Enami starring where she plays the woman gambler Ogin.
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暖簾 (1958)
Character: N/A
Based on the novel by Toyoko Yamazaki.
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望郷子守唄 (1972)
Character: N/A
A ruffian joins the ranks of the emperor’s guards.
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サザエさんの婚約旅行 (1958)
Character: N/A
An adaptation of the popular Sazae-San comic strip. The first entry in the series shot in TohoScope.
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波影 (1965)
Character: N/A
Ayako Wakao won the Blue Ribbon and the Kinema Jumpo for this film.
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続大奥(秘)物語 (1967)
Character: N/A
In the year 1786, Shogun Ieharu Tokugawa selected beautiful Ochisa to be his concubine. It causes other concubines to become very jealous and mean. When the Shogun passes away, his concubines are forced to become nuns, which they are not happy to be. The subject is life inside a shogun's harem, and the treatment is again more restrained than in most of the historical pinku eiga films being produced by independents at the time, but the tone of this middle installment in the trilogy is decidedly more grim than that of its predecessor. There's a good deal of abuse and violence on display, as the shogun dies and his concubines are sent to a remote convent to become buddhist nuns. the hysterical nuns are being punished for their transgressions and committing suicide in grand exploitation fashion.
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お役者小僧 (1953)
Character: お幸
The phantom thief, known as the "Actor Kid", who was creating a stir in the Daimyo's mansion, especially in the inner chambers, was called Inaba Goutaro. He was the adopted son of a samurai, Inaba Buemon. An incident occurred where his foster father collided with the palanquin of the lord's concubine. In the subsequent altercation, Goutaro killed one of the attendants. Taking responsibility for the act, his foster father committed seppuku, and Goutaro was hunted down. Facing death, his foster father revealed to Goutaro that after the death of his biological father, Goutaro's real mother and his younger brother were forcibly made to serve a lord. This revelation ignited Goutaro's determination to infiltrate the Daimyo's mansion to meet his birth mother.
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お役者変化 (1954)
Character: 母そよ
During the Genroku era, Azusa Gennosuke, renowned in Nara as a top swordsman and a scholar, crossed swords with the Magistrate Kurobane Yatayu, who tried to force himself on Gennosuke's beloved foster-sister, Kikuno. As a result, Gennosuke's younger brother, Shichisaburo, was killed. Separated from his mother, Gennosuke found himself on the run from the officials.
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濡れ髪権八 (1954)
Character: およし
A foot soldier from Tottori domain named Shirai Gonpachi showcased exceptional swordsmanship that even surpassed the domain's champion Honjo Sukehichi during a ceremonial match. Though Gonpachi was promised a promotion to samurai status due to his skills, Sukehichi's father Sukezaemon's intervention out of jealousy prevented this. In anger, Gonpachi killed Sukezaemon and, without realizing it, also mistakenly killed Tomoe, his lover's brother Tsushimo Uemon. Following this, he fled to Kyoto, seeking shelter at the "Murasa" inn operated by Uemon's aunt.
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快盗三人吉三 (1954)
Character: 小紫の局
On March 11 in the seventh year of Tenpo (1836), a monk named Bennō, who fell in love with a geisha named Oshima, was publicly exposed at Nihonbashi for committing an illicit act with a woman. While this was happening, an extravagant procession led by another monk named Nikkei passed over the bridge. Nikkei, the head of the Kanouin temple, in collusion with Nakano Harima-no-Kami, had schemed to make his younger sister, Miyoshi, the Shogun's mistress and aimed to transform Kanouin into the Shogun's family temple. To fund the renovations, Nikkei accepted bribes from a corrupt merchant named Koya Bunzo.
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八州遊侠伝 白鷺三味線 (1955)
Character: お金
Hatamoto Ooka Gentaro was deeply committed to a future with a beautiful girl named Omachi, a relationship facilitated by his love of the shamisen. Omachi was stalked by a ronin named Akiyama Kanosuke, and at one point, Gentaro and Akiyama dueled at Matanuiyama, but the confrontation was left unresolved when Omachi, sensing urgency, called the authorities. Meanwhile, Gentaro's uncle, Kii-no-kami, concerned about Gentaro's whereabouts, ordered him to investigate a conspiracy by Tachibana Tadama, a tyrannical director of Hachijo who exercised his power oppressively in Shimousa Iioka. Gentaro attempted to leave on a journey with Omachi but was obstructed by his uncle's retainers.
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僕はボディガード (1964)
Character: N/A
Kita Ippei (Atsumi Kiyoshi) became a security officer in the Metropolitan Police Department's Security Division after catching a thug who attacked a writer living in the area while working at a police box. His dream is to become a bodyguard (BG) for the Prime Minister, just like his senior, Detective Inspector Takagi (Ryu Chishu). Kita Ippei is very successful in both work and love, getting attacked while guarding a female minister, getting some perks as a BG for a foreign princess, and becoming friends with a woman at his favorite bar.
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夕凪 (1957)
Character: N/A
A girl rebels against her mother, who runs a brothel in Yokohama, and attempts to find freedom on her own.
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雪国 (1965)
Character: Blind masseuse
This movie is based on an immortal literary work "The Snow Country," a story about a life of geisha Komako who lives in a region with heavy snowfalls.
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美貌の都 (1957)
Character: Natsu Morishita
Melodrama about a young factory girl who "chooses riches over chastity".
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裸体 (1962)
Character: N/A
The sexual experiences of the passionate Sakiko, from her fling with her boss in her first job to her ending up as a prostitute.
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女系家族 (1963)
Character: Yoshiko
A story about a wealthy family and the greed and selfishness of three daughters and relatives, after the passing of their old father
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人情馬鹿 (1956)
Character: N/A
A young man steals money for a cabaret singer.
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怪談佐賀屋敷 (1953)
Character: N/A
A woman loses her son through an evil conspiracy and commits suicide. Shortly afterwards a ghost cat begins haunting the conspirators. This is Takako Irie's first bakeneko (ghost cat) movie; it started a Daiei cycle which was very popular at the time in Japan.
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怪猫岡崎騒動 (1954)
Character: N/A
The Lord of Okazaki is killed by his brother-in-law. Although the Lord's widow bears a child, she is also killed. Then, a ghost cat begins stalking in the castle.
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続べらんめえ芸者 (1960)
Character: N/A
Young geisha Kohana scrambles to realize her dream of bringing back her grandmother’s restaurant business.
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べらんめえ芸者罷り通る (1961)
Character: Otoshi
A comedy of a high-spirited geisha, Koharu, who is at risk of being trapped in a conspiracy to take over a lucrative diamond mine business.
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貸間あり (1959)
Character: O-Mino
When Yumiko Tsuyama, a potter by profession, comes inquiring about a room for rent in an old mansion overlooking Osaka, she finds a bizarre collection of characters already living there. The unlikely leader of this menagerie is Yoda Goro, who speaks four languages fluently, is an expert in cabbage rolls, and has written how-to books encompassing every aspect of human existence.
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図々しい奴 (1964)
Character: N/A
Naomasa, the former lord of Okayama Castle and the head of the Iseda family, takes a strange boy, Kirihito, under his wing. However, Naomasa is sent to Europe for his rather too liberal lifestyle…
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浪花の恋の物語 (1959)
Character: Oen
The adopted son of an Osaka courier falls in love with a prostitute and, discovering that she is about to be purchased by a client, steals money from his employer to redeem her. Hunted criminals, the two young lovers take flight to Yamato, but, as in Chikamatsu's other domestic tragedies of love and duty (known as sewamono), they must be pursued and their passion destroyed by death. Favourite Uchida themes, such as the indenturing of a prostitute , and his characteristic emphasis on performance and theatrical artifice re-emerge here; but the daring device of having Chikamatsu appear as a character - not unlike having Shakespeare interpolated into a film adaptation of one of his plays - is just one of many surprises this remarkable film holds. “Extraordinary” (Donald Richie).
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殺陣師段平 (1962)
Character: Old woman
The Fencing Master tells the story of a man trying to survive as the only world he knows is becoming increasingly irrelevant. Danpei Ichikawa lives for swordfighting – he was once a renowned kabuki swordfight choreographer, and as the Chairman of the New National Theatre Company, he wants nothing more than to choreograph the swordfights for the modern plays put on by the company.
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新・いれずみ無残 (1968)
Character: N/A
Modern sex and thrill film about tattooed prostitute.
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有楽町で逢いましょう (1958)
Character: Yone
Aya successfully stages a fashion show in Osaka and in the train on her way home to Tokyo accidentally treads on a man's foot. The man whose name is Rentaro is not amused. Just afterwards she notices that he is reading a magazine which carries her picture which he crushes and throws under his seat. One of her customers in Tokyo is a pretty girl named Kana for whom she had designed a dress which at first seems quite satisfactory. But a few days later Kana brings it back. It seems her brother thinks it terrible. But when Kana brings the dress back she meets Aya's brother, Takeshi, with whom she becomes friendly and Takeshi gives her a new dress which he smuggles out of his sister's office. When Aya finds Kana's discarded dress and misses one belonging to another customer she goes to see Kana's brother, and to her surprise finds him to be the fellow whose foot she'd stepped upon in the train...
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猫と庄造と二人のをんな (1956)
Character: Orin
Shozo is plagued by the needs of his ex-wife and his current one, but prefers the company of his cat.
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大阪物語 (1957)
Character: N/A
A poor peasant, after years of scraping, becomes a rich and powerful Osaka merchant. Mizoguchi Kenji's final project; he died before completing it and directing duties turned over to Yoshimura Kozaburo.
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サザエさんの脱線奥様 (1959)
Character: N/A
Masuo and Sazae are enjoying their newlywed life in their new house, even though they are in company housing. Masuo's colleague is invited to thank him for the newlyweds, but Masuo has been told by Managing Director Hanamura to go on a business trip to Kansai. Before long, Masuo contacted Sazae to come to Osaka.
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サザエさんの結婚 (1959)
Character: N/A
Sazae finally gets married, but right after that, Masuo is transferred to Osaka. A heartbroken Sazae sends her parents on a silver wedding trip, and eventually heads for Nikko, a travel destination. Sazae is once again overwhelmed by the sight of the newlyweds bustling with sunlight, but...
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愛情の都 (1958)
Character: Umeko Yoshii
Aiko, a bar hostess, falls for the son of a company president who also keeps a mistress, and whose family disapproves of his relationship with the bar hostess.
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宮本武蔵 般若坂の決斗 (1962)
Character: Osugi
The remake of Yoshikawa's novel continues with the second installment in which Takezo, soon to be Miyamoto Musashi, emerges from the Himeji Castle after three years of intense contemplation and philosophical study and starting on his epic quest to complete his skill in the Way.
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宮本武蔵 二刀流開眼 (1963)
Character: Osugi
In the third installment of Yoshikawa's novel Musashi, things continue from the 2nd film at the end of battle, where Miyamoto continues on a mission of learning; with the introduction of his arch-rival Sasaki Kojiro; and lastly the large cast of characters rendezvouses for a fateful finale.
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宮本武蔵 (1961)
Character: Osugi
In this first episode, we are introduced to Takezo, what Musashi used to be before he became the man of legend. His beginning are not exactly auspicious. He sides with the Toyotomi at Sekigahara, and as a result finds himself on the losing side of the historic battle. He and his friend Matahachi manage to escape the slaughter although the latter is wounded in his leg. They stumble across the young Akemi who makes her living with her mother Oko by robbing corpses of their armor and anything else they can sell. Oko takes it into her head to seduce Matahachi, which she does first by skillfully sucking the gangrene from his blood, and then just by sucking.
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旅笠道中 (1958)
Character: N/A
Kind hearted yakuza Hanjiro of Asama risks his life in saving his henchman Genjiro and his family.
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太夫さんより 女体は哀しく (1957)
Character: Ohatsu
Directed by Hiroshi Inagaki, the drama, set in the brothels of Shimabara in post-war Kyoto, is a moving look at the lives of women of tenacity and resilience.
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小早川家の秋 (1961)
Character: Sasaki Tsune
The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.
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女囚と共に (1956)
Character: Mitsuko Kaneoka, prisoner
The woman prison has a cast all with a story of their own and with no dull or routine day. There is an employee who is divorced after her husband had an affair. She loves the jailed criminals and almost sees them as family. One day at a workshop someone faints while working hard to make money because she has a poor boyfriend. Another inmate is knocked up Another is a mother and has her child with her.
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山椒大夫 (1954)
Character: Ubatake
In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years earlier.
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彼岸花 (1958)
Character: Hatsu Sasaki
Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a musician and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.
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瞼の母 (1962)
Character: Obah
Period piece about a young man who, because of his hard life alone in the world, has become a yakuza. When he hears that his mother may be living in Edo (Tokyo), he travels there, intent on finding her and leaving the swordsman's life behind. But a team of rival gangsters is hot on his heels.
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グラマ島の誘惑 (1959)
Character: Shige Sasaki
Comedy about three soldiers, two female reporters, six prostitutes, and the wife of an officer, all stranded on a South Seas island at the end of World War II.
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宮本武蔵 一乗寺の決斗 (1964)
Character: Osugi
In the fourth installment, Musashi's potentially greatest opponent Kojiro jumps in and out of the story at the oddest and most coincidental moments. As his great love Otsu has succumbed to madness. Musashi then sets off to beat the functionaries of a treacherous clan in an arranged duel. 73 against one. Boastful Kojiro watches, secure in the knowledge that only he is a worthy opponent.
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宮本武蔵 巌流島の決斗 (1965)
Character: Osugi
The fifth and final installment with the build up of the epic battle between Sasaki Kojiro and Miyamoto Musashi. With all the familiar characters making appearances: Otsu (Musashi's great love), Akemi, Matahachi (his former fellow soldier), old lady Osugi (still doggedly trying to defeat Musashi), and even the return of Priest Takuan (the man responsible for his journey towards enlightenment). But most of all, the boastful, long-haired and long-sworded Sasaki Kojiro.
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祇園囃子 (1953)
Character: Okimi
Fleeing a distressing family situation, Eiko, a very young girl, becomes an apprentice to Miyoharu, a veteran geisha. Both, determined to preserve their professional integrity, must face the selfishness and ambition of several petty people.
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雪国 (1957)
Character: Otatsu
It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?
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近松物語 (1954)
Character: Okô
When the wife of a 17th century Kyoto scroll-maker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves falling for one another.
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お父さんはお人好し (1955)
Character: N/A
A frenzy of goodwill, tears, laughter, and a lot of fun, caused by thirteen children under the guise of a good-natured fruit vendor and his wife.
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夫婦善哉 (1955)
Character: N/A
The story of a couple, a spoiled son and a down-to-earth girl, in Osaka in the early Showa era. The film won the prestigious Blue Ribbon awards for best director, best actor (Morishige) and best actress (Awashima), and the Mainichi Concours award for best actor and best screenplay (Yasumi Toshio). It ranked second (after Naruse Mikio’s Ukigumo) on the Kinema Junpō top ten films for the year.
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大江戸評判記 美男の顔役 (1962)
Character: Omon
A group of men living a low life in Edo help each other to make the best out of their lives.
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大当り三色娘 (1957)
Character: Umeko Yoshioka
On Wings of Love is a 1957 Japanese romantic musical film directed by Toshio Sugie. It was Toho's highest-grossing film of the year and the first film released in Tohoscope.
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蜘蛛巣城 (1957)
Character: Old Ghost Woman
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
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三匹の悪党 (1968)
Character: N/A
Two lone wolf yakuza (Hideki Takahashi and Kunie Tanaka) rob a gambling den, then split up when pursued by the angry gang. They eventually meet again at Tanaka's mother's rural farmhouse. By then, one-eyed Kobayashi has wrangled his way into the scenario, intending to get a split of the proceeds (since he had helped them get away). Although there is some dissension amongst the three, they eventually close ranks to fend off their stubborn, relentless pursuers. Unhappily, Tanaka’s mother (Chieko Naniwa) is killed in the process. There are also love interests (Yoshiko Machida and Kayo Matsuo) and some humor along the way. An admirably different approach to the formulaic ninkyo yakuza programmer, filmed largely in sweltering summer countryside locations.
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嵐を呼ぶ十八人 (1963)
Character: Seichii's Mother
Experienced shipyard worker Shimazaki gets an offer of free lodging from his employer in the company seaside rest house if he agrees to see to its running. After moving in, Shimazaki finds out that this will also mean taking care of a flock of youngsters, and he soon becomes their none-too-successful warden. At work the boys are disciplined, as soon as they return to their dormitory however they turn into an unmanageable mob.
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華岡青洲の妻 (1967)
Character: N/A
The disturbing story of a physician who conducted the first operation with general anaesthetic, and the women in his life who are both so determined to win his love that they volunteer as subjects for his experiments
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花の折鶴笠 (1962)
Character: N/A
A wandering vagrant, Hantaro, risks his life to save a beautiful blind girl and her father from con artists.
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噂の女 (1954)
Character: Osaki
Yukiko's fiance learns her mother runs a geisha house and ends their engagement. She despises what her mother does until one of her clients shows interest and starts to woo her.
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続々べらんめえ芸者 (1960)
Character: N/A
Popular geisha Koharu suspects that Yusaku, a handsome stranger she falls in love with, is involved in a robbery of precious diamond.
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大阪野郎 (1961)
Character: N/A
The film takes place in a dark area of the giant city of Osaka and tells about a group of people who find themselves at the bottom of society, and about the courage of a man who defies the city of violence in search of his beloved sister.
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江戸の悪太郎 (1959)
Character: N/A
A classic battle between good and evil pits an unscrupulous fortuneteller who has been preying on the good citizens of Edo against a master-less samurai who founded a school for underprivileged children in a poor neighborhood. Into the mix comes a young woman running away from a forced marriage disguised as a teenage boy and becomes a student of the beloved Sensei, while he staves off the advances of a skilled pickpocket and prepares for a bloody showdown against a direct retainer of the shogun!
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勢揃い・大江戸六人衆 (1953)
Character: N/A
A parody based on Kabuki plays about thieves led by the famous Soshun Kochiyama.
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親鸞 (1960)
Character: N/A
A biographical movie about Shinran
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二十四の瞳 (1954)
Character: Meshiya no Kamisan
From 1928 to 1946, the lives of 12 young people and their school teacher in a poor Japanese village are profoundly affected by historical events and personal circumstances.
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女ばかりの夜 (1961)
Character: Kumeju
In the wake of the 1956 Prostitution Prevention Law, a young woman recently released from one of Japan's new rehabilitation centers struggles to build a new life.
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次郎長社長と石松社員 安来ぶし道中 (1963)
Character: N/A
Shimizu Jirocho, the president, manages two businesses: Izumo Kanko-sha and the group inn "Daikokuya." There is a system where customers from Izumo Kanko-sha are directly sent to Daikokuya. President Jirocho learns that the geishas he is fond of, including Mari Chiyotachi, are going to Izumo to participate in the Ankai-bushi Concours...
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股旅 三人やくざ (1965)
Character: N/A
A tale of three Yakuza gamblers who traveled Japan during the samurai era living by their wits and sword skills. Told in 3 separate vignettes, each part tells the story of a different drifter’s life. Part 1: A man is on the run after killing two Hasshu Officials to avenge his Boss. He must make a life or death decision as he is asked to protect a gang from attack. Part 2: A pair of gamblers chased out of a crooked game must fight not only their pursuers, but the ghosts of their pasts as well. Part 3: A wanderer who wants to live according to the Yakuza Code, but is not sure that he can do so when asked to save a town from an evil official.
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橋蔵のやくざ判官 (1962)
Character: N/A
Bunkichi disguises himself as a yakuza to solve a mysterious death.
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独眼竜政宗 (1959)
Character: N/A
During the latter part of the 16th Century, Japan's Warring States era was coming to a close. After crushing almost all of his enemies, Date Masamune aka the "Hawk of the North" sets his eyes on Hatakeyama's lands. The young warlord is about to face his greatest challenge.
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霧の音 (1956)
Character: Chieko Naniwa
In the heart of the Japanese Alps, in Kamikochi, Nagano Prefecture, botany professor Kazuhiko Onuma spends time with Tsuruko, his lover. One night, Kazuhiko's wife Kazuyo comes to see them and confronts the professor about his extramarital affair, and Tsuruko, an inevitable witness to the confrontation, leaves the professor the following morning. Over the next decade, whenever he visits the mountain cabin every autumn equinox, the memory of Tsuruko will forever haunt Kazuhiko...
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葵の暴れん坊 (1961)
Character: N/A
A young son of a master of the Kuwana clan gets disowned for his rebellious behavior. After he goes from the mountains to the ocean defeating the evil, he becomes a fine man.
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国定忠治 (1958)
Character: N/A
Kunisada Chuji is a common folk hero who looks out for poor people in the country who are at the mercy of corrupt officials. Intent on fulfilling a dying wish from one of his henchmen, Asataro, to find a decent home for his young nephew, Chuji descends from his hide-out in the mountain, and heads to the city in spite of numerous dangers that await him there.
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月形半平太 (1952)
Character: N/A
During the ultra-violent era of the downfall of the Tokugawa Shogunate one man rose above the rest with his ideas of how to overthrow the corrupt government and end the bloodshed between the Choshu and Satsuma clans which would ultimately lead to the alliance of these 2 clans and restoration of the emperor to full power. Based on the play that made Sawada Shojiro famous, this is the story of Tsukigata Hanpeita, a forward looking samurai from Choshu, who along with Katsura Kogoro and Sakamoto Ryoma of Tosa worked to bring their dream of a new era in Japan.
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花のれん (1959)
Character: N/A
The movie depicts the strength and resilience of a woman who spent her entire life as a merchant in Semba, Osaka.
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女の園 (1954)
Character: N/A
A student at a woman's university takes a controversial action against the school's old-fashioned doctrines.
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今年の恋 (1962)
Character: N/A
Hikaru and Ichiro are close friends in high school. Hikaru's elder brother Tadashi fell in love with Ichiro's elder sister, Mikako at first sight. Although she gave the cold shoulder to Tadashi, she gradually became fond of Tadashi.
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古都 (1963)
Character: Madam
In this Japanese drama, a dry goods merchant's daughter is surprised to discover that she has a twin sister. In rural Japan it was thought that twins bring bad luck, so the sister was abandoned at birth. Later her parents tell her that her sister was kidnapped. The woman doesn't believe this and when she eventually meets her twin, both women are involved in love affairs. The merchant's daughter is seeing an educated fellow. Trouble ensues when she begins suspecting that he may be more interested in her sister.
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横堀川 (1966)
Character: Kin
Taka, the daughter of Naniwa-ya, a longtime Osaka store owner, married Kichisaburo Kawashima-ya, the son of a kimono wholesaler. Her husband just tried to play with her like a sweet candy, but Taka fell in love with him. One day, the father-in-law suddenly dies, and the Kawashima-ya family fortune is rapidly changing. However, the depravity of Kichisaburo does not subside...
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