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三羽烏三代記 (1959)
Character: N/A
The story tells of Tsuchiya, a university professor and a widower who is in love with a widow who runs a small restaurant, and his son is in love with a runaway girl who turns out to be the leader of a religious sect. Kusano is the henpecked proprietor of a rice biscuit shop who dreams of owning a bird and dog shop and his daughter is in love with a boarder, employed by the private detective agency searching for the runaway girl. The agency head has his own dream of arranging thirty marriages and has already accomplished twenty-seven. Tatsumi is a newspaper reporter who dreams of a big scoop to enable him to marry a girl TV producer and his friend a mountain climbing enthusiast who dreams of joining a Himalayan expedition but is opposed by his wife. His love of the mountains is shared by a boarder in their home and by a fishmonger's son.
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丹下左膳 こけ猿の壷 (1954)
Character: N/A
A Japanese drama featuring the one-eyed, one-armed swordsman
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人生劇場 第二部 (1953)
Character: N/A
Part two of Shin Saburi's Theater of Life adaptation.
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京洛の舞 (1942)
Character: N/A
Hiromasa Nomura World War II era film
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お祭り半次郎 (1953)
Character: N/A
Every year, at the festival, familiar merchants such as Toraemon, a magic trick, Tokubei, a blowgun, Kaji, acrobatics, and Unsaibo, a ritual, gather toward the port town.
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赤い蕾と白い花 (1962)
Character: N/A
A high school boy and girl in the midst of their youth try to get their parents to remarry.
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帰郷 (1964)
Character: 守屋節子
Moriya Tomoko, a young girl working for a publishing company, is told by a woman art dealer that her real father did not die, as everyone believes, during the revolution in Cuba, but is now living in Japan. Tomoko's mother has remarried a strict, narrow-minded university professor, whose only worry is protecting his family name from the slightest blemish.
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花は偽らず (1941)
Character: N/A
Hana wa itsuwarazu (1941) is the second directorial work by Shochiku's Oba Hideo. Oba had previously worked as an assistant director to Shimizu Hiroshi and penned films for Shimazu Yasujiro. In this early effort, he is not stylistically very far from either, but then again all Shochiku directors resemble each other to a point. The film is an everyday romance for younger audiences, full of clean, ideal human beings.
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高原の月 (1942)
Character: N/A
An older sister and brother (Mieko Takamine and Masayoshi Otsuka) come to visit their grandfather (Takeshi Sakamoto) who lives deep in the mountains. As for their parents, father was serving in the South Seas and mother died of illness on her way home. So, the brother, who is still young, will live alone with his grandfather whilst the sister goes away to study to become a teacher.
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治郎吉格子 (1952)
Character: お仙
Aboard a ship connecting Kyoto and Osaka, Osan was pickpocketed by a sham blind biwa player. A man who looked like a merchant retrieved the wallet for her. Osan was a woman being sold off for the sake of her yakuza-like brother, Nin'kichi. The man in the guise of a merchant turned out to be the Rat Thief, Jirokichi, the infamous thief of Edo. Due to this chance encounter, the two ended up staying at the same hot spring inn. However, one morning, as Jirokichi was about to leave alone, Osan, with the intuition of a smitten woman, confessed she knew he was the famed Rat Thief.
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リラの花忘れじ (1947)
Character: N/A
In the 30th year, Nirasaki Den'emon established the Nirasaki Hokkaido Development Company with investment from Sonoi to build railway facilities. However, the endeavor faced criticism for attempting to buy Ainu land at low prices. Tokyo Nippo reporter Toshimasa Matsuzaka, who was actually Nirasaki's son, wants to expose the flawed practices of the company.
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舞姫 (1951)
Character: Namiko
The troubled relationship between a writer and his ballet teacher wife, who has for years loved another man, finally leads to the breakup of the family.
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子供の眼 (1956)
Character: N/A
A man is found dead of an apparent suicide but there is speculation that he was murdered. An investigation reveals that he and his wife were at odds over the treatment of his daughter, with accusations that he abused the little girl. A sensational trial ensues in which the lawyer becomes a defendant, and secrets from childhood fester even into adulthood.
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浅草の灯 (1937)
Character: Reiko Kosugi
Pre-war Asakusa was a riotous district of cabarets, dance-halls and brothels - a striking backdrop for Shimazu's story of innocence and experience. Pretty, young Reiko is the new dancer in an infamous theatre troupe, and her fellow performers try to protect her virtue in a land of vice. Meanwhile, an ageing actor wants to be a hero off stage as well as on, and the troupe matriarch Marie has to keep them all together.
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荒城の月 (1937)
Character: Omitsu
Episode in the life of a composer of a popular Japanese song.
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絵島生島 (1955)
Character: 月光院
This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.
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暖流 (1939)
Character: Keiko Shima
Adaptation of Kishida Kunio's novel. Set against the backdrop of a power struggle within a hospital, depicts the love lives of the director's daughter, the administrative director, a doctor, and a nurse.
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幸福号出帆 (1980)
Character: N/A
Adaptation of a 1956 novel by Yukio Mishima.
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君たちがいて僕がいた (1964)
Character: N/A
An uplifting drama about the bond between a group of high school seniors and their kind-hearted teacher, Mr. Yabuki. Faced with the rigors of growing up in modern times, students often look to Mr. Yabuki for advice and guidance. But when Mr. Yabuki’s career is threatened as a result of a false accusation from the school’s PTA, the students band together to stand up for their beloved teacher and help him to save his good reputation and job.
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必勝歌 (1945)
Character: Nobue
Hisshoka is a 1945 Drama film directed by four Japanese directors.
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光る海 (1963)
Character: Yukiko Ishida
On the day of college graduation, Mieko (Sayuri Yoshinaga) stood on stage as the valedictorian for the Department of English. During her university years she made sure that she would always come out on top, and she did. With a victorious graduation behind her, she plans out the next chapter of her life: become a successful novelist and go out with a classmate she's been secretly eyeing for the past couple of years.
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悲しき別れの歌 (1965)
Character: Haruko Nomura
After her mother's funeral, Yuriko, dressed in mourning clothes, sees off her lover Shintaro as he leaves in the powdery snow, and resolves to part ways with him forever. However, in Yuriko's heart... Pure love duo Yoshinaga and Hamada rigorously pursue a life of sincerity and love of the younger generation, and love but parting, in this lyrical and melancholy touching story of Ishizaka literature.
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月夜の渡り鳥 (1963)
Character: Ohama
A resolute young man searching for his mother, whom he was separated from as a child, defies a family who mistreat the poor and homeless.
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純情二重奏 (1939)
Character: Eiko Takayama
Melodrama about a talented singer who finally makes her debut
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純情二重奏 (1967)
Character: N/A
A melodrama about a talented singer who finally makes her debut. A remake of the 1939 film of the same name.
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わが胸に虹は消えず: 第一部 (1957)
Character: N/A
An Ishiro Honda film. The first part of A Rainbow Plays in My Heart released the same day as the second film.
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元気で行かうよ (1941)
Character: N/A
In the movies of those times, you can see young boys in the company scene often. Those boys were called kyuji (給仕), which means “waiter” literally. They are doing odd jobs in the company including serving tea, ushering visitors, buying tobacco, etc. Ordering lunch for the individual requests was also an important job. Those boys were hired often as soon as they graduated from elementary school.
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辨天夜叉 (1956)
Character: N/A
A film about the struggle of an officer from Edo, Toyama Saemon, with a lightning-fast gang of thieves.
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今宵妻となりぬ (1947)
Character: N/A
A hospital melodrama where the conflict between love and friendship rules the faith of the protagonists.
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花の季節 (1990)
Character: N/A
Kitamori Yuki was particular about her promise to her mother-in-law Hana. The promise is that, as the daughter-in-law of Koichi, the eldest son of the Kitamori family, Hana entrusts everything to Yuki, but wants her entire family to come see her on her birthday. At that time, her second son Keisuke's daughter Megumi, who is her private taxi driver, made a mistake, and she was overwhelmed and approached Yuki for advice. Eventually, her mother Kayo of Megumi learned about this, but a period was quietly struck by her women coming to a conclusion that should be the food for Megumi's growth.
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好人好日 (1961)
Character: N/A
The university professor Ozeki Hitoshi (Ryu Chishu) is regarded as an eccentric by people in his surroundings. When his daughter Tokiko is asked to marry a colleague, she and her mother are overjoyed, but Hitoshi is not satisfied with the situation.
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天平の甍 (1980)
Character: Yoroshime
Set in Japan's Tenpyou era (729-749 CE), four young monks are sent to China to study Buddhism and bring a high priest back to Japan with them. The film tells the tale of the four monks' youth and the life and times of the high priest Ganjin.
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点と線 (1958)
Character: Ryoko
Based on Matsumoto Seicho's classic mystery novel of the same name, the story centers around a group of detectives who are determined to find the truth behind an apparent double suicide.
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自由学校 (1951)
Character: N/A
Minamimura, who had always wanted to be free, suddenly quits his job. His hardworking wife is surprised and angry, and throws him out of the house. Confused by his sudden freedom, Iosuke ends up living as a vagrant under a bridge. His wife, Komako, also finds herself freed and is unable to ignore her confusion.
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螢の光 (1938)
Character: N/A
Approaching their graduation ceremony, Saegusa, Sanae, and their classmates go on an overnight trip to Hakone with their teacher Ms. Kawahara, who will soon leave school. They thank her doing so and go on their respective paths, ending soon their student life.
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浪人街 (1957)
Character: N/A
Based on the famous novel by Yamagami Itaro, this is the story of a group of ronin living in abject poverty in the latter days of the Edo period. Starring the great Konoe Jushiro, Ronin Gai is populated by an ensemble of colorful characters, social outcasts who patronize a restaurant and bar on the outskirts of Edo. Among them are masterless samurai reduced to drunkenness and debauchery. One disgraced and disillusioned former warrior gets a chance at redemption when he is hired to retrieve a famous knife from a corrupt lord. This is the third version directed by Makino Masahiro and is considered a true classic.
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青春怪談 (1955)
Character: N/A
Adaptation of the novel by Bunroku Shishi.
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颱風とざくろ (1967)
Character: Nobuko Sakamoto
Comedy-drama about university tennis players.
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撃滅の歌 (1945)
Character: 桜井千鶴
Three daughters have graduated from the music school and have gone their separate ways. On the day of the outbreak of war, the three girls meet again for the first time since their graduation ceremony. This film was made at the end of the war to promote the military song “Song of the Annihilation of the United States and Great Britain” and to raise the will to fight.
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金色夜叉 (1937)
Character: Toshiko Minowa
A penniless orphan loses the woman he loves, when her family arranges a marriage to a wealthy playboy. He believes she was blinded by greed, and becomes a miser.
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ラブ・ストーリーを君に (1988)
Character: N/A
University student Akira meets the lovely 14-year-old Yumi, whom he had tutored years ago. Her mother is told by her doctor that the schoolgirl has leukaemia and has only 6 months to live.
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ある日わたしは (1967)
Character: N/A
The four kinds of love that Yuriko experiences, namely, a childhood longing love, a dream of marriage, a maternal love, and a destined love between parents and children over two generations, as well as the sisterly love between Yuriko and her sister Kaori.
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悪太郎 (1963)
Character: N/A
Based on the loosely autobiographical novel of the same name by Toko Kon. Ken Yamanouchi stars as Togo Konno, the titular bastard.
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ことぶき座 (1945)
Character: N/A
Kotobuki-za is a story of the Naniwa-bushi singer Baichuken Tsurumaru.
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信子 (1940)
Character: N/A
A spirited young teacher challenges the conservative school employing her with liberal thinking and teaching methods.
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りんどう鴉 (1957)
Character: N/A
After killing the deceiver, the Masa gambler comes to Ina. There is a horse market in Ina, and the landowner Tamegoro, plans to steal the proceeds from the sale. Tamegoro steals money and blames the Masa for this crime. Masa has to go on the run, because now he is wanted for a crime that he did not commit...
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朱と緑 (1937)
Character: N/A
A businessman’s daughter falls in love with one of her father’s employees.
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女ごころ誰が知る (1951)
Character: N/A
Ikeuchi was captain of the K - University ice hockey team. The daughter Shikotsuko of Ginza 's western restaurant "Piccolo" was also a female student at K University and was a figure player. They had a dream of being dispatched to Oslo in the Olympic Games and were struggling in each way. Mizuno who runs a sports equipment store in Ginza, showed the geisha by guiding the junior's Ikeuchi and others to the shop of Shimbashi one day.
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挽歌 (1957)
Character: Akiko Katsuragi
A sensitive young woman aged 22 fell in love with a middle aged man who was troubled by his unfaithful wife.
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真田幸村の謀略 (1979)
Character: N/A
This is a film about a real person. Sanada Yukimura fought a war against Tokugawa Ieyasu.
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226 (1989)
Character: Haruko Saito
Based on the "2.26 Incident", an attempted coup d'état in Japan 1936, launched by radical ultra-nationalist parts of the military. Several leading politicians were killed and the center of Tokyo was briefly held by the insurgents before the coup was suppressed.
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反逆の報酬 (1973)
Character: Yoshie
The film tells about drug trafficking from Vietnam to Tokyo and Okinawa. Tetsuya Watari plays a photographer who uses his camera as a blackmail weapon. He is on the trail of a narcotics smuggler (Mikio Narita) and his beautiful contact (Haruko Wanibuchi). Watari meets a former gangster (Yujiro Ishihara) who is seeking revenge against Narita, his former partner. Watari and Ishihara become allies and hijack the dope shipment. But Narita threatens the life of Haruko, who turns out to be Ishihara's sister, and demands the dope in return for the girl.
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犬神家の一族 (1976)
Character: Matsuko Inugami
When a tycoon passes away, he unexpectedly leaves the family fortune to outsider Tamayo on the condition that she marries one of the grandsons, pitting blood against blood.
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南の風 (1942)
Character: N/A
Amusing masterpiece from director Yoshimura Kazusabu divided in two parts taken from the newspaper serial novel of Shishiko Shishi. Like in "Warm Current", Shin Saburi, Mieko Takamine and Mitsuko Mito are appearing, but this is a fresh comedy very unusual for wartime.
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序の舞 (1984)
Character: N/A
This story is based on the novel "Jo no mai" by Tomiko Miyao which is based on the life of painter Shōen Uemura (1875–1949), the first woman to be awarded the Order of Culture. The title refers to the masterpiece bijinga ("picture of a beautiful woman") that Uemura painted at the age of 61. The main character, Tsuya Shimamura, is born in Kyoto as the second daughter of a tea trader who dies before her birth. Tsuya, who loves painting more than anything and is hopeless at housework, attends art school and at age 15 receives the name Shōsui (from the characters for "pine" and "green") from her teacher. The crown prince of England purchases one of her works, propelling her to fame overnight. The novel portrays the remainder of her stormy life, during which she is impregnated by her teacher and raises a fatherless child; through it all she devotes herself to her painting, undaunted.
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婚約三羽烏 (1937)
Character: Reiko Kageyama
Three men vying for the same job end up chasing the same girl in this comedy-drama from noted Japanese director Yasujiro Shimazu.
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天の夕顔 (1948)
Character: N/A
A platonic love story, the protagonist continues to love the woman he fell in love with when he was a boy for the rest of his life.
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戸田家の兄妹 (1941)
Character: Setsuko Toda
After the death of her husband, an elderly woman and her youngest, unmarried daughter are forced to sell their house to cover his debts and decide to move in with one of the former's children, each of whom is scarcely happy to accommodate.
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夢見る人々 (1953)
Character: N/A
Shinya Ban (Masao Wakahara) returns from the south and is deeply disappointed when he learns that his mutual friend Yuriko (Mieko Takamine) is marrying Toshio (Toshio Hosokawa), the son of Zenpei Hamaguchi (Yoshito Yamaji), for her obligation. He encouraged the unhappy Yuriko and taught her how to make her marriage with Toshio a happy one. He makes a fresh start as an architect under the care of Ryosuke Shibata (Jiro Yanagi), who had taken care of his father, but Ryosuke's daughter Sumiko (Yoko Katsuragi) has feelings for him. Fujie Kakimoto's (Sadako Sawamura) son Koichi (Eiji Wakasugi) came to know about Sumiko and asked her to marry him after coming to Shinya to ask for her design. Knowing that Shinya's love for Yuriko would not be easily wiped away, Sumiko decided to marry Koichi, who had a bad leg. Shinya watches the beautiful bond between Koichi and Sumiko and decides to forget his past and move forward on the path to self-perfection.
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続 南の風 (1942)
Character: N/A
In this comic sequel to Yoshimura Kozaburo's original, Minami no Kaze, ex-baron (Saburi Shin) is in Singapore where he meets an old friend who proposes a scam to make some quick cash. It involved inventing the story that Saigo Takamori didn't actually die in the Satsuma Rebellion but escaped to Southeast Asia to start a new religion and in the process fathered a son who is now the founder. But when they bring the supposed heir and his aide to Japan, chaos ensues...
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按摩と女 (1938)
Character: Michiho Misawa
A pair of blind masseurs, an enigmatic city woman, a lonely man and his ill-behaved nephew—The Masseurs and a Woman is made up of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, Hiroshi Shimizu paints a timeless portrait of loneliness and the human need to connect.
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今ひとたびの (1947)
Character: Akiko
A romance with political overtones about the relationship of a sheltered bourgeois woman and a doctor who devotes himself to caring for the poor. Over a ten-year period - from 1936 through the war - they find each other and are separated again by the events of those tumultuous days.
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炎の城 (1960)
Character: N/A
In 17th century Japan, Young Lord Masato returns after years abroad to find everything changed: his peace-loving father has died in what he soon finds to be mysterious circumstances, and his mother's married to his uncle, whose ruthless ambition is causing turmoil in the kingdom. Not knowing who to trust, Masato feigns madness, vowing to get to the truth, even though his act causes distress to the girl he loves, who's waited for him all these years. The ghost of his father turns up now and then to show him the way. Meanwhile a peasant revolt is brewing... It all ends tragically.
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大江戸五人男 (1951)
Character: Okinu
During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the ‘Protector of the Weak’ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!
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婚期 (1961)
Character: N/A
Yoshimura's 48th film is the contemporary story of a well-to-do family showing the frailties and failings of the class, the egotism, and the complete lack of consideration under polite and superficially perfect manners.
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悲歌 (1951)
Character: N/A
Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.
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わが胸に虹は消えず: 第二部 (1957)
Character: Yoshie Kono
An Ishiro Honda film. The second part of A Rainbow Plays in My Heart released the same day as the first film.
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お吟さま (1962)
Character: Riki
The basic story in Love under the Crucifix is about Ogin, daughter of a tea master, who are both Christians in feudal Japan. Ogin falls in love with a feudal prince, also a Christian who is already married, and that creates problems. Further, when the Shogun bans Christianity, the situation worsens.
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元禄 忠臣蔵 (1941)
Character: Omino
In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives the palace and lands from his clan, but does not punish Lord Kira. Lord Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the dishonor of their Lord. But their leader Kuranosuke Oishi asks the Shogun to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses his request and Oishi and forty-six ronin revenge their Lord.
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妻 (1953)
Character: Mihoko Nakagawa
Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.
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火の鳥 (1978)
Character: Queen Himiko of Yamatai
This extraordinarily complex film is not only a send-up of every samurai film ever made, it is also an extrapolation of the value of life. The Yamatai, represented by Prince Susano-O and elderly advisor Sumuke, hire Yumihiko of Matsuro to hunt the phoenix so that Queen Himiko, sister of Susano-O can have eteranal life.
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黒部の太陽 (1968)
Character: N/A
Kitagawa is an engineer charged with construction of a gigantic tunnel through the Japan Alps for the transportation of equipment in the building of the massive Kurobe Dam. The tunnel crosses an earthquake fault and Kitagawa is beleaguered not only by cave-ins and flooding, but by strife between management and the workers's union. Adding to Kitagawa's stress is the knowledge that as his attention is pulled inexorably toward the tunnel construction, his youngest daughter is dying from leukemia.
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愛より愛へ (1938)
Character: Toshiko, Shigeo's sisiter
Shigeo is an aspiring writer living with his girl friend Minako and hoping for success and a better tomorrow every day. Both live on what Minako earns from working in a café. Shigeo is not happy with the situation and neither is his family who do not approve of Minako. Especially his uncle tries to convince him to leave Minako, even using his influence behind the scenes. Things start to change when Shigeo's sister pays the young couple a visit, being the first member of Shigeo's family to actually get to know Minako in person.
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女の園 (1954)
Character: Mayumi Gojo
A student at a woman's university takes a controversial action against the school's old-fashioned doctrines.
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女王蜂 (1978)
Character: Takako Higashikoji
To solve the mystery of a murder of an old governess which takes place at a wealthy Daidoji family's country estate, family secrets and lies dating back several generations must be sorted out once and for all.
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