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Lav Kush (1951)
Character: N/A
Abandoned in the forest by their father, King Rama, the twin sons Lav and Kush are raised by a sage and train as fierce warriors, only to unknowingly challenge their father's army in a pivotal battle that forces the exiled queen, Sita, to finally confront her past.
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Hamari Manzil (1949)
Character: N/A
A social drama revolves around two lovers striving to reach their shared "destination" in life—be it marriage, success, or acceptance—despite significant challenges like class differences, parental opposition, or tragic misunderstandings.
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Amrapali (1945)
Character: Abhayaraj
A historical drama about the conflict between Magadha and Vaishali. When Vaishali refuses Magadha's suzerainty, its commander Abhayaraj is released. Abhayaraj seeks to marry Pali, the Chief Minister's daughter, but she falls for the disguised King Bimbisar of Magadha. Abhayaraj subsequently declares Pali a public woman. Pali, now pregnant, lives as a public woman until her son grows up, leading to a philosophical resolution of the central conflict.
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Bhagya Laxmi (1944)
Character: N/A
a drama exploring themes of fate, destiny, good fortune, and the challenges and changes in a person's luck
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Saubhagya (1940)
Character: Pradip
Pradip, a poor artist, lives with his sister Rajani, a child-widow whose past he doesn’t know. Wealthy Rohini falls in love with him, but her guardian schemes to marry her to his wastrel son for money. Rajani briefly returns in disguise as a dancer, then withdraws again, and Rohini’s love story with Pradip collapses under the weight of deceit, duty, and misfortune.
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Chudiyan (1942)
Character: N/A
A hero named Anwar Chacha sacrifices his life to save the young couple, Kishnan and Shyamali, from a villain during their wedding. The heroes then unite to defeat the villain and pay their final respects to Anwar Chacha at his grave.
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Bhai Bahen (1950)
Character: N/A
True to its title, this family drama follows the life of a strong, orphaned young boy who, driven by fierce self-respect and the emotional promise he makes, embarks on a relentless struggle against a cruel city and a local bully to protect his bond with his new, wealthy sister.
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Ram Rajya (1943)
Character: Shri Bhagwan
Following Bhagwan Shri Ram's 14 year exile, whereby he demolishes the evil empire of Lord Ravan, rescues his wife, Sita, and returns triumphantly home to Ayodhya to be crowned the King. Bhagwan Ram arranges for Sita to be placed on top a funeral pyre, and when she comes out unscathed with the Lord of Fire himself appearing and asking Bhagwan Ram to take Sita back as she is pure, and her presence has not only purified Ayodhya, but also Sri Lanka, as well as himself.
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स्टेशन मास्टर (1942)
Character: Arun
A railway employee, Kalicharan, would like Usha, the Station Master of Rangpur Railway Station's daughter, to get married to Niranjan, the DTS of Indian Railways, but Usha has fallen in love with Arun, a Guard with the Railway, wants to marry him, and refuses to marry Niranjan, who is twice as old as her and a widower as well.
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Talaq (1938)
Character: Amarnath
Roopa, unhappy in her marriage to Niranjan, champions changes in divorce laws to allow women to initiate separation. She successfully divorces Niranjan and marries Amarnath, only for Amarnath to then use the same laws to divorce her.
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Angulimala (1960)
Character: N/A
The tyrannical Angulimal (Bhushan), a bandit wearing a garland of severed human fingers and who engages in bloody mystical rituals to achieve divine power, eventually succumbs to the Buddha’s teachings. Nimmi played Angulimal’s lover.
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Ram Baan (1948)
Character: Ram
The ancient Indian epic of the Ramayana. It follows Prince Rama, his wife Sita, and his brother Lakshman as they embark on an exile to the forest. During their time there, events unfold that lead to the abduction of Sita by the demon king Ravan. The narrative then chronicles Rama and Lakshman's journey to find Sita, their encounters with various allies, and the ultimate conflict to rescue her from Ravan's kingdom.
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Chand (1944)
Character: Muralilal
A musician's move to Bombay ignites a love triangle with his new landlord's daughter and his former, unrequited admirer. Misunderstandings and family opposition lead to separation, but a fateful reunion during a crisis ultimately brings the true lovers together with a happy ending.
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Anokhi Ada (1948)
Character: Laatsaheb
A traumatized beautiful woman loses her memory in a train accident.
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Bharat Milap (1942)
Character: Lord Rama
Queen Kaikeyi exiles Rama and demands Bharat be king. Bharat, devoted to Rama, refuses the throne and goes to the forest, urging Rama to return. Rama insists on upholding his father's vow. Bharat then rules Ayodhya as Rama's regent, placing Rama's sandals on the throne until his return.
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Vikramaditya (1945)
Character: Kalidas
A legendary king of Avanti, Vikramaditya, pledges to protect Princess Shreelakha of Kashmir from the Shakas, appointing Kalidas as his court poet. The film depicts Vikramaditya's heroic battles, his eventual defeat of Shakaraj, and the restoration of Kashmir's kingdom.
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एक्ट्रेस (1948)
Character: Nirmal Kumar
A love triangle. Two sisters; a well known singer and a stage actress, fall in love with same person, a singer.
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