Mahua Roy Chowdhury

Personal Info

Known For

Acting

Known Credits

3.164

Gender

Female

Birthday

NO DOB PROVIDED

Age

NO AGE PROVIDED

Place of Birth

NO INFO PROVIDED

Also Known As
  • Mahua Roychowdhury
  • Mahua Raychowdhury

Mahua Roy Chowdhury

Biography

NO BIOGRAPHY AVAILABLE


Credits

Aadmi Aur Aurat Aadmi Aur Aurat (1984) Character: N/A
A 1984 Hindi-language telefilm directed by Tapan Sinha.
Amrita Kumbher Sandhaney Amrita Kumbher Sandhaney (1982) Character: N/A
The film documents one of the largest Indian religious fairs, the Kumbh Mela, which is held at the confluence of the rivers Ganges, Yamuna and Saraswati. The action is seen through the eyes of Shubhendu Chatterjee who has come to the Mela not out of any religious sentiment but to see and understand people and seek the reason why “….multitudes upon multitudes of the old and weak and the young and frail enter without hesitation or complaint upon such incredible journeys and endure the resultant miseries without repining.” (Mark Twain after visiting the 1895 Mela)
যোগ বিয়োগ যোগ বিয়োগ (1984) Character: N/A
The story revolves with the last life crisis of Jamini Mohan and his wife. After the retirement Jamini Mohan and his wife Santoshini continued to be despised in the family of their earning sons. At this time, Gobinda, an orphan of the distant relative, became their mental hope. After facing various humiliation from their blood relationship Jamini Mohan died and as the mother of three sons, Santoshini became a burden to this family. Eventually Gobinda became Santoshini's absolute refuge.
আলোয় ফেরা আলোয় ফেরা (1985) Character: N/A
Mr. Mukherjee, along with his family, is caught in a storm. His son Chandranath AKA Lattoo is the only survivor. While growing up, he faces many hardships and meets a lonely cabbie, Bhola, who decides to unite him with his family.
শাপমুক্তি শাপমুক্তি (1986) Character: N/A
Shapmukti is a 1986 Indian Bengali film, directed by Ajit Ganguly and produced by Ajit Kar.
সূর্যসাক্ষী সূর্যসাক্ষী (1981) Character: N/A
A budding singer's marriage with his childhood sweetheart is in shambles after his ex-girlfriend from college comes back in his life.
মাটির স্বর্গ মাটির স্বর্গ (1982) Character: N/A
A 1982 Indian Bengali Drama Film directed by Bijoy Bose.
অসাধারণ অসাধারণ (1977) Character: N/A
Asadharan is the story of Jagabandhu, a man who is always eager to help people. He doesn't even think of his well-being in his efforts to do so. The district's magistrate asks him to help him and reveals the corrupt government officials. Jagabandhu falsely declares his death, hoping to get financial help and the support of the people. No one turns up for his funeral, and he is disheartened. He reveals the corrupt people and leaves his district forever.
দিন যায় দিন যায় (1983) Character: N/A
Sita and Manoram fall in love and do everything to fight for it. Bur differences begin to crack their marriage when Manoram introduces Sita to his friend Manash. Will they work on themselves to stay together, or will their relationship fall apart?
দৌড় দৌড় (1979) Character: N/A
Suhas brings Rakesh to Kolkata Race Course at Hastings, the largest horse race venue in India. The latter knows which horse is going to win. Based on Samaresh Majumdar's first novel.
আশীর্বাদ আশীর্বাদ (1986) Character: N/A
Brijlal, a cunning entrepreneur, plots to kill his partner and his son (Tapas Paul). However, the son survives and years later, ends up falling in love with Brijlal's beautiful daughter (Mahua Roy Choudhury).
বাঘ বন্দি খেলা বাঘ বন্দি খেলা (1975) Character: Dolon
Rajesh Banerjee came to Ranipur to visit his father, Bhabesh Banerjee. Vabesh Banerjee is a greedy businessman and a loose character. Bhabesh wants to stand for election and to reduce his declarable wealth he gifts his money to his son. Bhabesh's wife reveals the whole plot to Rajesh and Rajesh cannot accept his ways. The police are brought in and Bhabesh commits suicide unrepentant till the end.
প্রিয়তমা প্রিয়তমা (1980) Character: N/A
A movie about a young man who did not believe in marriage. As being educated in the city of Kolkata got influenced by the terms of Brahmo Samaj and thought of separation with his wife who was not of his choice but destiny and time made him understand the importance in the institution of marriage and he realized his love for his wife.
বাবু মশাই বাবু মশাই (1977) Character: N/A
A 1977 Indian Bengali Drama Film directed by Salil Dutta.
ফাদার ফাদার (1981) Character: N/A
A 1981 Indian Bengali Drama Film directed by Dilip Mukhopadhyay.
লাল গোলাপ লাল গোলাপ (1984) Character: N/A
A 1984 Indian Bengali Drama Film directed by Jahar Biswas.
প্রেম ও পাপ প্রেম ও পাপ (1986) Character: N/A
Alokendu and Parvati are in love and hope to marry each other. Parvati loses trust in Alokendu when he escapes an incident, wherein an innocent boy gets killed.
সাহেব সাহেব (1981) Character: Boolti
Saheb, a jovial, friendly, and kind-hearted boy loved to play soccer. He was very much neglected by his selfish brothers. Only his sister-in-law and his only sister Boolti appreciated and took care of him. Saheb had the potential to become a good goalkeeper, but a lack of support and care from his family became the main obstacle to his growth. Suddenly Boolti's marriage was fixed with a well-educated family. The budget of the event made Saheb's family helpless. At that time, Saheb sold one of his kidneys and spoiled his football career. No one was aware of his decision. On the day of his sister's marriage when everyone was enjoying themselves, Saheb was fighting for his life. Suddenly his sister-in-law came to know everything and became very upset. All his brothers were imposing allegations against him for that unaccounted money, and then his sister-in-law exposed everything and made them quiet. At last, Saheb's incompetent father went to hospital and mourned for his neglected child.
পাকা দেখা পাকা দেখা (1980) Character: Aparna
Aparna's father, a police officer, fixes her marriage of his own choice. Aparna does not agree with her father and she flees from home. Her father arrests Aparna's friends and interrogates them one by one.
আনন্দমেলা আনন্দমেলা (1976) Character: N/A
A person leaves everything for his love.
কবিতা কবিতা (1977) Character: N/A
Kabita, a middle-class working woman, looks after and tries to financially support her family. Soon, she sacrifices the love of her life for her widowed sister.
আজ কাল পরশুর গল্প আজ কাল পরশুর গল্প (1981) Character: N/A
Rawmapawdo is a poor farmer in Bengal who reunites with his ravaged wife and starts afresh with the help of Shankar, a social reformer.
অভিমান অভিমান (1986) Character: N/A
Minati marries Tonmoy who undergoes a serious accident.
দাদার কীর্তি দাদার কীর্তি (1980) Character: Saraswati Mukherjee
Advocate Nivaran Chatterjee lives a wealthy lifestyle in a small town with his wife, and three sons. His first son is married, while his second son, Kedarnath, who suffered a head injury, is a little senile, and his third son, Amarnath, is a brilliant student. Amarnath falls in love with Beeni Mukherjee, a good student with an elder dominating sister, Saraswati, who is brilliant. Kedar is attracted to Saraswati but lacks the courage to approach her. Then some of his friends introduce him as a brilliant student and athlete to Saraswati's dad, who approves of him. Kedar meets with Saraswati, who also approves of him, and both are slowly drawn to each other. It will not be long before Saraswati finds out that Kedarnath is a fraud, will give up on him, and will get ready to marry a wealthy Bhagalpur-based man of her father's choice.
প্রতিশোধ প্রতিশোধ (1981) Character: N/A
A Bengali film about the revenge of a man who is arrested after a false accusation, causing his father to go insane.
সেই চোখ সেই চোখ (1976) Character: N/A
When Nabakrishna's mother died, he was just a boy. She left him enough fortune to live a well-off life. But, can money fulfil everything that one can desire in their life?
শ্রীমান পৃথ্বীরাজ শ্রীমান পৃথ্বীরাজ (1973) Character: Amalabala Mukherjee
Social comedy about two young newlyweds against the backdrop of pre-Independence Bengal.
পরমা পরমা (1985) Character: N/A
The journey of a woman from a mere homemaker to a woman seeking her self identity. This search for self identity is sparked off by a young bohemian photographer, with whom she falls in love while he photographs her for a magazine doing her daily chores.



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