|
Las aguas bajan negras (1948)
Character: N/A
During the first Carlist war, Beatriz, daughter of an Isabeline colonel, secretly marries a Carlist captain who gets killed. Years later she returns to Rubiercos, an Asturian lost hamlet where she left her daughter, to find a troubled village where traditional rural lifestyle is threatened by the emerging coal mining industry and a new way of life darkening the river waters.
|
|
|
Sempre più difficile (1943)
Character: Stefano Turrisi
Sicily, early 1900s. An impoverished prince settles into the house of a rich shipowner and becomes his counselor.
|
|
|
La figlia del forzato (1954)
Character: Dottor Palmieri
After many years, a widowed Countess meets a former lover who lives with his daughter and her tutor.
|
|
|
Los chicos (1959)
Character: Vedette's Boyfriend
Four young men are cited in a kiosk during a rainy afternoon. One has to study and the other three go to the cinema, although they are not allowed to entry because their young age. The group consists of Andrés, who works as bellboy in a hotel and dreams of becoming a bullfighter; Chispa, who follows the orders of an old grumpy man; Carlos, a student; and Negro, a shy boy. All they want is to have fun; but reality forces them to confront the problems of the adult world.
|
|
|
Dora la espía (1950)
Character: Andres
Dora, daughter of the Marchioness of Río Zares, marries the politician Andrés. Despondent, Countess Zicka launches the lie that she is a spy.
|
|
|
Gente Così (1950)
Character: Giàn
A respectable small town in Lombardy, whose inhabitants live peacefully together with smugglers, is disturbed by the arrival of an independent female teacher. She falls in love with a smuggler and elopes with him to Milan; she becomes pregnant and returns to the town. He is mortally wounded by the frontier guards and they get married just before he dies.
|
|
|
Io, Amleto (1952)
Character: Marcello
The adventures of Hamlet who, following many adventures, manages to kill Claudio the usurper, marry Ophelia and be elected President of the Republic.
|
|
|
Addio, giovinezza! (1940)
Character: Mario
A university student falls in love with a seamstress. But one day he meets a beautiful woman and things become complicated.
|
|
|
Azafatas Con Permiso (1959)
Character: Alberto
Celia and María are two attractive young women who survive by stealing wallets from tourists who visit the Prado Museum. However, her true dream is to become flight attendants one day. When they meet the handsome Alberto Suárez, both will fall in love with his charms, to the point of following the man to Málaga.
|
|
|
Han matado a un cadaver (1962)
Character: Juan Planas
A girl dies in a car crash, but the autopsy reveals she was actually poisoned. The police comes up with a scheme: telling the media the girl is alive in a hospital hoping the murderer surfaces. However, nothing is like it seems to be.
|
|
|
Sigillo rosso (1950)
Character: N/A
An elderly lady, who has lost her only son in the war, turns her house into a pension. It is also the custody of a mysterious document that his son entrusted to him, and which is coveted by many people .
|
|
|
Le vie del cuore (1942)
Character: N/A
1875. After completing her studies in boarding school, the young Duchess Anna Castellani, returns home and meets by chance a friend of her father, a count much older than herself.
|
|
|
Pacto de silencio (1949)
Character: John Brand
A woman is told his military husband is considered dead, the truth is he has been transferred to the secret service. When he returns to Spain and they get reunited he ends killing a German spy, and then she gets prosecuted.
|
|
|
Juventud a la intemperie (1961)
Character: Comisario Torres
A young woman is stabbed in a bar frequented by criminals and her boyfriend is arrested as the main suspect. However, when the girl finally dies, they assign the case to a commissioner, father of the detainee. He will discover that behind the crime is a dark network of blackmail and drugs.
|
|
|
Cuatro en la frontera (1958)
Character: Don Rafael
A French National Treasury van is assaulted and they steal the gold bullion it was carrying. According to confidences received by the Police Headquarters of Barcelona, it seems that part of the gold is clandestinely introduced into Spain through the Pyrenees. In order to discover and eradicate such smuggling infiltration, an agent pretends to be a day laborer at a farm located on the border and in a suspicious area.
|
|
|
Carmen (1944)
Character: Marquez, le lieutenant des Dragons
Carmen is a French-Italian musical drama film directed by Christian-Jaque and starring Viviane Romance, Jean Marais, and Lucien Coëdel. It is a version of the famous opera.
|
|
|
Carmen (1944)
Character: Marquez, le lieutenant des Dragons / Marquez, il tenente dei Dragoni
Carmen is a French-Italian musical drama film directed by Christian-Jaque and starring Viviane Romance, Jean Marais, and Lucien Coëdel. It is a version of the famous opera.
|
|
|
Alhucemas (1948)
Character: Capitán Suárez
In 1922, Infantry Captain Fernando Salas, arriving from Madrid, joins, without much enthusiasm, a battalion ruled by Commander Almendro, a tough veteran of the African war who soon notices a clear lack of military vocation in the new recruit.
|
|
|
Angustia (1948)
Character: Marcos
Elena and Marcos live in a guesthouse. Their serious financial difficulties force them to resort to the help of Mrs. Jarque, an aunt of Elena who humiliates Marcos constantly. Marcos dreams that he kills Mrs. Jarque, and she appears dead.
|
|
|
Ti ho sempre amato! (1953)
Character: Giorgio
A landowner loves a good girl, but is ensnared by another richer woman who is actually aiming for her fortune. This she will be able to temporarily make the two young men go away but the man makes his girlfriend understand that her is true love; he realizes that he has been the victim of a scam and will bring the woman he has always loved to the altar.
|
|
|
Cuore di mamma (1954)
Character: Danny Alesco
An unworthy nephew, with the help of a girl who seduces the young guardian, robs the aunt of the family jewels. He also manages to put the blame for the theft on the caretaker, engaged to a young woman who is actually the woman's natural daughter. The thief also tries to blackmail his aunt by threatening to reveal the truth after so many years, but a commissioner manages to prove the innocence of the suspect and the guilt of his nephew.
|
|
|
Zarabanda Bing Bing (1966)
Character: N/A
A scepter is stolen, and it's hunted for by various groups of international robbers and spies, for various reasons - in a parody of 007 movies.
|
|
|
King of Kings (1961)
Character: Melchior
Who is Jesus, and why does he impact all he meets? He is respected and reviled, emulated and accused, beloved, betrayed, and finally crucified. Yet that terrible fate would not be the end of the story.
|
|
|
Tosca (1941)
Character: Angelotti
Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.
|
|
|
L'amore difficile (1962)
Character: Il marito (segment "L'avaro")
A journalist could marry the daughter of a tycoon, but prefers a relationship with a married woman. An attorney renounces her lover by greed. A soldier tries to approach a widow on a train. A German couple looking for adventure mistakingly aim for the wrong target, yet find love.
|
|
|
I bambini ci guardano (1943)
Character: Roberto
In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.
|
|
|
Il mago per forza (1951)
Character: Industriale
In the prison of San Vittore there is, among other detainees, a strange type that they call "Il Cavaliere". The latter suffers a conviction for theft and his fellow prisoners have a certain respect for him.
|
|
|
Atoll K (1951)
Character: Giovanni Copini
Stan and Ollie are marooned on an atoll. This was their last film together.
|
|
|
Malagueña (1956)
Character: N/A
The film tells of a young woman travels to Malaga to Barcelona to meet and live with his grandfather, a poor blind man selling matches in the Catalan city harbor. The young man with his panache and salt shines in the port environment dominated many young rogue like Martin, who falls in love with her, and love her is closing the doors opened she seeks to earn some money and try be famous in the art of singing.
|
|
|
Tragica notte (1942)
Character: Il conte Paolo Martorelli
Released from jail, Nanni punches prison guard Stefano who has denounced him. In order to take revenge, Stefano suggests the suspicion that, during his absence, his wife has had business with the Count Paolo. A few days later, at night, a deadly ambush will be prepared. Based on the novel The Trap (1928) by Toscan Delfino Cinelli.
|
|