|
Dummy Love (1926)
Character: N/A
Evelyn's uncle gives a party to announce her engagement to the suitor he has approved, but she decides to elope with Oscar. Oscar pal goes along to help, but his sweetheart sees them and thinks he is the one eloping with Evelyn.
|
|
|
|
|
Down with Husbands (1930)
Character: Mrs. Henry Sweet
When their wives go on strike, two husbands form an organization they call the "Husbands Protective League".
|
|
|
Page Me (1926)
Character: N/A
Unable to pay his hotel bill Bobby has to become a bellboy to cover the cost. Among the many complications that ensue he finds himself handing from the hotel's ledge from many stories up.
|
|
|
The Little Snob (1928)
Character: Alice
May Banks (May McAvoy) is a working-class girl who gets ideas above her station in life when her father, Colonel Banks (Aleck B. Francis), a Coney Island employee, save enough money to send her to an expensive, snobby all-girl finishing school.
|
|
|
Nifty Numbers (1928)
Character: Doris
Fourth release in the "Confessions of a Chorus Girl" comedy series.
|
|
|
Yes, Yes, Babette (1925)
Character: Bobby's Sweetie
Bobby, the doughboy, has left his sweetheart behind in Paris. He returns for her and has the greatest difficulty locating her. In his hunt he runs into the tough White Rat Cafe, where the Darling of Paris becomes enamored of him, thereby arousing the jealousy of her lover, who threatens Bobby with dire consequences. Bobby escapes, runs into his sweetheart, and in the chase, the villain at his heels is captured by the police as a badly wanted criminal.
|
|
|
The Stronger Sex (1930)
Character: The Flapper (The Husband's Lover)
A satire on companionate marriage, in which both sides of a polyamorous married couple take lovers. But when this free love arrangement threatens to break up their comfortable domestic life, they throw them over in favor of an exclusive relationship.
|
|
|
Her Splendid Folly (1933)
Character: Natalie
Solomon Ginsberg is the President of International Pictures Corporation and hires Joan McAllister, an unemployed stenographer, to double for his star, Laura Girard. While on a location trip, Laura is killed in an automobile accident, and in order to save the money already invested in the film Ginsberg, aided by the film's leading-man, Wallace Morely, with whom Joan is more than a little infatuated, persuades Joan to assume the identity of the dead actress, whose death is being concealed.
|
|
|
The Tabasco Kid (1932)
Character: Mary Jones
A timid accountant for a California cattle ranch and a lookalike dashing bandit become rivals for the beautiful daughter of a wealthy rancher.
|
|
|
Duck Out (1927)
Character: Maggie
At a magic show put on by Blondini the magician, a member of the audience is invited up to participate. He gets into all sorts of shenanigans, tripping over the stage curtain, sending ducks up through the wrong trapdoors. He can hardly believe his eyes when a girl is sawn in half!
|
|
|
Flirtation Walk (1934)
Character: Blonde (uncredited)
A private stationed in Hawaii gets involved with the general's engaged daughter. In order to avoid a scandal, the pair break up, but meet again years later when he's at West Point producing the annual play that turns out to star her.
|
|
|
Good as Gold (1927)
Character: Jane Laurier
Buck Brady is the son of a prospector whose valuable claim was stolen when Buck was a child. Brady grows up with revenge on his mind and retaliates by holding up the mine's payroll messengers. Until, that is, he falls in love with Janet, the new owner.
|
|
|
|
|
Reckless Rosie (1929)
Character: Peggy
A gorgeous showgirl is hired as a lingerie model at a fashion show......
|
|
|
The Carnation Kid (1929)
Character: Doris Whitely
It's a case of mistaken identity in this comedy that centers around a country bumpkin mistaken for a Chicago hitman.
|
|
|
Chicken à la King (1928)
Character: Babe Lorraine
A married tightwad learns to loosen up by living the life of a playboy.
|
|
|
The Show of Shows (1929)
Character: Performer in 'Ladies of the Ensemble' Number (uncredited)
Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!
|
|
|
Divorce Made Easy (1929)
Character: Eileen Stanley
When his aunt disapproves of his marriage to Mabel Deering and threatens to disinherit him, Percy elicits the aid of his buddy Billy Haskell, who is engaged to Eileen Stanley. It is arranged that Billy and Mabel be found together in compromising circumstances by Percy and his aunt, but matters are complicated by the arrival of Billy's uncle in the city, and Aunt Emma becomes very fond of him. All is subsequently explained and thoughts of "divorce" are smoothed away as Uncle Todd couples up with Aunt Emma, and Billy and Eileen, and Percy and Mabel, reinstitute their carefree engagements.
|
|
|
Phantom Thunderbolt (1933)
Character: Judy Lane
A cowboy called The Thunderbolt Kid comes to the aid of a town that is being threatened by outlaws who don't want a railroad to go through the town.
|
|