|
Redemption Road (2011)
Character: Elmo
In Tennessee, Bailey, a debt-straddled blues guitarist, is escorted across the state by a man named Augy so that he can collect his recently deceased grandfather's estate. A drama focused on an individual's spiritual redemption.
|
|
|
Sunlight (1957)
Character: N/A
A black man steals to afford to marry the woman he loves. After being released from prison, he returns in time to see his daughter's wedding.
|
|
|
America (1986)
Character: Man Interviewed
The zany crew of a New York cable TV station accidentally bounce a signal off the moon, bringing them worldwide attention.
|
|
|
SMUT (2006)
Character: Elmoore
Wide eyed Marty O Neil (Lee Homes) takes to the road on a quest to give his life meaning. When his motorcycle breaks down outside an adult bookstore in small town America Marty takes a job at the store to make money to fix his bike. While struggling to understand the gruff owner (Max Boone Junior) Marty befriends Elmore (Melvin Van Peebles) an old beet poet who frequents the shop and becomes enamored with Mary Jane (Jenette Goldstein) the cynical stripper who stars in the stores peep show booth. Marty discovers the meaning of his quest in one simple question What is SMUT?
|
|
|
The Black List: Volume Two (2009)
Character: Self
THE BLACK LIST: VOL. 2 profiles some of today's most fascinating African-Americans. From the childhood inspirations that shaped their ambitions, to the evolving American landscape they helped define, to the importance of preserving a unique cultural identity for future generations, these prominent individuals offer a unique look into the zeitgeist of black America, redefining the traditional pejorative notion of a blacklist.
|
|
|
The Real Deal: What It Is (2003)
Character: Self
This twenty-two minute interview with Melvin Van Peebles has the cult filmmaker starting things off by lighting a cigar, which is something he has done in several interviews. From here he talks about the making of his hit film SWEET SWEETBACK'S BAADASSSSS SONG, which of course broke all sorts of records and is what would kick start the blaxploitation genre. If you're a fan of the film or the director then you should enjoy this featurette, which tries to have a raw look like the film in question, although the effect here is a bit lame. With that said, there are still some very good stories told including one about a STD Van Peebles got during one of the scenes in the film. He talks about a few specific scenes in the picture as well as the now infamous one featuring his son in a sex scene. There's nothing ground-breaking here but it's certainly an entertaining interview.
|
|
|
Salty Dog Blues (2012)
Character: Self (Interviewee)
The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.
|
|
|
|
|
|
|
Directors on Directing (2009)
Character: Self
A look at the development of film making and its contribution to the social and political times form the perspective of Black film makers.
|
|
|
Unstoppable (2005)
Character: Self
An interview/overview on the influential careers of Gordon Parks, Ossie Davis, and Melvin Van Peebles.
|
|
|
Adieu, Babylone! (1993)
Character: Self
Arrabal's sixth film based on his novel from 1969 with the same name as the movie.
|
|
|
|
|
Love Kills (1999)
Character: Able
A masseur gets mixed up in the family plots at the mansion of a recently deceased Beverly Hills millionaire.
|
|
|
|
|
Identity Crisis (1989)
Character: The Inspector
A rapper finds himself possessed by the soul of a dead fashion designer; frequently switching personalities.
|
|
|
Classified X (1998)
Character: Self
A history of the racially stereotyped portrayal of African Americans in cinema, hosted by film pioneer Melvin Van Peebles.
|
|
|
Satchmo: The Life of Louis Armstrong (1992)
Character: Louis Armstrong (voice)
Satchmo. There are few people in this country - or around the world - who will not recognize that name. Louis Armstrong embodied 20th-century American culture. He revolutionized the world of music and became one of the nation's most influential entertainers. No other performer of his era has such a profound effect as a singer as well as an instrumentalist.
|
|
|
Gang in Blue (1996)
Character: Andre Speier
A black police officer discovers a cell of white supremacist vigilantes within his department.
|
|
|
Hard Luck (2006)
Character: Hospital Prophet
Three converging story lines involving bootleggers, a serial killer and drug dealers are followed. A former drug dealer tries to go straight, but comes across a stash of stolen drugs. Meanwhile, a middle-aged suburban housewife hides a sadistic and vicious streak.
|
|
|
True Identity (1991)
Character: Taxi Driver
In order to escape from the mob, an African-American man must disguise himself as a white man.
|
|
|
Posse (1993)
Character: Papa Joe
A group of mostly black infantrymen return from the Spanish-American War with a cache of gold. They travel to the West where their leader searches for the men who lynched his father.
|
|
|
Wattstax (1973)
Character: Self
A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.
|
|
|
Watermelon Man (1970)
Character: Sign Painter (uncredited)
A racist insurance agent lives in a typical suburban neighborhood, but his bigoted world of taunting and harassing black people on and off the job is turned upside down when his skin inexplicably turns dark overnight.
|
|
|
Boomerang (1992)
Character: Editor
Marcus is a successful advertising executive who woos and beds women almost at will. After a company merger he finds that his new boss, the ravishing Jacqueline, is treating him in exactly the same way. Completely traumatised by this, his work goes badly downhill.
|
|
|
The Black Power Mixtape 1967-1975 (2011)
Character: Self (voice)
Examines the evolution of the Black Power Movement in US society from 1967 to 1975. It features footage of the movement shot by Swedish journalists in the United States during that period and includes the appearances of Angela Davis, Bobby Seale, Huey P. Newton, Eldridge Cleaver, and other activists, artists, and leaders central to the movement.
|
|
|
Fist of the North Star (1995)
Character: Asher
From the immensely popular FIST OF THE NORTH STAR comic book series, comes a new hero. The fate of mankind rests with superhuman warrior Kenshiro who roams the wastelands of the future waging a battle against overwhelming evil. With the spiritual guidance of his dead father, Kenshiro fights to free his stolen love from the brutal tyrant Lord Shin. Through his struggle he must confront his destiny.
|
|
|
Jaws: The Revenge (1987)
Character: Mr. Witherspoon
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
|
|
|
American Swing (2009)
Character: Self
Chronicles the rise and fall of 1970s New York City nightclub Plato's Retreat.
|
|
|
Riot (1997)
Character: Vernon
In April 1992, following the notorious Rodney King verdict, the streets of Los Angeles became a battlefield, the backdrop to four personal intertwined stories.
|
|
|
Armed (2018)
Character: Grandpa V.
A former U.S. marshal discovers that all of the survivors of his old unit are experiencing the same symptoms simultaneously and there may be a larger conspiracy at hand.
|
|
|
Naissance d'un héros noir au cinéma : Sweet Sweetback (2022)
Character: Self
In 1971, director Melvin Van Peebles turned the figure of the black hero in US cinema upside down with Sweet Sweetback's Baadasssss Song: the story of the making of a seminal movie that initiated the Blaxploitation movement, a short-lived but highly influential sub-genre in the years that followed.
|
|
|
How to Eat Your Watermelon in White Company (and Enjoy It) (2005)
Character: N/A
Melvin Van Peebles was one of the first black directors to challenge the white establishment in his films, which include "Watermelon Man" and "Sweet Sweetback's Baadasssss Song." In this documentary, the life of Van Peebles is discussed, including his work not only in film, but also as a novelist, actor, musician, stock trader and even Air Force pilot. Interview subjects include Gil Scott-Heron, Spike Lee and Melvin's son and fellow filmmaker, Mario Van Peebles.
|
|
|
Peeples (2013)
Character: Grandpa Peeples
Hoping to propose to his upper-crust girlfriend, Wade Walker crashes her family's annual reunion and lands in a face-off with her dad.
|
|
|
|
|
Calm at Sunset (1996)
Character: Mr. Bucket
Drama about a young man who defies his parents by dropping out of college to pursue his dream of owning a fishing boat, following in the footsteps of his father and grandfather.
|
|
|
Last Action Hero (1993)
Character: Self
After his father's death, a young boy finds solace in action movies featuring an indestructible cop. Given a magic ticket by a theater manager, he is transported into the film and teams up with the cop to stop a villain who escapes into the real world.
|
|
|
The Hebrew Hammer (2003)
Character: Sweetback
When a psychotic Santa tries to destroy Chanukah by hypnotizing Jewish children with bootlegged copies of the Christmas classic "It's a Wonderful Life," it's up to the Hebrew Hammer to save the day. Together with Mohammed, head of the Kwanzaa Liberation Front, the Hammer takes no prisoners in his quest to hunt down the renegade Santa and make the holiday season safe for all.
|
|
|
Blackout (2007)
Character: George
BLACKOUT takes you inside the personal journey of what went down and what it was really like in Brooklyn, NY on August 14. It examines the nature of man to take advantage of his own fellow man outside of normal conditions, in times of weakness and vulnerability
|
|
|
Terminal Velocity (1994)
Character: Noble
A maverick skydiver and a former KGB agent team up to stop the Russian mafia from stealing gold.
|
|
|
Taking Care of Terrific (1988)
Character: Hawk
14-year-old Enid Crowley hates her name and everything about her boring life. All this changes when she becomes a full-time babysitter to a sheltered boy. The two hook up for some hilarious adventures in the park with a mysterious bag lady and a street musician. With the help of Enid's boyfriend, Seth, they try to give the park dwellers a "special evening," but their good deed backfires and lands them in trouble.
|
|
|
BaadAsssss Cinema (2002)
Character: Self
With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.
|
|
|
Sweet Sweetback's Baadasssss Song (1971)
Character: Sweetback
After saving a Black Panther from some racist cops, a black male prostitute goes on the run from "the man" with the help of the ghetto community and some disillusioned Hells Angels.
|
|
|
O.C. and Stiggs (1987)
Character: Wino Bob
O.C. and Stiggs aren't your average unhappy teenagers. They not only despise their suburban surroundings, but they also plot against it. They seek revenge against the upper-middle-class Schwab family, who embody all they detest: excess.
|
|
|
Panther (1995)
Character: Old Jail Bird
In this sprawling, fictionalized history of the Black Panthers, 1960s Oakland becomes a war zone as the Panthers battle for the right to exist.
|
|
