|
La vida sin brillos (2018)
Character: Self
Ten actresses, all of them eighties' icons, are summoned to star in a theater play in Buenos Aires. This documentary goes behind the scenes and portrays their lives today. Thirty years after their glory days, what is it that drives them to make their comeback?
|
|
|
Espérame Mucho (1983)
Character: La dama del perrito
Juan remembers his childhood spent during the fifties in Argentina, when he lived doubts, fears and conflicts typical of the passage towards adolescence, surrounded by his family and the neighbors of the neighborhood
|
|
|
Mannequín... alta tensión (1979)
Character: N/A
An international gang of female thieves is thrown into crisis when a womanizing criminal who had seduced one of them is murdered.
|
|
|
|
|
Foto estudio Luisita (2019)
Character: Herself
The celebrities who visited Luisita Escarria's photo studio in Buenos Aires for decades are countless. Sol, a young photographer, discovers there more than 25,000 unpublished negatives, an archive of incalculable value that opens a window through which to look at the true artistic epicenter of Argentinean popular culture…
|
|
|
|
|
La guerra de los sostenes (1976)
Character: Lucy Guzmán
This is a comedy full of tangles, with the picaresque occurrences of Tristan, and the involvement of frontline actors.
|
|
|
Los caballeros de la cama redonda (1973)
Character: N/A
Alberto, Jorge, Ricardo and Tristan are employees of a shoe store, all are married and share the friendship also between their wives. The 4 friends, faithful to the rogue style of Buenos Aires, go out of their way to have love affairs with the beautiful customers of the shoe store, and for that purpose one day they decide to rent, secretly, an apartment to use as a "bulín". The problems begin from then on, as everyone wants to be the first to release it and then, successively, take turns for their adventures. As is to be expected, it does not take long for the first entanglements to appear, while their wives seem to begin to suspect the adventures of these four typical Buenos Aires chantas.
|
|
|
El sátiro (Strip tease mortal) (1970)
Character: N/A
A man who works at a striptease club / theater is haunted by a murder / robbery he committed and becomes infatuated with his lead performer.
|
|
|
Adiós Sui Géneris (1976)
Character: Self
Documentary of the phenomenonal band Sui Géneris in its farewell tour at Luna Park on September 5, 1975.
|
|
|
|
|
La gran ruta (1971)
Character: Vilma
A group of boys decides to rob a hotel accommodation for seeking advice which an old offender. In parallel, we see different couples as they arrive at the same hotel and that there be at the time of the assault.
|
|
|
El bulín (1969)
Character: Amante de Osvaldo
Employees of an office use for love dating the apartment of a single co-worker.
|
|
