|
|
|
El nieto del Zorro (1948)
Character: N/A
Two strolling players are mistaken for locally-famous bandit. Also, a young lady's inheritance is at stake.
|
|
|
La Adelita (1937)
Character: N/A
Beautiful peasant girl runs afoul of her landlord's horny son and he poisons the well between her and her fiance, so she runs away and joins the Revolution.
|
|
|
El derecho y el deber (1937)
Character: N/A
Officer comes home from the Revolution to discover that he's been declared dead and that his wife has remarried and given his lands to another man.
|
|
|
Guadalupe La Chinaca (1938)
Character: N/A
1830s: An officer from the French army and a leader of the insurgency are both in love with Ms. Guadalupe.
|
|
|
El muerto murió (1938)
Character: N/A
The paths of a young woman and her late husband's mistress cross without their knowing it, which causes much confusion for the two women and their new partners.
|
|
|
Martín Garatuza (1935)
Character: N/A
Sixteenth-century swashbuckler helps a young woman claim a rightful inheritance in the face of opposition from her father's widow and co-conspirators.
|
|
|
Ocho hombres y una mujer (1946)
Character: N/A
Eight shipwrecked men do the Robinson Crusoe thing on an uninhabited island... and then they're joined by an aviatrix whose plane conks out in their airspace.
|
|
|
Vive como sea (1952)
Character: N/A
A rich uncle thinks he's married with children, so a young gadabout recruits all his friends to pass themselves off as his wife, inlaws and children.
|
|
|
|
|
¡Ora Ponciano! (1937)
Character: Juanón
'Ora Ponciano stars Chucho Solorzano as the eponymous hero. Set in 19th-century Mexico, the story deals with a celebrated matador named Ponciano, as skillful with the senoritas as with the toros. Special attention is lavished upon the romance between the bullfighter and the fair Rosario (Consuela Frank). Much of the film is given over to authentic re-creations of various folk festivals and dances, with the extras colorfully (and accurately) costumed for the occasion. The fact that the bullfighting sequences are not excessively brutal is an indication that the producers of 'Ora Ponciano hoped to release the film in the U.S.
|
|
|
|
|
|
|
|
|
|
|
Amapola Del Camino (1937)
Character: N/A
A young woman is forced to marry an old pharmacist, but she is in love with a young man who is leaving town
|
|
|
Alma jarocha (1937)
Character: N/A
A group of students enjoy crazy adventures during their vacation in Orizaba, Veracruz.
|
|
|
El superloco (1937)
Character: Sóstenes
Mad scientist, a neanderthal and a drunk makes a crazy combination.
|
|
|
|
