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Condenados a muerte (1963)
Character: N/A
Bank robbers face obstacles when they try to retrieve stolen money that one of their gang buried.
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Señoritas (1959)
Character: N/A
Four young women facing "crises," mostly centered around the crucially-important issue of preserving their virginity in a variety of purity-oath threatening situations.
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Póker de ases (1952)
Character: N/A
Four brothers try to manage their careers and love-lives under the close supervision of a domineering mother.
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La viuda celosa (1946)
Character: N/A
Young-ish widow forbids herself the pleasure of male company in deference to the deceased.
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Legítima defensa (1953)
Character: N/A
Mr. X is convicted of killing Mr. Y and serves a jail sentence. After being released, he discovers that Mr. Y is still alive...
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La estrella vacía (1960)
Character: Abogado
Mourners share their memories of a dead film-star at her wake, a la Citizen Kane. Only melodrama.
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Una luz en mi camino (1939)
Character: N/A
In a small city, talented María was trained as a singer by blind composer Joaquín. They both dream of making it big in the capital but, when they finally make the move, they find that success is not achieved without struggles.
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No niego mi pasado (1952)
Character: Leonardo
This is a film by Alberto Gout that deals with the story of a marriage in crisis. It all starts when Leonardo surprises his wife Susana with her lover and threatens him with death for stealing her.
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Zorina (1949)
Character: N/A
This overlooked, if not almost forgotten romantic melodrama from Director Juan Jose Ortega, features a South American-born beauty named Lenora Amar, (whom the Mexican press quickly dubbed "The Brazilian Beauty"), in the title role. Although her acting career was rather short-lived because she chose to end it when she was just 27 years of age, her Zorina co-star and then-husband, Luis Aldas, (starring as" Bardo" in this film), seem to still have made an impact on movie audiences due to some favorable news publicity and the relative success of the handful of films the pair made.
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La casa de los cuervos (1941)
Character: N/A
A soldier enrolled in the revolutionary ranks has an affair with a woman who turns out to have been married to a man whom the soldier had killed.
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La adúltera (1956)
Character: Joaquín Peña
Jilted lover takes revenge on her ex's new wife.
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Los amantes (1951)
Character: Bruno del Moral
A burglar and a bar girl fall in love and decide to go straight, but complications.
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El cobarde (1939)
Character: Fernando
Alberto is born in wartime, where his father dies a hero. He grows up effeminate. His mother sends him to military college where Fernando bullies him, but they become friends. When war comes, he has to face his fears.
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Mi mujer no es mía (1951)
Character: Antonio
Bachelor pretends that he got married, thinking that will stop his aunt from trying to play matchmaker.
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La infame (1954)
Character: Marcos Benet
For love, the rules of society and justice are broken, leading to abduction, exposing life and freedom, facing everything to make a sick child a normal child.
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Herencia macabra (1939)
Character: Luis
A plastic surgeon goes mad when he discovers that his wife have an affair. He fakes her death and disfigure her and locks her in the cellar.
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Extraña cita (1947)
Character: Carlos / Leonardo
After her father's death, María Eugenia is pressured by Don Remigio Pérez who her father owed debts to, to marry her. Instead, the kindly Roberto de los Ríos pays off her debts and she goes to live at his country house with his two twin nephews Carlos and Leonardo. However, she faces an attempt to murder.
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La pícara Susana (1945)
Character: Miguel Ángel Pérez
Socialist librarian gets mixed up in the family life of a spoiled rich girl and her screwball family.
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La noche violenta (1970)
Character: N/A
Police are chasing him for a murder, so man breaks into an expensive home and takes husband and wife hostage. The bloodshed continues...
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La reina de la opereta (1946)
Character: Mario Montes
Mario marries Blanca, the queen of operetta, but after their daughter is born, they separate and she leaves on a world tour to continue her artistic career. Meanwhile, he stays behind and waits with the baby until they reunite again.
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El que murió de amor (1945)
Character: Carlos Berlán
Magicians transfers two peoples' souls (or whatever you want to call them) into each other's bodies.
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El fantasma de la opereta (1960)
Character: Senor Martucci
Aldo and his girlfriend Lucy reopen an abandoned opera house, but find out that the place is inhabited by a group of Phantoms.
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Aventura en Río (1953)
Character: Piraña (Jorge)
Tourist gets bonked on the head, suffers an amnesiac fugue, wanders away from her husband and children, becomes an evil prostitute-y thief-y saloon gal.
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Tierra baja (1951)
Character: Sebastián
A poor shepherd is convinced to marry a beautiful woman. This is a Maquiavellian plan schemed by the woman's fiancé and her father.
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México de mis recuerdos (1944)
Character: Pablo Flores
After listening to the waltz "Carmelita", dedicated to his wife, President Diaz instructs Don Susanito seeking the composer Chucho Flores to give her a piano. Don Susanito located Chucho, a bohemian who lives drunk and surrounded by poets and artists. Don Susanito was named patron protector of artists and aspiring young stars of the stage, which leads to a series of adventures in the middle of songs, dances and loves.
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Asesinos, S.A. (1957)
Character: N/A
Incompetent clown is drafted into a Murder Incorporated style squad of hitmen.
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Boina blanca (1941)
Character: N/A
The film narrates events of the Revolution of the Park, carried out by radical sympathizers on July 26, 1890. There is a secondary plot with the romance of a girl who, despite being in love with her father's godson, must contract a marriage with a banker that fails.
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Mujeres encantadoras (1958)
Character: N/A
Goofball inventor is working on x-ray binoculars for peeping with; meanwhile, his assistant seeks help for a medical condition and gets caught up in the drama between two philandering doctors and their wives.
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Reportaje (1953)
Character: Gerardo Muñoz, reporter
Reporters compete for cash prize awarded for biggest scoop on New Year's Eve.
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Dos fantasmas y una muchacha (1959)
Character: Bandido
Two ghosts who died in a turn-of-the-century duel and now haunt a theater attempt to help a girl who's in danger from bank robbers.
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La mujer que engañamos (1945)
Character: Eduardo Cervantes
Woman chooses between two suitors. The lucky one is a cad and cheats on her, the one who was rejected hangs around in the background to set things right whenever she has a problem.
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La Devoradora (1946)
Character: Miguel Iturbe
After her lover commits suicide, Diana involves her fiancé and his nephew in a scheme to help her disappear with the corpse.
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El 7 leguas (1955)
Character: Col. Enrique Garcia
Horse-trader gets absorbed into Pancho Villa's battalions, becomes a spy.
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Tres hombres del río (1943)
Character: N/A
The film is based on an old Argentine legend about an Aztec girl who is raped and murdered by vandals and dumped in a river. A flower blossoms at the place in which she was killed and misfortune falls upon the culprits.
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El enmascarado de plata (1954)
Character: Kroger
This cult-classic was Director Rene Cardona's attempt to capitalize on the popularity of professional wrestling and on of its biggest stars of the 1950's, known as "El Santo". However it is not about wrestling. It chronicles the adventures of a crime-fighting duo known as El Enmascadero de la Plata ( The Silver Mask), and his adolescent sidekick Pecas (Freckles), as they take on a murderous Mad Doctor and an evil gang-leader called El Lobo
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Las tandas del principal (1949)
Character: Carlos de Gracia
Frivolous young dandy is trying to score with an operetta singer, but she ends up with his uncle.
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Una vez en la vida (1941)
Character: Leonardo
A woman helps a man escape from the police and ends up falling in love with him.
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A sablazo limpio (1958)
Character: Don Jeremías de Montalbán
Two clownish incompetents get mixed up in power struggles between state officials.
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