|
|
|
Yo no elegí mi vida (1949)
Character: Gómez
Noir hero tries to avoid being arrested while he tracks down papers that will prove his innocence.
|
|
|
El último guapo (1947)
Character: N/A
Hercules, a poor individual earns his living as a walking street ad, carrying a gigantic advertising sign on his shoulders. His biggest concern is his daughter Leonor, who helps at home by working as a seamstress. Afflicted by the economic situation, Hercules gets a job as a casino watchman. There he must face a trio of mobsters and a kleptomaniac baroness who tries to seduce him with her vampire airs and whom Hercules ends up falling in love with.
|
|
|
|
|
|
|
|
|
|
|
El hombre que se llevaron (1946)
Character: N/A
An Argentine writer agrees to travel with a detective, a married individual and a woman in a car, to cross the mountain range. A storm forces them to seek refuge in a cabin, inhabited by an old fan of esoteric arts. Along the way, we learn about Alberto's story and the reasons for his arrest. In an oversight the criminal and the woman escape the detective's vigil ...
|
|
|
Murderers, Mobsters, & Madmen: Volume 3: The Ghouls (1992)
Character: Self (archive footage)
In this volume of Murderers, Mobsters, & Madmen, we look at the infamous and notorious mass murderers that plagued America in the 20th century and changed her forever. Featuring Ed Gein & John Wayne Gacy.
|
|
|
La Dama de la Muerte (1946)
Character: Club's President
A young man loses all his money by gambling and decides to commit suicide, but is interrupted by a mysterious man who invites him to join a suicide club, where, through letters, it is drawn who is going to die.
|
|
|
The Killing of America (1981)
Character: Self (archive footage)
A documentary of the decline of America, composed of archival material and exclusive footage, carnage, madness, and mayhem with an unapologetic sincerity on the factual depiction of violence in the industrialized nation of the United States. Featuring a juxtaposition of detailed accounts of terrible acts, brutal behavior, and interviews from experts and convicted killers alike.
|
|
|
|
|
La muerte camina en la lluvia (1948)
Character: Lamas
A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.
|
|
|
|
|
Hombres a precio (1950)
Character: N/A
It tells the story of a young provincial journalist who begins to work for a newspaper in the capital.
|
|
|
La trampa (1949)
Character: Dr. Vargas
A lonely woman marries a man without getting to know him.
|
|
|
La balandra Isabel llegó esta tarde (1950)
Character: N/A
The captain of a small vessel, regularly sailing between his home island of Margarita Island in the Caribbean and the Venezuelan mainland, has two separate and very different relationships. At home, he is happily married, having named his boat Isabel after his wife. Yet on his visits to the port of La Guaira, he has a passionate affair with Esperanza, a woman working in a seedy cabaret who tries to retain him with hexes and spells. A classic of Latin American cinema, which won Best Cinematography at 1951 Cannes Film Festival.
|
|
|
|
