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Alias Flequillo (1963)
Character: Inspector general
The police use Mr. Buendía to obtain information about a gangster to whom he is identical.
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Guacho (1954)
Character: N/A
A handsome newcomer in a village marries a local girl. A year or so later an abandoned baby is left on the couple's doorstep, a baby the man had with another woman. They decide to raise the kid along with the one they had together.
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Bettina (1964)
Character: N/A
The daughter of a bourgeois family is seduced, pregnant and dragged into a seedy environment.
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Lucía (1966)
Character: Empleador Lucía
"Lucía" is an Argentine-American evangelist propaganda color film directed by Dick Ross that was filmed in 1963 but was never released commercially in Argentina. The film was processed in Hollywood and also filmed in an English-spoken version.
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Novio, marido y amante (1948)
Character: N/A
A young woman marries an older man on a whim; the marriage is not consummated. She falls in love with her husband's son.
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Mi esqueleto (1959)
Character: N/A
Believing that he is about to die, a man sells his skeleton for science.
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El tercer huésped (1946)
Character: N/A
A threatened financier is impersonated during a train ride by an identical-looking salesman.
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El grito sagrado (1954)
Character: N/A
El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.
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Los dos rivales (1944)
Character: N/A
Two reporters from rival newspapers compete to win over women and investigate a gang of criminals.
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El rufián (1961)
Character: N/A
An amnesiac carnival psychic is haunted by the thought that a man is coming to kill her.
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Los torturados (1956)
Character: Médico
A parapolice force within Peronism is dedicated to reducing and extorting all kinds of opponents, among whom a few rise up to denounce what is happening. Although the film has propaganda purposes that deliberately ignore part of reality, it is based on documented cases, such as those of the student Ernesto Mario Bravo or the trade union leader Cipriano Reyes.
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La patota (1960)
Character: Decano
A philosophy teacher is raped by her night school students.
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La muerte camina en la lluvia (1948)
Character: Doctor Kaplan
A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.
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De padre desconocido (1949)
Character: N/A
A single mother is unjustly detained by the police. A lawyer, son of the judge in the case, falls in love with her.
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Cleopatra era Cándida (1964)
Character: N/A
Cándida marries a widowed millionaire. She is in full exercise of being the housewife, when her husband's daughter arrives, with the company of Amelita Vargas with 2 purposes: to find out what her father is hiding and that she marry him..
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Los verdes paraísos (1947)
Character: N/A
An architect who suffers an attack of epilepsy wakes up years later having become a famous writer next to getting married.
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Chafalonias (1960)
Character: N/A
After his wife's death, widower begins to learn details about a double life she led.
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Apenas un delincuente (1949)
Character: Manager
A bank employee uses a loophole in Argentine law to concoct the perfect crime, planning to reap the rewards of his embezzlement after serving six years in prison…
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El candidato (1959)
Character: N/A
An old politician is claimed by his party to be a candidate in the next elections.
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No abras nunca esa puerta (1952)
Character: (segment “Alguien al teléfono”)
A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.
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Los acusados (1960)
Character: N/A
The murder of a man is investigated by a judge but the documentation that the dead man possessed makes the investigation hampered by politicians.
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Mercado de abasto (1955)
Character: Dr. Martínez
The action occurs in Abasto Market in Buenos Aires, Argentina. A grown up single woman marries a mafia man who promised her he would change. After they've married, his past come to ruin the wife's life.
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El ángel desnudo (1946)
Character: Presidente Sociedad de Críticos de Arte
A sculptor lends money to a bankrupt man, who agrees to allow his daughter pose for the sculptor's next work. The film caused a scandal in Argentina for the depiction of then 17-year-old Olga Zubarry's naked back. Adaptated from the novel "Fräulein Else" by Arthur Schnitzler.
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Los isleros (1951)
Character: N/A
Leandro and Carancha inhabit the islands located in the Parana delta. When their son brings home a girlfriend, her presence makes Carancha jealous and dramatic consequences ensue.
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Ayer fue Primavera (1955)
Character: N/A
A man suspects that his late wife had an extramarital relationship, so he decides to face the alleged lover.
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El amor nunca muere (1955)
Character: N/A
Three-episode film linked to each other by means of a medallion, where love is the engine that drives people to act the way they did.
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Romance en tres noches (1950)
Character: N/A
A woman finds the opportunity to change her life when she meets and falls for a man who lives in a cabin far from the city.
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La campana nueva (1950)
Character: N/A
The struggle of two rural teachers to rebuild a school destroyed by a tornado.
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Esposa último modelo (1950)
Character: N/A
When a young woman who knows nothing about housework falls in love, her grandmother and nanny make her seem like the ideal housewife in front of her boyfriend.
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Amorina (1961)
Character: N/A
A woman feels abandoned by her husband and children.
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De turno con la muerte (1951)
Character: N/A
A young doctor tries to cope with his intimate dramas and, at the same time, fulfill the duties of his profession.
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Navidad de los pobres (1947)
Character: N/A
A woman finds herself in trouble from a single mother whose father has stolen her child and decides to protect her.
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Con gusto a rabia (1965)
Character: N/A
A bourgeois lady has an affair with a revolutionary and idealistic young medical student who participates in the assault on a hospital.
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