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Skandal in Budapest (1933)
Character: N/A
Eva goes to Budapest to visit her friend Tini's wedding but as soon as she arrives, the husband-to-be breaks up with Tini. When Eva decides to take things into her own hand and follows him to the Hotel Atlantik.
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Le Sergent X (1932)
Character: N/A
A military wife remarries after she thinks her Russian husband has died in battle, and when he returns alive he enlists in the Foreign Legion rather than disrupt her new happiness.
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Der kleine Seitensprung (1931)
Character: Klavierspieler
A wife believes her husband has been deceiving her and decides to have some fun at his expense. After a bit of mischief, her husband, a lawyer who is preparing a divorce for a client, decides to start divorce proceedings himself. The wife then realises she has gone too far.
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Dolly macht Karriere (1930)
Character: O.W. Pietsch
Musical vehicle for up and coming Dolly Haas, as a would be actress with a would be composer boyfriend. She sings,at one point, that she has the walk of (Lilian) Harvey, the mouth of Garbo and the legs of Dietrich.
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Opernredoute (1931)
Character: N/A
The Opera Ball (German: Opernredoute) is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was part of a large group of operetta films made during the decade, although the film is not based on the operetta Der Opernball. The following year it was remade in French as Beauty Spot. A 1932 British remake After the Ball was also made.
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Das gestohlene Gesicht (1930)
Character: Lewinsohn
Bill's girlfriend Lore is an art student in Berlin. Since her professor doesn't think much of painting women, she exchanges a genuine Raphael painting in a gallery for a copy made by her. In a spectacular theft, the copy is stolen. Detective Keller suspects Bill and Lore. But Bill, who is a talented quick-change artist, keeps escaping arrest by constantly altering his appearance.
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Schatten der Manege (1931)
Character: Lilienfeldt, Argent
Circus themed films usually provides a thrilling drama. The relatively obscure "Schatten der Manege" provides just what you'd expect. Doing the trapeze act angle, combining it with romance and jealousy for a darker plot, it has a lot of the right the ingredients. Does have moments where it spends too long of circus footage, which ruins some of the pacing, but otherwise a fine circus flick.
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Es war einmal ein Walzer (1932)
Character: Notar Sauerwein
Banker Rudi Moebius and his counselor arrive in Wien for an arranged marriage which should solve their financial problems. Only they don't know, but Lucie Weidling is broken too, and in love with Gustl, a musician without the courage to elope. Meanwhile Rudi meets Steffi and falls in love not even knowing her name. He and Lucie become good friends and decide to help each other.
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Bretter, die die Welt bedeuten (1935)
Character: N/A
Paul loves actresses but avoids to get hitched. Businesswoman Katja manages to get a singing part on stage, this way attracting him to her. Deli employee Franz is mistaken for an actor and gets a leading part - with disastrous results.
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Die singende Stadt (1930)
Character: Der Empfangschef
A tourist guide in Naples is taken on by a Viennese woman impressed by his singing, and who regards him as her protege. This film was released as a German version and English Version known as "The City of Song". Brigitte Helm once portrays a beautiful femme fatale who displays her affection and lust for her tourist guide which is paralleled with the main bodied theme of the early romanticist songs played throughout.
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Ein Burschenlied aus Heidelberg (1930)
Character: Sam Mayer
A long time ago, John Miller emigrated from Germany to America. Now he wants his daughter Elinor to get to know his old homeland and sends her off to Heidelberg, where she is to study for a year. Pretty soon, the pretty young girl is in demand among the young men in town. Especially the students Dahlberg and Bornemann try to win Elinor's heart.
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Der Bettler vom Kölner Dom (1927)
Character: Carolus Caesar Müller, Privatdetektiv
An international gang of thieves and swindlers decide to move their criminal operation to the Teutonic city of Cologne, but Tom Wilkens, one of the best agents of the international police, is not far behind and leads an investigation to unmask the criminals.
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Ball im Savoy (1935)
Character: Direktor des Grand-Hotel
Operetta star Gitta Alpar plays a singer engaged for a performance at the Savoy Hotel, where she mistakes Baron von Wollheim for a waiter. But the baron is content to play the game for a while and changes his role with the real waiter. Of course the singer is quite happy when she discovers the real identity of the baron, but now she mistakes him for a thief, as her necklet has gone missing. Further complications arise when the baron's cousin Mary, a composer, arrives at the hotel and wants a music publisher to listen to her songs.
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Overture to Glory (1940)
Character: The Costume Supervisor (as Herman Blass)
A humble cantor, Oysher yearns to be an opera singer. He deserts his tiny village to pursue his dream, but when his voice breaks he sheepishly returns, resigned to attending but not singing at the Yom Kippur services. Upon his return, Oysher is informed that his son has died. Out of grief is wrought a miracle: Oysher's voice returns, more powerful than ever. After performing the Day of Atonement services, Oysher suddenly collapses, peacefully joining his son in death. If you wish to see the touching Overture to Glory, by all means seek out a decent print; many extant copies are so washed out that, not only are the English subtitles unreadable, but it's extremely difficult to tell one actor from another.
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Der Mann, der seinen Mörder sucht (1931)
Character: N/A
A man in bad sorts hires a burglar to later kill him, then changes his mind when his fortunes turn and must find the contracted murderer before it is too late.
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Der Greifer (1930)
Character: Prater-Pepi
Inspector Harry Cross is investigating a murder case with a knife throwing killer in the the seedy world of night clubs.
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