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次郎長三国志 第八部 海道一の暴れん坊 (1954)
Character: N/A
A legendary gangster raises himself out of a small town and gathers followers on his rise to power.
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逃亡地帶 (1953)
Character: N/A
Shiro Yabe, a young gangster who boarded the second class on the Tokaido Line after finishing a dangerous smuggling transaction in Kobe, is next to a beautiful woman with a sad face.
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お祭り半次郎 (1953)
Character: N/A
Every year, at the festival, familiar merchants such as Toraemon, a magic trick, Tokubei, a blowgun, Kaji, acrobatics, and Unsaibo, a ritual, gather toward the port town.
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眠狂四郎無頼控 (1956)
Character: N/A
Historical drama about a sleepy-eyed ronin.
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ますらを派出夫会 (1956)
Character: N/A
Based on a comic strip by Kaoru Akiyoshi. First in a four part film series.
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私と私 (1962)
Character: N/A
Toho comedy shot in Tohoscope featuring performances from the Peanuts and the Crazy Cats. Original released alongside another Toho comedy, King Kong vs. Godzilla.
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はりきり社長 (1956)
Character: N/A
The third installment in the Shacho Series.
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続・社長太平記 (1959)
Character: N/A
7th film in the President series and the first entry in color.
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サザエさんの新婚家庭 (1959)
Character: N/A
Sazae's wish came true and she got married to Masuo. The two ended up living together at Sazae's parents' home, the Isono family. However, the newlywed life that started at the Isono family was a disaster. At the Isono family, where bonito and Wakame pranks and neighbors visit, it is difficult even to be alone.
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愛情の都 (1958)
Character: Makiko
Aiko, a bar hostess, falls for the son of a company president who also keeps a mistress, and whose family disapproves of his relationship with the bar hostess.
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クレージー黄金作戦 (1967)
Character: N/A
The Crazy Cats, a Japanese musical-comedy group, were showcased a series of comic adventures throughout the 1960s. Las Vegas Free-For-All, one of their most popular movies, featured scenes filmed on location in Las Vegas, Los Angeles, and Hawaii. Appearing with the seven Cats were the lovely Mie Hama and such Japanese musical artists as The Peanuts, The Johnnys, The Drifters, and Jackie Yoshikawa & the Blue Comets.
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暗黒街撃滅命令 (1961)
Character: Call Girl Kyoko
Japanese neo-noir crime drama movie directed by Jun Fukuda
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忠臣蔵 花の巻・雪の巻 (1962)
Character: N/A
After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.
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ひばり チエミ いづみ 三人よれば (1964)
Character: N/A
Playhouse employees Okimi and Otoshi become involved in an undercover officer's investigation of a gang when they accidentally walk in on a drug deal taking place at their theater.
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続宮本武蔵 一乗寺の決闘 (1955)
Character: Kogure
After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.
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雲の上団五郎一座 (1962)
Character: N/A
The film adaptation of Kazuo Kikuta novel "Kumo no Ue Dangoro Ichiza", which enjoyed great success at the performances of the Toho Takarazuka Theater at the end of the year. The troupe "Kumo no Ue Dangoro" continues to tour from town to village. The small cast of the troupe includes its leader (Kenichi Enomoto), Norizo (Norihei Miki) and Taizo (Mutoshi Happa), who play female roles - they are all super actors, each of whom plays five roles. Dan Goro dreams of performing in a major theater and tries to put on a big show with a young man he meets in Shikoku named Sakai (Frankie Sakai), but...
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夜の流れ (1960)
Character: N/A
A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself 'already dead'.
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放浪記 (1962)
Character: N/A
Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.
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女が階段を上る時 (1960)
Character: Kiyomi
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
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山の音 (1954)
Character: N/A
An ingratiating bride develops warm ties to her father-in-law while her cold husband blithely slights her for another woman.
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美女と液体人間 (1958)
Character: Hanae
Nuclear tests create a radioactive man who can turn people into slime.
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疾風！鞍馬天狗 (1956)
Character: N/A
The 40th and final "Tengu Kurama" feature starring Kanjuro Arashi.
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妻の心 (1956)
Character: N/A
Kiyoko (Takamine Hideko) and her husband want to open a coffee shop. She becomes increasingly close to the bank clerk (Mifune Toshiro) she's asked for a loan.
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密輸船 (1954)
Character: Tamie Matsuo
A narcotics investigator for the harbor police, Eiichi Tsuda, is driven by thoughts of vengeance for the overdose death of his brother and the subsequent decline and death of their mother. Tsuda acts viciously and with disdain for legal niceties in his exploration of the criminal facts behind the explosion of a freighter in the harbor. He goes undercover with a band of drug smugglers, but his methods threaten to destroy him as well as his case.
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