|
Meet Bob Shaye (2004)
Character: Self
Documentary portrait of Robert Shaye, founder and CEO of New Line Cinema.
|
|
|
The Nightmare Begins Again (1993)
Character: Minister
When Fred Krueger is set free on a technicality, the parents of the children he murdered take matters into their own hands, while a high school track star haunted by her mother’s untimely death receives her mother’s amulet that unlocks her ambitions and unleashes vengeance on those who cause her pain.
|
|
|
The Many Lives of Jason Voorhees (2002)
Character: Self
A documentary charting the rise and fall (and inevitable undead rise) of fictional killer Jason Vorhees from the Friday the 13th series, which takes in the "video nasty" phenomenon in general.
|
|
|
The Last Impresario (2014)
Character: Self
Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, he produced over 300 shows and movies over the last 50 years. Bringing to the stage the risqué productions of Oh! Calcutta!, The Rocky Horror Show and to the screen Monty Python and the Holy Grail, as well as introducing Merce Cunningham, Pina Bausch and Yoko Ono to London audiences, he irrevocably shaped the cultural scene of the 1970s London.
|
|
|
Searching for Mr. Rugoff (2019)
Character: Self
The feature documentary Searching for Mr. Rugoff is the story of Donald Rugoff, who was the crazy genius behind Cinema 5, the mid-century theater chain and film distribution company. Rugoff was a difficult (some would say impossible) person but was also the man who kicked art films into the mainstream with outrageous marketing schemes and pure bluster. Rugoff's impact on cinema culture in the United States is inestimable, and his influence on the art film business-from the studio classics divisions to the independent film movement to the rise of the Weinsteins-is undeniable. Yet, mysteriously, Rugoff has become a virtually forgotten figure. The story is told through the eyes of former employee Ira Deutchman, who sets out to find the truth about the man who had such a major impact on his life, and to understand how such an important figure could have disappeared so completely.
|
|
|
|
Return to Edge City (2005)
Character: Self
A DVD exclusive making-of documentary for Chuck Russell's 1994 action comedy The Mask, consisting of interviews, behind the scenes footage, film clips, and frames from the comics.
|
|
|
|
|
|
|
Genesis: Development Hell (2004)
Character: Self
A look at the various problems of Freddy vs. Jason (2003) that was in development hell with movie rights, choosing the right script and a qualified director.
|
|
|
Festival in Cannes (2001)
Character: Bert Shuster
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?
|
|
|
|
|
The AGFA Mystery Mixtape Vault (2020)
Character: (archive footage)
THE AGFA MYSTERY MIXTAPE VAULT is a 2-disc, 500-minute odyssey that collects eight feature-length VHS mixtapes from the crackpots at AGFA—including two that have only ever been available theatrically.
|
|
|
Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau (2014)
Character: Self
The story of the insane scandals related to the remake of “Island of Dr. Moreau” —originally a novel by H. G. Wells—, which was brought to the big screen in 1996. How director Richard Stanley spent four years developing the project just to find an abrupt end to his work while leading actor Marlon Brando pulled the strings in the shadows. Now for the first time, the living key players recount what really happened and why it all went so spectacularly wrong.
|
|
|
Battle Flame (1959)
Character: Lt. Norris
The trials and tribulations of a platoon of U.S. Marines, led by 1st Lt. Frank Davis, during the Korean War.
|
|
|
|
|
Chainsaw Redux: Making a Massacre (2004)
Character: Self
Feature length documentary about the making of the film featuring interviews with producer Michael Bay, director Marcus Nispel, executive producers Brad Fuller and Andrew Form, screenwriter Scott Kosar, and the cast and crew.
|
|
|
Cellular (2004)
Character: Detective Looking Guy
A young man receives an emergency phone call on his cell phone from an older woman. She claims to have been kidnapped – and the kidnappers have targeted her husband and child next.
|
|
|
That Moment: Magnolia Diary (2000)
Character: Self
A very in-depth documentary that follows the very over-worked director Paul Thomas Anderson through a gruelling 80+ days of shooting for the film Magnolia (1999), containing behind-the-scenes footage and interviews.
|
|
|
|
|
|
|
Freddy vs. Jason (2003)
Character: Principal Shaye
Freddy Krueger and Jason Voorhees return to terrorize the teenagers of Elm Street. Only this time, they're out to get each other, too.
|
|
|
Divine Trash (2000)
Character: Self
The life and times of Baltimore film maker and midnight movie pioneer, John Waters.
|
|
|
Never Sleep Again: The Elm Street Legacy (2010)
Character: Self
For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
|
|
|
AGFA Mystery Mixtape #3: Sequelitis (2020)
Character: Self
Unleashed from the video vaults of the American Genre Film Archive (AGFA), AGFA MYSTERY MIXTAPE #3: SEQUELITIS is a brand new compilation of the most electrifying found footage mayhem that you’ll see this week. For our third tape, we’re diving into the most controversial, hotly debated topic of all time: HORROR SEQUELS! Thank you for your generous support during these difficult times. And remember: “This makes Guns N’ Roses look like THE BRADY BUNCH.”
|
|
|
Quiet Cool (1986)
Character: Franklin
Joe Dylanne, a tough New York City police officer, is summoned to Northern California at the behest of Katy Greer, an old flame. Katy desperately needs Joe's help after the brutal killings of much of her family at the hands of rural marijuana dealers. Upon arriving in the area, Joe discovers that local law enforcement isn't helpful, and he must team up with Katy's survivalist nephew, to take down the murderous criminals.
|
|
|
Freddy's Dead: The Final Nightmare (1991)
Character: Ticket Seller
Just when you thought it was safe to sleep, Freddy Krueger returns in this sixth installment of the Nightmare on Elm Street films, as psychologist Maggie Burroughs, tormented by recurring nightmares, meets a patient with the same horrific dreams. Their quest for answers leads to a certain house on Elm Street -- where the nightmares become reality.
|
|
|
|
|
|
|
Wes Craven's New Nightmare (1994)
Character: Robert Shaye
A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?
|
|
|
|
|
National Lampoon's Loaded Weapon 1 (1993)
Character: Interrogation Room Person (uncredited)
An LA detective is murdered because she has microfilm with the recipe to make cocaine cookies. Two cops partner to find and stop the fiends before they can dope the nation by distributing their wares via the 'Wilderness Girls' cookie drive.
|
|
|
Going to Pieces: The Rise and Fall of the Slasher Film (2006)
Character: Self
This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.
|
|
