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Kameraden (1941)
Character: Premierleutnant von Hasse
King Frederick II and his leading advisors hesitate too long in the eyes of some officers, so Major von Schill decides to strike out on his own. He hoped that his brave move would be the catalyst for the great war of liberation. But von Schill's troops were soon defeated by a superior force of Dutch-Danish troops. The king takes a public stand against von Schill's actions and eleven of his officers are shot by summary execution on Napoleon's orders. However, one of them, Lieutenant Heinrich von Wedell, escapes death and is sentenced to forced labor for life. When Wedell's brother Karl, who opposed von Schill's unauthorized actions, learns of Heinrich's fate, he decides to help him in a risky way...
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Laster der Menschheit (1927)
Character: Baron Beythen
Tamara becomes addicted to cocaine but hides from her daughter by moving in with the dealer Mangol. The father tells his daughter that her mother has died, but years later the daughter rediscovers her mother appearing on stage. Mangol pursues the daughter, but Tamara intervenes before dying amongst family members.
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Menschen (1920)
Character: N/A
Martin Berger’s 'Menschen' serves as a harrowing socio-cinematic autopsy of the human spirit, adrift in the wreckage of a post-war landscape. Far from the escapist fantasies that often dominated early Weimar screens, this 1921 opus delves into the penumbral existence of the disenfranchised. The narrative follows a fatalistic trajectory, where the characters—portrayed with a raw, almost primitive intensity—grapple with the crushing weight of systemic indifference and personal moral decay.
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Der Amönenhof (1920)
Character: Leo von Zimburg
A lady-in-waiting is to become the companion of a young lady at the splendid estate Amönenhof.
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Lillis Ehe (1919)
Character: Hans von Schöneich
Lilli marries Dr. Friese, but when she realizes that he was her mother's lover, tragedy ensues.
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Ein idealer Gatte (1935)
Character: Chilterns Gast
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.
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Das Fräulein von Barnhelm (1940)
Character: 1. Offizier
During the Seven Years' War, Prussian Major von Tellheim sacrifices his own fortune to save a Saxon estate from being plundered. After the war ends he is discharged and left penniless when the government suspects his noble deed was actually due to a bribe. Believing his lost honour makes him unworthy Tellheim breaks his engagement to Minna von Barnhelm, but she tracks him down to a Berlin tavern to win him back. To test his love Minna pretends she has also lost her wealth, prompting Tellheim’s protective instincts to finally override his stubborn pride. The film concludes with a royal decree from Frederick the Great, restoring Tellheim's rank and fortune and allowing the couple to marry.
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Der arme Millionär (1939)
Character: Juwelier
A shoemaker has delusions of grandeur when he inherits from a baron whose life he saved.He prevents his daughter from seeing a mere carpenter, abandons humble old friends, and shows poor judgment by falling for a couple of poseurs.
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Rote Orchideen (1938)
Character: N/A
In a made-up country somewhere in northern Europe: In the armaments factory F.N.G., an important drawing is copied and passed on to the enemy. Suspicion falls on the chief engineer Alexander Nica and his assistant Laurenz. Both are placed before the court; accused by the night watchman Bruns; and sentenced to death for industrial espionage. Before sentencing, however, Nica succeeds in getting away. Now he’s trying to find proof to convince the court of his and Laurenz’ innocence.
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Der Vierte kommt nicht (1939)
Character: N/A
Four school chums who meet yearly are missing their friend, who was working in a Stockholm bank and supposedly killed himself. But was it murder, instead?
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Sherlock Holmes (1937)
Character: N/A
Jimmy Ward infiltrates a criminal gang, only to reveal at the last moment that he is, in fact, none other than an undercover Sherlock Holmes.
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Viktoria und ihr Husar (1931)
Character: Taylor
Viktoria is a Hungarian countess who believes her Hussar captain husband was killed in World War I. She marries an American and resettles at the American consulate in Tokyo. Her first husband reappears, alive; and the American generously releases Viktoria from their union.
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Miss Venus (1921)
Character: Bobby Parker
Maud Goodin is the daughter of a millionaire, content with her present life, but she is an interesting conquest for those wants to get on the social ladder.
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Waterloo (1929)
Character: König Friedrich Wilhelm III.
This presentation of 'Waterloo', a film by Karl Grune about the last hurrah of Napoleon, is a fascinating companion to the Abel Gance epic 'Napoleon'. 'Waterloo' presents a tale of several people involved in the final battle. Napoleon and Wellington, of course, but also the Austrian general Blutcher (who is seen as a ladies' man - his scene with a flirty Countess about halfway through the film is priceless; as are his touching scenes with his plain wife (who he imagines to be a young and nubile girl when they get romantic) and some people within his regiment. Not simply a film of war, 'Waterloo' is a story of people, of lovers, of lost opportunities.
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Verwehte Spuren (1938)
Character: Pariser Hotelportier
Séraphine and her mother arrive in Paris to visit the 1867 World Exhibition. In an overcrowded city they must be accommodated in separate hotels. During the night the mother, who wasn't feeling very well, gets suddenly worse. When next morning Séraphine goes to meet her every trace of her presence has disappeared and everybody denies having ever met her. The bewildered young woman must find someone who believes her. Previous version of So Long at the Fair (1950).
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Ein Unsichtbarer geht durch die Stadt (1933)
Character: Harrys Fahrgast zum Bahnhof
A taxi driver, (Piel), finds an odd contraption on the back seat that renders him invisible, but his friend steals the device to rob a bank. An inventive comedy.
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Der Tiger von Eschnapur (1938)
Character: N/A
After a passionate affair in Paris, adventurer Sascha Demidoff can no longer forget Sitha, the beautiful Maharani of Eshanpur. He travels through the wilderness of India to the maharaja's palace, where Sitha still returns his passion. But when his connection to her becomes apparent, he finds himself exposed to the revenge of the deceived maharaja. It is only with Sitha's help that he narrowly escapes from a ravenous tiger in the predator courtyard and flees with her from the palace to Berlin. Meanwhile, the architect Fürbringer is waiting for a message from Eschnapur, where he has been promised the construction of several large buildings. However, Fürbringer's friend and first draughtsman Sperling returns from India without having achieved anything. When Fürbringer's fiancée, Irene Traven, discovers that the maharajah is in Berlin incognito, she gains access to him and manages to get the prince to award her fiancé the building contract...
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