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Zwei Menschen (1930)
Character: N/A
Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.
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Das Haus ohne Lachen (1923)
Character: Lester
Orphan Enid White becomes the ward of a cruel man. She gets close to her guardian's wife and also to his son, who secretly comes to visit when his father is not around. One evening Enid is whipped by the patriarch, and hours later he is found dead. An investigation follows.
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Stadt in Sicht (1923)
Character: N/A
AFTER THE VERDICT tells the story of a murder case that shocks London’s upper class and turns the life of a famous tennis player upside down when her fiancé becomes a suspect.
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Burgtheater (1936)
Character: N/A
In this convoluted melodrama, an elderly thespian falls for a rising young starlet. He admits his love for her and then announces that he will retire. The young woman pretends she loves him too, but her real motive is to give her struggling lover, also an aspiring actor, a break.
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Die elf Teufel (1927)
Character: Der Kellner
Die elf Teufel / The Eleven Devils was made in Berlin in the summer of 1927, in the last throes of the silent movie era. But Die elf Teufel strikes one today as a prophetic film. One of its early captions is "Football, the sport of the century ". We are shown a ball bathed in light like some sacred relic, and observe how, even in those early days, fans on the terraces wouldn't shy away from using their fists.
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Au nom de la loi (1932)
Character: Comte de Bullack
The story is about a drug ring and the finally successful efforts of the Paris police to break it up. A young detective goes into a den in Paris' Chinatown, following a clue, and that is the last seen of him until his body is found floating in the Seine several days later. The only clue is a woman's glove. The dead man's friends on the force vow to avenge him, and receive information leading them to suspect one Sandra, a beautiful foreigner, played by the stunning Marcelle Chantal.
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Le Grand Jeu (1934)
Character: Aziani
Pierre , a young lawyer, has enormous debts due to his mistress Florence and her whims of luxury life. Pierre has gone too far and put the family firm in jeopardy. They ask him to expatriate. To avoid scandal, Pierre joins the Foreign Legion. In Morocco, near the desert, Pierre goes with his comrades of the Legion to a bar-restaurant-brothel, owned by a shady character, Mr. Clement . Clement lives more or less with Ms.Blanche who is a fortune teller with cards, as a hobby. But Clement is also after his girls now and then. Pierre is still obsessed with Florence but he meets Irma , one of Clement's girls, who is the double of Florence except for hair color. Irma has had an accident and has lost part of her memory at a certain point of her recent past, and Pierre slowly persuades himself she is Florence, but cannot remember it. Advised by Ms.Blanche, Irma finally accepts to act as if she was Florence because she is falling in love with Pierre.
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Großstadtnacht (1933)
Character: N/A
Young French student Madeleine Duchanel wants to go to the theater and therefore pulls out of the well-protected environment of her school. In Paris she hopes to make a career, but in her naivety she ends up on the street.
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Pension Mimosas (1935)
Character: N/A
Mr. and Mrs. Noblet run a boarding house on the French Riviera. One day, they are led by circumstances to welcome a little boy Pierre, whose father is in jail, into their home. Which makes Louise Noblet all the happier as she can't have children herself. But, after a while, Pierre's father is released from prison and reclaims his son... Time passes and Pierre, now a young adult, lives in Paris more or less on the wrong side of the law. He has a mistress, Nelly, who does not say no to other men's money... Louise, who still loves Pierre as her own son, wants only one thing - to help him get by.
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