|
El Mito de Narciso (2011)
Character: N/A
"Life is a latency that as time and space becomes visible as a figure. But never eat at all, there are other possible lives. Making a life is difficult, filming the impossible itself . with this imago-auto-bio-graphy is an attempt to talk about this ambiguity, where what could be is the possibility of a memory, where what was and what was not, can be remembered in the same way, . always I lived with mixing the imagined thing is chosen in this chancy; go left on the road the other films that might have emerged" -Narcisa Hirsch
|
|
|
|
|
Doña Bárbara (1998)
Character: Doña Bárbara
Dr. Santos wants to sell the ruined family farm to start a new life with his girlfriend in Europe. Instead, he succumbs to the country's fascination and tries to rebuild the ranch with his ancestors. He meets two fascinating women: The beautiful Doña Bárbara, who is said to bewitch every man, and her wildly grown and equally beautiful daughter.
|
|
|
One Shot (2018)
Character: Mercedes
Marita is a trans-sexual woman from a small town in Entre Rios, Argentina who lives a solitary life in a world that sees trans-sexuality as a misunderstood phenomenon instead of an identity choice.
|
|
|
Ángel, la diva y yo (2000)
Character: Diva
Buenos Aires at the end of the millennium a young filmmaker hopeless about their future decides to film his last act.
|
|
|
Anni ribelli (1996)
Character: N/A
Buenos Aires, 1955. One of a family of Sicilian immigrants, the adolescent Laura is on the threshold of adulthood. Her father Francesco Lojacono, is a humble tailor whose relationship with his daughter is one of extreme conflict. As Laura becomes increasingly emancipated in Argentinian (and therefore American) fashion, her father feels personally betrayed.
|
|
|
Ulises, un alma desbordada (2014)
Character: N/A
Ulises Dumont worked in more than one hundred films, more than one hundred characters, enough to overflow his soul. Through fragments of each one of them, this documentary-tribute tries to recreate, based on the elements offered by each testimony, the life and the sensitive and multifaceted personal universe of this genius of Argentine cinema and theater.
|
|
|
Testigos ocultos (2001)
Character: Florence
A prostitute and her boyfriend and pimp extort money from those who hire the services of prostitutes in a Buenos Aires neighborhood by filming them without warning, but one of their victims turns out to be a powerful French businessman.
|
|
|
Los enemigos (1983)
Character: Gorriti
The film depicts an eccentric Argentine family consisting of an elderly woman, her son, and the maid. Their relationships with each other and the outside world are closely linked to the dictatorship that grips the country they live in.
|
|
|
Cabeza de pescado (2010)
Character: N/A
A taxidermist living with his wife and son who suffers from a virus which is mutating himself into another being, then he meets a woman who will tragically change his life
|
|
|
El día que Maradona conoció a Gardel (1996)
Character: N/A
Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.
|
|
|
|
|
Atrapadas (1984)
Character: N/A
Silvia is incarcerated in a corrupt women prison and forced to participate in drug distribution. When she refuses she is punished and her sister murdered. She will try to get free and get her revenge.
|
|
|
Eva Perón (1996)
Character: Eva Duarte Perón
Drama based on the life of Eva Peron, an obscure actress, who rose to become wife of Argentine strong-man President Juan Peron and one of the most powerful figures in Argentina until her death in 1952 at age 33.
|
|
|
|
|
Gracias por el fuego (1984)
Character: N/A
The failure of Budiño Ramon, who plans first murder of his father and is recognized after unable to carry it out, is due largely to the general attitude of a society that tolerates no dramatic gestures. However, the inadequacies of radical class, beliefs, feelings, profession and memory also plays a leading role in the drama.
|
|
|
Paco (2010)
Character: Ingrid Blank
The story of Francisco, a young psychics teacher who starts consuming drugs, his mother, a well known congresswoman and Nina, the woman who will try to save him from a horrible future.
|
|
|
Dormir al sol (2012)
Character: Diana
Lucio Bordenave carries on the Grey lifestyle of an unemployed worker, dedicated to the trade of watchmaking, until in a somewhat mysterious way, his wife is admitted to a Frenopatic Institute. From this point on, the story enters a territory without parameters where reality is confused with the imaginary, sleep with wakefulness, and insanity with lucidity.
|
|
|
Las cosas del querer 2 (1995)
Character: N/A
On the way to his exile in Lisbon, Mario meets Silvia, a widow who turns out to be one of his admirers. Silvia has inherited a fortune, leading Mario to resume his career, eventually falling for him. Although Mario has relations with her, he makes it clear that will never fall in love. In Madrid, Juan Pepita and resume their relationship, and because of this the jilted Nena John Colman murders before Pepita, after being arrested. Pepita accepts a contract in Argentina, reunited with Mario. There he meets Tulio, who after starting a relationship with singer eventually ask marriage.
|
|
|
A oscuras (2019)
Character: Lola
Lola tries not to drop her talent, threatened by the passage of time and the irreversible events that devastated her happiness. Ana, will try to survive a violent relationship with Victor that will bring her closer to the world of prostitution. Lucio hand in hand with cocaine addiction, will destroy its precarious humanity.
|
|