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La casa de los cuervos (1941)
Character: N/A
A soldier enrolled in the revolutionary ranks has an affair with a woman who turns out to have been married to a man whom the soldier had killed.
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Dancing (1933)
Character: N/A
The film's plot, which largely takes place in a cabaret, revolves around a worldly guy who had abandoned a mature lover for a younger and more beautiful one. It is very elementary and is just a pretext for a parade of popular songs. Currently considered lost.
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La dama del collar (1948)
Character: Silvia
A rich woman's personal secretary borrows an expensive piece of jewelry without permission for a night on the town... and then loses it. Based on a story by Guy de Maupassant.
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Las tres Elenas (1954)
Character: Doña Elena Ugalde de Dueñas
A woman married to a renowned doctor confesses to her mother that she has fallen in love with her daughter's young boyfriend.
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Alfonsina (1957)
Character: Alfonsina
Biography of Argentinean poet Alfonsina Storni (1892-1938), on of the most famous Latin American poets of the modernist period, who committed suicide by drowning in the sea in Mar del Plata.
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Camino del infierno (1945)
Character: Irene Rossi
A melodramatic, psychological thriller, the film tells the story of a young wealthy widow, who is unhappy. She meets a Bohemian artist who marries her to escape the poverty of his family, but is stifled by her possessiveness and jealousy.
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La fuga (1937)
Character: Sara
Daniel, a smuggler is chased by a policeman. In his escape are helped by the messages that his lover transmits to him in code by means of the tangos that sings in a radio program. To hide himself, he pretends to be a teacher in a small town in Entre Ríos, and by the time he discovers it, the police have already faced a new life.
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A Sangre Fría (1947)
Character: Elena Rossi
A couple plans to poison a wealthy elderly to stay with his fortune. However, the plans of the villain and his accomplice stagger at the last minute.
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El forastero (1937)
Character: Susana Rosales
A peasant must emigrate to Buenos Aires after having lost his property due to neglecting his work.
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La cigarra no es un bicho (1963)
Character: La prostituta
The vicissitudes of six different couples who arrive at a hostel in Buenos Aires called La Cigarra and are quarantined because of a supposed bubonic plague, causing all kinds of inconveniences and entanglements as a result of this forced coexistence.
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El hombre que debía una muerte (1955)
Character: Leonor
A young woman welcomes a stranger into her home who pretends to have an accident. After a fleeting romance, the two marry and she immediately inherits a fortune due to the death of her uncle. Later, the young woman discovered that there is a connection between the events.
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Dos basuras (1958)
Character: María
A prostitute and a sewer worker try to rebuild their lives, but his ex-wife complicates the relationship.
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Cruza (1942)
Character: N/A
The young daughter of a murdered rancher takes possession of her lands in Patagonia and must fight criminals alongside a teacher.
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La danza del fuego (1949)
Character: Elena Valdés
The sometimes profound, sometimes slightly sordid tale of Elena, a famous concert pianist who, as a child, was sexually assaulted by a circus clown while the music of Manuel de Falla "Ritual Dance of Fire" could be heard from the circus tent. Since that time, Elena has gone into hysterics every time she hears that composition. Making matters worse, the lascivious clown is now her business manager.
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La parda Flora (1952)
Character: N/A
Early twentieth century in Greater Buenos Aires, where the passion of a woman of dubious past for the son of a rich man who has influence in the police develops.
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El tercer beso (1942)
Character: N/A
A single man must pretend to be the father of a teenage girl and will end up marrying her mother.
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Nuestra Natacha (1944)
Character: N/A
A girl who grew up in a boarding school where she suffered from a lack of love is set as its director once she graduates as a lawyer.
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María Rosa (1946)
Character: N/A
A woman who misses her husband, who died in prison, is disputed between wine growers.
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La vuelta al nido (1938)
Character: The wife
Enrique, a gray office worker who lives a marriage already without passion begins to rethink his life when he receives an anonymous who says that his wife deceives him.
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La industria del matrimonio (1965)
Character: N/A
There are 3 stories about the intermediaries of marriage (the ads of magazines, seers and agencies): Sentimental mail, about an energetic woman who wants to marry a dominable man; Elixir of love, on the subject of the title; and Romantic about a melodic singer.
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Adiós Buenos Aires (1938)
Character: Luisita
A freakish coincidence brings together a songwriter and the lyricist from whom he inadvertently stole the lyrics to a hit song.
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Hermanos (1939)
Character: N/A
Four brothers set their differences apart when they need to help another brother.
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La otra y yo (1949)
Character: N/A
An impulsive actress abandons a film shoot and is replaced by a dressmaker, and the former's husband hires her to impersonate her in front of his future in-laws.
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Romance en tres noches (1950)
Character: Elsa
A woman finds the opportunity to change her life when she meets and falls for a man who lives in a cabin far from the city.
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El matrero (1939)
Character: N/A
A gaucho unjustly accused of murder becomes a dangerous nomad.
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Las tres ratas (1946)
Character: Eugenia de la Fuente
Three sisters become orphans. The eldest one will undertake the protection of the rest which involves a very hard task . Eventually, she will have to resign to her happiness.
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El día que cambió la historia (2012)
Character: N/A
The film narrates the struggles of the Argentine working class from the beginning of the 20th century until October 17, 1945, in the perspective of the meat workers of Berisso, leading protagonists of that day.
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La guerra gaucha (1942)
Character: Asunción Colombres
The story of the irregular forces on the north of Argentina, fighting against the Spanish Crown for the independence.
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Lauracha (1946)
Character: N/A
A man loves a woman of strong character but she abandons her
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