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Šāviens mežā (1984)
Character: N/A
When a journalist from Riga arrives in a rural forest district to investigate a letter from former forester Čukurs warning about the destruction of local woodlands, forest ranger Liepsargs offers him a place to stay. As they look into the situation, Liepsargs finds himself battling both illegal logging and poaching, determined to protect the forest from those exploiting it.
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De Granšānu ģimenes noslēpumi (1993)
Character: N/A
A story of love, jealousy and betrayal. But always, even under fatal circumstances, nobility will find its way to the light. Gertrude, a former governess, marries the count and cheats on him. She has long been in love with the count's business manager and hopes to marry him eventually. But her stepdaughter is growing up...
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Rita (1958)
Character: N/A
The last summer of World War II in a Latvian fishing village. Ten-year-old Rita risks her life to care for and provide everything necessary for four prisoners of war rescued by fishermen—a Frenchman, a Russian, and two Latvians—who are hidden in the attic of a school converted into a warehouse by the German army.
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Anna (1996)
Character: N/A
The film tells of faithful devotion to spiritual ideals. It is based on Riga St. Anna Stocken's Life Story of the Cistercian Monastery of Mary Magdalene.
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Gaidiet "Džonu Graftonu" (1979)
Character: N/A
At the beginning of the summer of 1905, representatives of the Socialist-Revolutionary Party Krasilnikov and Elkonen turned to Captain Zhanis Trautman, a Latvian political emigrant living on the outskirts of London, with a proposal to lead a steamer with a cargo of weapons to the shores of Russia. Having recruited a team of old and tried comrades, Trautman changes the crew of an English cargo ship bought by the front men. In the course of the squabble that arose on this occasion, a sailor of the old crew, David Blake, was stabbed. The wounded Blake and the veterinarian Gruber, who accompanied the cargo of anthrax drugs, are forced to leave on board. On the high seas, weapons and explosives were loaded on board. The steamer headed for the Oresund Strait, where a messenger was to meet him.
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Četri balti krekli (1967)
Character: Miervaldis Tralmaks
Cezars Kalnins installs telephones by day and composes pop songs by night. His band has a hard time receiving the permit from Soviet censorship authorities for a public debut. A member of the Culture Committee superficially listens to Cēzars' songs and deems the lyrics "unsuitable and frivolous” and "unfit for the Soviet youth”, and is later powerless to stop the grindstone of public debate, which she has herself initiated.
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Piejūras klimats (1974)
Character: N/A
The colourful musical comedy Maritime Climates could have been a triumph of smart political satire – if people in positions of power hadn’t got worried by the rushes they saw, which lead them to terminate the production. In 1992, Rolands Kalniņš made this edit of the remaining material – an elegy to lost hopes and illusions.
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Nepabeigtās vakariņas (1979)
Character: Bruberg
In one of the prestigious restaurants during banquet speech a large company's director Palmgren is killed in front of dozen guests . Case is lead by Criminal Investigation Officer Pierre Monson with his assistants. Suspect can be easily intercepted if only miserably lazy police officers Kvant and Kristiansson instead of catching criminal would not argue with father of little 3 years old boy who yelled: "Police, police, mashed potatoes" when they ate hot dogs. Help comes from capital in form of the famous Commissioner Martin Beck, who discovers that murdered industrialist was involved in illegal activities and had many enemies. The case is linked as well with government's "higher ends".
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Teātris (1978)
Character: N/A
The great actress Julia Lambert suddenly realizes that she is, alas, getting old. What can help a woman who has absolutely everything? Only new love. And Julia falls in love with the first person she meets: an ambitious young man who has not a penny behind his soul. So begins a new life - a new romance and new tears. How else could it be?
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