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Der Balletterzherzog. Ein Wiener Spiel von Tanz und Liebe (1926)
Character: Arch-Duke Sixtus
The Arch-Duke Herr Sixtus especially cares for Arts and particularly for young ballet students. The same is true of the Arch-Duke A.D.C., Herr Count Paul Paladin who shares with the Arch-Duke a special affection for Frau Elisa Jenkins, a young ballet student. Unexpectedly and thanks to a misunderstanding involving Frau Elisa and the Arch-Duke, the young student will become the new Prima Ballerina of the "Wiener Staatsoper".
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Aufs Eis geführt (1915)
Character: Albert
The two best buddies Ernst and Albert are pursuing the same girl. The girl leads them onto the ice in the form of an ice rink, where the two act awkwardly as non-skaters. But even on the ice rink, neither of them wants to give in, and the fight for the girl becomes increasingly intense. Suddenly, the girl's enraged groom appears and puts an abrupt and powerful end to the duel. This decision, imposed by a third party, leads to the two fighting cocks Ernst and Albert reconciling. Lost.
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Zigano (1925)
Character: Der alte Polizeipräfekt
Filmarchiv Austria holds a non-access master print and a nitrate duplicate negative of the film.
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Fiaker Nr. 13 (1926)
Character: Le maître de ballet
The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife. The student traces the washerwoman, and he tricks her into confessing what she has done with the baby. Meanwhile, the baby has been adopted by the cab driver and his wife, and has grown into Lili Damita.
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Parisiskor (1928)
Character: Duval's gatekeeper
A house in Paris happens to have two families living there with the same last name. In one apartment lives opera singer Gambetta Duval with his two daughters, Jeanne and Nita. In the second apartment lives old lady Duval with her grandchild Philippa and an her lodger, the physician Leon Monnier. Jeanne is secretly in love with Dr. Monnier who is secretly in love with Nita, who is secretly having an affair with the great playwright Armand de Marny.
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Menschen untereinander (1926)
Character: N/A
Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.
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Der Prinz von Arkadien (1932)
Character: Mölke zu Mölke
Both the King and his son have been deposed by popular demand. The now Prinz of Arkadia certainly enjoys his new role, which without much changing his lifestyle leaves him free to concentrate on his main interest -women. Including an actress who once wrote a mocking song about him -a song that he likes to sing.
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Evas Töchter (1928)
Character: N/A
An unmarried showgirl takes a handsome companion with her on a vacation, to the distress of others.
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Mach’ mir die Welt zum Paradies (1930)
Character: Robert Keller
About a young ambitious mans dreams of the art of theatre and the magic path to conquer a life as an actor at the beginning of the 20th century.
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Die Lieblingsfrau des Maharadscha (1921)
Character: Hotel portier
The Maharaja of Odhapur goes on a trip to Europe and meet the young dancer Ellen Esmond. In her London accommodation, the Savoy Hotel, the Indian prince can prove to be a gallant gentleman and protect Ellen from an intrusive theatrical agent. The Maharaja asks the artist to entertain his guests the following evening with her dancing skills, including England's representatives in India. The maharaja is thrilled with both the person Ellen and her dance performances. His brother Bhima, who was always in the shadow of the Maharajah, drinks excessively and also is also magically attracted to Ellen Esmond.
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Das Mädel auf der Schaukel (1927)
Character: N/A
The Girl on a Swing is a 1926 German silent film directed by Felix Basch and starring Ossi Oswalda, Harry Liedtke, and Lotte Lorring.
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Švejk v civilu (1927)
Character: N/A
«Svejk v civilu» (also known as "Svejk as a Civilian", "Schweik in Civilian Life", "Schwejk in Zivil") is 1927 Comedy film directed by Gustav Machatý, and written by Jacques Bachrach, Eduard Simácek, and Karel Vanek . Karel Noll is starring, alongside Dina Gralla, Jirí Hron, Albert Paulig, Renati Renee and Jan Richter.
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Der Frauendiplomat (1932)
Character: De Castellano
Diplomat Fürst Windischberg is known for spending too much time with women, receiving frequent reprimands and even a threat to be sent to Afrika. In Berlin he meets chorus girl Hella, who tells her companions she is his current flirt.
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Drei von der Kavallerie (1932)
Character: Major von Hoheneck
A town's business begins to suffer, when a military outfit is confined to quarters for three weeks because they have been harassing the local women.
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Ein ausgekochter Junge (1931)
Character: Brahmaputra
The plot centers on Ignaz Fischbein, a bullied employee at Strohbach's fashion house, who encounters misfortune at a fairground where he quarrels with Mizzi, who is awaiting her fiancé. A hypnotist named Brahmaputra, played by Albert Paulig, places the pair in a trance for his audience's amusement, causing them to believe they are a newlywed couple. Unable to reverse the hypnosis immediately, Ignaz and Mizzi head to the "Villa Waldfrieden" pension, where chaotic interactions unfold involving Strohbach, Mizzi's jealous fiancé Paul Kasulke (Paul Westermeier), and a retired Russian anarchist (Karl Huszar-Puffy)
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Der Tanzhusar (1931)
Character: Oberst von Vidakovich
In this comedy, a civilian singer of opera is obliged to fulfill his duty and perform six weeks of military service.
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Der Juxbaron (1927)
Character: Baron v. Kimmel
The film follows the comic (mis)adventures of a poor street musician, who is roped into posing as an eccentric nobleman. He and his antics are rapturously received by the members of a bourgeois family desperate to mingle with the aristocracy. The daughter of the family takes a fancy to the baron (in reality, merely a “joke baron”), assuming him to be immensely wealthy.
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Die fünf Frankfurter (1922)
Character: N/A
The history of the Rothschild family – from the rise of the Frankfurt patriarch Maier Amschel (Part 1) and his five sons Maier Amschel Jr., Salomon, Karl, Nathan, and Jacob (Part 2). It describes the development of the Frankfurt banking house and the commercial establishments in Vienna, Paris, Rome, and London, as well as the elevation of the House of Rothschild to the nobility.
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Moral (1928)
Character: Assessor Ströbel
When a travelling troupe threatens to unleash a saucy Berlin revue on the provincial town of Emilsburg, the local Morality Society, a band of sanctimonious middle-aged men, stages a protest. Meanwhile, the reigning monarch is concerned that his son and heir is not living his life to the full. Ninon d’Hauteville, a showgirl and the revue’s star attraction, takes a job as piano teacher to the young prince after her engagement at the local theatre was brought to a premature end, a result of the Morality Society’s interference. It doesn’t take long for those hypocrites to get wind of this. While on the outside they appear to be concerned with running the immoral woman out of their town, behind closed doors they rank among the new piano teacher’s most ardent pupils. However, Ninon, out to right the wrong done against her, secretly keeps a “diary” of their visits, recording each encounter on film with a hidden camera.
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Kopf hoch, Charly! (1927)
Character: Bunjes' Diener
Heads Up, Charley is a 1927 German silent comedy film directed by Willi Wolff and starring Ellen Richter, Anton Pointner, and Michael Bohnen. Marlene Dietrich appears in a supporting role.
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Die keusche Susanne (1926)
Character: N/A
Naughty Susanne leads an exciting double life between her hometown and Paris: in the provincial nest she is considered the ever virtuous and down to earth girl, while in the cosmopolitan city she always escapes to, she is the queen of the night, sophisticated and seductive. In Paris, she meets René and begins to recruit him, but she has a noble competitor: Jacqueline. A spirited love triangle begins, complicated by the interventions of uncomprehending moral preachers. Their befitting final finds the story in the Moulin Rouge.
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Der Fürst von Pappenheim (1927)
Character: Adjutant
Because she has fallen in love with an unknown man, young princess Antoinette has fled to Berlin before her planned marriage with a prince. Incognito, she works for the fashion house Pappenheim, where salesman Egon Fürst falls for the young girl. Antoinette′s rigid uncle is sent to bring the royal runaway home, but he mistakes another mannequin for his niece, therefore taking the wrong girl to his castle in Baden-Baden. The whole Pappenheim company, including the princess, also goes to Baden-Baden for a fashion show, which means even more excitement and confusion.
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Amor am Steuer (1921)
Character: N/A
A millionaire daughter is to be married to a man unknown to her. To get to know him, she slips into men's clothes, sticks on a mustache and is hired as a chauffeur.
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Die Welt ohne Waffen (1927)
Character: Bengt Dirks
An engineer develops a device that will disarm any electrically power device, in an attempt to prevent armed conflicts.
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Sein größter Bluff (1927)
Character: Mimikry
His Greatest Bluff is a German silent comedy film. Today, the film is best known for the early role it offered to Marlene Dietrich who was only cast after great effort by her agents.
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Rivalen (1923)
Character: N/A
Using his marauding robot and other futuristic weapons, power-crazed scientist Professor Ravello carries out various plots to win the hand of Evelyn away from her true love Harry Peel.
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Der Stolz der Firma (1914)
Character: Charly Forst
Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.
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Susanne macht Ordnung (1930)
Character: Voeller
Susanne Braun is keen to meet her father who she has never seen, but who supports her financially. She visits the Berlin lawyer who oversees the monthly maintenance payments, but he sets her on completely the wrong track. Consequently she encounters several potential fathers.
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Das tanzende Wien (1927)
Character: Kaiser's Adjutant
A cabaret singer in Germany is in love with a young American boy, and must convince his disapproving father that she is worthy of his son.
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Es war einmal ein Walzer (1932)
Character: Assessor Pfennig
Banker Rudi Moebius and his counselor arrive in Wien for an arranged marriage which should solve their financial problems. Only they don't know, but Lucie Weidling is broken too, and in love with Gustl, a musician without the courage to elope. Meanwhile Rudi meets Steffi and falls in love not even knowing her name. He and Lucie become good friends and decide to help each other.
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Fridas visor (1930)
Character: Kauffmann
Frida lives in a small idyllic town called Little Paris.
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Fräulein Lausbub (1930)
Character: Uncle Egon
Daisy Baroness Eggloffsburg, a ball of energy, is a spoiled and rather lively, cheerful wild child who is always in the mood for pranks. Her uncle Egon, a stern old gentleman, thinks she has had enough of her foolishness and boozy ideas and needs a man to tell her off and tame Daisy. Harry Spring, the young sportsman hired for the job, is supposed to get both the girl and Baron Eggloffsburg, the owner of the racing stable, back on their feet. But Daisy doesn't give in so easily and now begins to give the young gallant a good grooming.
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Ein Burschenlied aus Heidelberg (1930)
Character: Bornemann sen.
A long time ago, John Miller emigrated from Germany to America. Now he wants his daughter Elinor to get to know his old homeland and sends her off to Heidelberg, where she is to study for a year. Pretty soon, the pretty young girl is in demand among the young men in town. Especially the students Dahlberg and Bornemann try to win Elinor's heart.
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Adieu Mascotte (1929)
Character: N/A
Based on a story by Michel Linsky, "Adieu, Mascotte" revolves around an artist's model named Mascotte (Harvey) who ekes out a hand-to-mouth existence in the Parisian art colony. In dire need of money to finance a friend's operation, Mascotte auctions herself off at an artist's ball. She is "bought" by a novelist named Jean (Igo Sym), who merely wants to teach his flirtatious wife a lesson. Discreetly keeping his distance, Jean persuades Mascotte to pose as his mistress so that his wife will become jealous and return to his arms. Of course, things don't go as planned.
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Männer ohne Beruf (1929)
Character: René Duval
A police deputy in Paris have a lead on an international gang into trafficking. The police dresses as a steward to tail the head of the gang to Marseille. On the ship he meets with Madeleine. A girl controlled by the traffickers.
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Der Erzieher meiner Tochter (1930)
Character: Count Rüttow-Mallwitz
An American billionaire's daughter is obsessed with the idea of marrying a count. Her father would prefer her to marry the son of a competitor. So he comes up with the idea of hiring the dashing Heinz to spoil her aristocratic ways. Heinz introduces himself to her as Count Rüttow-Mallwitz and takes her to Europe. There, the two fall in love, but when she finds out about the scam, she indignantly takes the next ship and returns to America. It is only on the crossing that Heinz manages to convince her that he really loves her
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Ausflug ins Leben (1931)
Character: Schwanfelder, Großindustrieller
Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.
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Der Herr auf Bestellung (1930)
Character: Herr Hinzemann
This 'musical burlesque' tells about a stylish young gentleman who works as a so-called 'Festredner', a person who makes speeches at important events like marriages etc. for people who don't feel able to do it themselves. Willi lends his voice to a speech-impaired professor, but the baroness who falls in love with Hörbiger only does so because of Willi's voice, and this leads to all sorts of complications…
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Baby (1932)
Character: Graf Lafitte / Count Lafitte
The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.
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Die Austernprinzessin (1919)
Character: (uncredited)
A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.
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