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Menschen untereinander (1926)
Character: The Lover
Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.
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Eine Frau kommt in die Tropen (1938)
Character: Luise
Fritz Holl owns a plantation in Cameroon. He works hard and, with the help of his wife, Helene, also cares for his sister Anna, who became blind after an accident. Fritz is very concerned about Helene, for his once vivacious wife has become depressed. For a while now, Herbert, Fritz’s younger brother, has been living on the farm. Herbert is no big help to Fritz because he's reclusive and an alcoholic. Herbert Miller, the farm's administrator, is overheard in a bar telling someone that he recently split up with his girlfriend Marianne back in Hamburg. In Hamburg, Marianne Carsten has gotten engaged to Kurt von Kollinghausen. She soon realizes, however, that the arrogant Kurt isn't the man for her and she now wants Herbert back. Her father understands and wants to send her off to Cameroon. While Marianne flies to Cameroon, Herbert takes the ship back to Hamburg because he's going to sell his brother's cocoa crop in Germany.
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Liebesleute (1935)
Character: Tante Frieda
Baron von Goret is an impoverished landowner, whose estate is about to go into receivership. And so, for that reason, he wishes to marry off his son Hermann with his well-off girlfriend Helga. But Hermann is in love with the farmer’s daughter Dorothea. He leaves his father’s estate with her and makes his way to Berlin to make a name for himself. He’s not successful in this and, so as not to stand in his way, Dorothea leaves him. Hermann’s aunt brings him back to his father’s estate, where, depressed over losing Dorothea, works tirelessly to clear the estate of all its debts.
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Mamsell Nitouche (1931)
Character: Die Oberin, Madame Audrin
A convent organist escorts a young lady who has been boarding there,home to be married, but various romantic complications ensue.
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Die Pflicht zu schweigen (1928)
Character: Frau Jorin
The Duty to Remain Silent (German: Die Pflicht zu schweigen) is a 1928 German silent drama film directed by Carl Wilhelm and starring Marcella Albani, Vivian Gibson, Angelo Ferrari. It was based on a novel by Friedrich Werner van Oestéren. The film's art direction was by Max Heilbronner.
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Weltrekord im Seitensprung (1940)
Character: Malwine
It's bowling night again in Dingelfingen am Rhein. Hotel owner Kiesewitz has set a new record in bowling and is crowned the winner. Now he is to represent the club at the Oktoberfest in Munich. But at home he makes life difficult for everyone, especially his wife and his two daughters.
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Zapfenstreich am Rhein (1930)
Character: N/A
Musical comedy set in the scenic Rhine country, in which dashing officers and enlisted men pursue various kinds of women.
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Der Juxbaron (1927)
Character: Zerline
The film follows the comic (mis)adventures of a poor street musician, who is roped into posing as an eccentric nobleman. He and his antics are rapturously received by the members of a bourgeois family desperate to mingle with the aristocracy. The daughter of the family takes a fancy to the baron (in reality, merely a “joke baron”), assuming him to be immensely wealthy.
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Liebe in Uniform (1932)
Character: N/A
On the eve of the Great War, a cavalry captain who despises the opposite sex falls in love with a wealthy young lady.
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Die tolle Lola (1927)
Character: N/A
Two women, one man all the amourous combinations and a lot of tango and waltzes being danced in this silent adaptation of the operette by Gustav Kadelburg.
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Drei Mäderl um Schubert (1936)
Character: Frau Sofia Tscholl
Composer Franz Schubert becomes involved with a family with three daughters, falling in love with the two blonds, first one, then the other; but will he notice the quiet brunet third daughter, who has fallen madly in love with him?
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Lady Hamilton (1921)
Character: Adele Nelson
The married Lady Emma Hamilton has an ill fated romance with Admiral Horatio Nelson.
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Atlantic (1929)
Character: N/A
German-language version. "Atlantic" is a drama film based on the sinking of the RMS "Titanic" and set aboard a fictional ship, called the "Atlantic". The main plotline revolves around a man who has a shipboard affair with a fellow passenger, which is eventually discovered by his wife. The ship also has aboard an elderly couple, Heinrich and Anna Thomas, who are on their anniversary cruise. Midway across the Atlantic Ocean, the "Atlantic" strikes an iceberg and is damaged to the point where it is sinking into the Atlantic. The German version was filmed at the same time as the British version, with each scene first being filmed in English for the British version, then the same scene being filmed in German by a German cast, using the same sets.
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Abschiedswalzer (1934)
Character: Madame Gladkowska
Warsaw 1831: The young music student Frédéric Chopin falls in love with the singer Constantia. When his professor learns that Polish revolutionaries want to persuade Chopin to take part in their uprising, he and Constantia hatch a plan to keep Chopin away from the revolution: Constantia pretends that she no longer loves him, so that Chopin accepts an offer to go to a concert in Paris. There, however, he meets the famous writer George Sand and falls in love with her.
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Mach mich glücklich (1935)
Character: Mrs. Patricia Davenport
Make Me Happy (German: Mach' mich glücklich) is a 1935 German musical comedy film directed by Arthur Robison and starring Julia Serda, Albert Lieven and Richard Romanowsky.
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Die spanische Fliege (1931)
Character: Emma Klinke
As a young man, mustard manufacturer Ludwig Klinke had an affair with a dancer, the “Spanish Fly”. The dancer had a son and Klinke has been secretly paying maintenance ever since. Wimmer and Tiedemeier also had a relationship with the dancer. With the appearance of the dancer's supposed son, Heinrich Meisel, chaos breaks out.
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Endstation (1935)
Character: Frau Hofrat Crusius
Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.
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Liebe streng verboten (1939)
Character: N/A
In the eve of the war between Vienna and Berlin playing dear comedy with then popular occupation: The mother wants to marry her daughter to the lord of the manor, but the daughter prefers the elegant hoteliers.
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Opernball (1939)
Character: N/A
After the operetta of the same name of Richard Heuberger in 1890-1914 all kinds of situation comic from happy-go-lucky Vienna of the turn of the century, the time of the first cars and the absurd bath costumes: Husbands in the Chambre Separee, her little dizziness and mistake plays, the tumultuous whirl of a grand ball... - A high-spirited comedy at considerable entertainment level.
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Mordprozeß Mary Dugan (1931)
Character: Die Zofe Marie
Alternate language version of "The Trial of Mary Dugan" (1929). Has Mary Dugan stabbed her rich sugar daddy, Edgar Rice, to death? The evidence is overwhelming, no reasonable doubt seems possible, the trial should be a formality. But suddenly a young man raises his voice, introducing himself as Jim, Mary's brother. With his sister's financial assistance he has studied law; but never before has he practiced his job inside of a court room.
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Traum von Schönbrunn (1932)
Character: Palace Mistress
Princess Christine is impelled to be married, and expected to perform at the next Schönbrunn festival. But she takes a break and goes to Vienna instead, where she finds herself sharing a carriage with a young stranger.
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Olympia (1930)
Character: Princess Eugenie Plat-Ettingen
Theodor Shall is cast as handsome Lieutenant Kovacs, the sweetheart of the lovely Princess Olympia. When the princess' snooty mother breaks up the romance, the embittered Kovacs threatens to tell the world that he has "ruined" the girl (not true!), making her unfit for marriage. To ensure his silence, the Lieutenant is promised a night alone with Olympia, just before the wedding. It is at this point that Kovacs proves he's a gentleman after all by marrying the Princess, which is what he intended to do all along.
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Maskerade (1934)
Character: M.
After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint a portrait of her wearing only a mask and a muff. This muff however belongs to Anita Keller, in secret the painter's lover but also the fiancée of the court orchestra director Paul Harrandt. The picture is then published in the newspaper. When Paul sees it and asks von Heidenick some questions about the identity of the model, the artist is forced to improvise a story and on the spur of the moment invents a woman called Leopoldine Dur as the alleged model. Leopoldine Dur however turns out to be a real woman whose acquaintance Heidenick makes shortly afterwards.
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Живой труп (1929)
Character: Anna Pavlovna
The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha.
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La Habanera (1937)
Character: Ana Sternhjelm
While vacationing in Puerto Rico, a young Swedish woman falls in love with and marries a powerful local landowner. Ten years later, their marriage has turned sour; meanwhile, two Swedish doctors have arrived on the island to investigate a mysterious fever.
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Die große Liebe (1942)
Character: Frau Westphal
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
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Allotria (1936)
Character: Schiffspassagierin an Violas Tisch
Best friends David and Philip have to end their love affair with their mistress Aimée which they - not knowing of each other - share, because they are going to marry their sweethearts Gaby and Viola. Of course Aimée will not accept her defeat. She interferes the engagement of Gaby and David, which lead to some turbulence and change of horses before they all end up in their honeymoon.
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