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Les Ailes brisées (1933)
Character: Baptiste
Fabrège is a ladies' man. His friend Pascal, at the circle, evokes these conquests, among others Denise Lamblin for whom he fought a duel and this other woman for whom he stayed an entire night, in the pouring rain, under his windows. While the next day they have to take the train together, at the sight of a female figure on the station platform, Fabrège changes trains and sets out to conquer the beautiful stranger. Arrived in Cannes, they go down to the Miramar hotel and their idyll begins.
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Coups de roulis (1932)
Character: N/A
Surprised by the fog, the ship Fraternité suffered significant damage. Therefore, an investigation must be carried out in order to determine the conditions under which the incident occurred. It falls to deputy Puy-Pradal who has just been appointed high commissioner of the navy: the latter, after his meeting with an actor, gradually forgets the mission entrusted to him.
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En plein dans le mille (1933)
Character: Count of Fey
Octave Laburette only makes blunders in his job with a backroom worker. He buys ten thousand shares of the Compagnie Générale des Cacahuètes, when the client wanted to sell them. His boss registers them on his own account: Octave then owes the agency sixty thousand francs and his wife informs him that she is joining her lover.
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La Garçonne (1923)
Character: M. Lerbier
Monique is an ingenue, a clueless girl who believes in true love. A marriage is the only thing a decent girl must long for. When she discovers that her future husband has a lover, she rebels against her bourgeois family.
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Mon béguin (1931)
Character: Couturier
A wealthy, beautiful, and divorced countess pretends to be a laborer in front of a conservatory student, who pretends to her that he is the lord of the castle. However, he is the nephew of countess' own castle manager.
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La Femme et le rossignol (1931)
Character: N/A
A young man arrives on an African island where he falls in love with the queen of a tribe, a beautiful singer. He takes her to Paris, but on the night of her stage debut, she faints, frightened. He returns with her to her island and settles there permanently.
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L'aiglon (1931)
Character: N/A
An adaptation of the play L'Aiglon by Edmond Rostand, which portrays the life of Napoleon I.
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The Right To Lie (1919)
Character: Signor Riccardo Novelli
Carlotta has been brought up in an Italian convent, unaware that she is the illegitimate child of American architect J. Winthrop Drake. When her mother, an Italian opera singer, dies, Drake finally learns of Carlotta's existence and brings her back to New York with him without revealing the truth of their relationship.
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Tarnished Reputations (1920)
Character: George de Wendbourg
While visiting a small village, popular young artist Robert Williams meets innocent country girl Helen Sanderson and, enchanted by her beauty, induces the girl to pose for him. An attraction develops between them, but just as the portrait is completed, Robert is called back to the city. Helen fails to hear from him again and Robert's neglect draws her to the city, where she is sent to a reformatory on a false charge. Once released, she begs Judge Princeton for help and, feeling sorry for the unfortunate girl, he introduces her to playwright George Wendbourg, who adopts Helen and makes her a great actress. Seeing Helen on stage reawakens Robert's love for her and he begs her for forgiveness. After initially snubbing him, Helen relents and the two finally are reunited.
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Boy (1926)
Character: N/A
Two navy ensigns, Manuel d'Astures and the Viscount of Brazza, nicknamed Boy, return to Spain after a long mission at sea. The latter is surprised to find his father with a woman he hates instantly. Soon afterward, he falls for a countess, whose lavish lifestyle ruins him. Unfortunately, the lender from whom he has just borrowed money is murdered and Boy is suspected.
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L'Abbé Constantin (1925)
Character: Comte de Larnac
Poor abbé Contantin, he is devastated at the news: to think that two American ladies have bought the local manor where he has always been welcome! Worse, Mrs. Scott and her cousin Bettina are protestant. But the good priest soon realizes there is no cause for alarm. The two ladies are charming and open-minded. They insist on Constantin sticking to his old habits and he gladly resumes his visits to the manor. Paul,his nephew, will even fall in love with Bettina and the priest will unite the two young people in the village of mirth.
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The Thirteenth Chair (1919)
Character: Edward Wales
Mrs. Philip Mason commits suicide after she has an affair with Stephen Lee, a disreputable stockbroker, and sells her husband's securities so that Lee can buy stocks. When Lee goes bankrupt, he blackmails Helen Trent by threatening to reveal silly love letters she wrote to him before she married. Her brother, Willy Grosby, and his fiancée, Helen O'Neil, who lives with the Grosbys, go to retrieve the letters. While Willy waits outside, Lee is knifed to death as he attacks Helen. Lee's friend, Edward Wales, attempts to pin the murder on Helen by having Madame LaFarge, a clairvoyant, conduct a séance. In the darkened room, Wales, through whom Lee's spirit supposedly speaks, is about to name Helen as the murderer, but Wales, who sits in the thirteenth chair, is himself murdered. After Helen confesses to Inspector Donohue that Madame LaFarge is her mother, LaFarge, while conducting another séance, tricks Philip Mason into confessing to the murders.
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Les amours de la reine Élisabeth (1912)
Character: Biron
Episodes from the life of Elizabeth I, Queen of England (1533-1603), focusing on her ill-fated love affair with Robert Devereux, Earl of Essex.
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Tumultes (1932)
Character: Gardien de prison
Fresh out of prison a small-time crook finds his girlfriend's dropped him, which sends him into a murderous rage.
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Ronny (1931)
Character: Minister of Justice
Käthe von Nagy plays Ronny, who designs the costumes for the upcoming premiere of an opera written by the young prince of Perusa (Willy Fritsch) and has to deliver them personally due to the urgency of the commission. Arriving there, the prince not only is charmed by the young lady (who wouldn't?), but also mistakenly believes her to be the famous singer who is to be the female lead in the opera. What Willy does not know yet is that the real singer has cancelled her appearance, and as the state ministers hope to distract him from politics with the performance of the opera, they indeed want Ronny to appear in the show….
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La dame de Monsoreau (1923)
Character: Gonite de Meridor
The film based on the novel of the same name by Alexandre Dumas, is concerned with fraternal royal strife at the court of Henri III. Tragically caught between the millstones of history are the gallant Count de Bussy and the woman he adores, la Dame de Monsoreau.
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Kean ou Désordre et génie (1924)
Character: N/A
By 1820, Edmund Kean is the most admired Shakespearan actor. But if his art is peerless, his free lifestyle is ill thought of, particularly by the high society. Kean has fallen passionately in love with Countess Elena de Koefeld, the wife of the ambassador of Denmark. Elena loves him too but hesitates to give up her rank in society and follow Kean. On the other hand, Anna, a rich heiress who refuses to marry Lord Mewill, the husband chosen by her parents, confesses her love for Kean and decides to become an actress like him... The aristocrats, outraged by Edmund's profligate ways, decide to boycott his performances and his career is broken. Kean does not recover from such a blow and, on a stormy night, dies in Elena's arms.
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Cagliostro (1929)
Character: Basange
Paris, France, 1784. After living many tribulations, Joseph Balsamo, known as Count Cagliostro, an infamous adventurer, enigmatic magician and necromancer, experienced physician and ruthless swordsman, triumphs among the members of the decadent French aristocracy. But a bold foretelling about a very prominent noblewoman causes his fall in disgrace… (Partially lost film.)
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The Fall of the Romanoffs (1918)
Character: Kaiser Wilhelm II
The overthrow of Czar Nicholas II in Russia was such big news that the then-fledgling art of cinema couldn't help but jump on it immediately and create a couple of dramatizations.
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Madame Bovary (1934)
Character: Marquis de Vaubyessand
In 19th-century France, doctor's wife Emma Bovary seeks to escape her dull provincial life through various extramarital affairs and extravagant spending, leading to tragic consequences.
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Les Nouveaux Messieurs (1929)
Character: De Courcieux
The plot focuses on Gaillac (Albert Prejean), an electrician employed by the Paris Opera. In love with gorgeous ballerina Suzanne (Gaby Morlay), Gaillac must play second fiddle to Suzanne's wealthy "protector," powerful politician Count Montoire (Henry Roussell). When the Opera personnel go on strike, Gaillac is appointed leader of the strikers, doing his job so well that he is ultimately elected Secretary of Labor in the French cabinet. Now on equal footing with Montoire, Gaillac is at last a "worthy" suitor for Suzanne -- who can't make up her mind between her two well-connected admirers, leading to a political rivalry the likes of which Paris has never seen. This harmless political satire ended up being banned by the French government for undermining "the dignity of Parliament and its ministers". (moviefone.com)
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