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Александр Довженко. Размышления после жизни (1992)
Character: Self (archive footage)
We hear readings from Dovzhenko's diary and hear how the great suffering of the Ukrainian people caused him to move away from beauty for it's own sake to the search for truth, expressed in his two harrowing wartime documentaries. Stalin's 1944 banning of Dovzhenko's Ukraine in Flames screenplay and his subsequent exile to Moscow affected him greatly.
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Олександр Довженко. Одеський світанок (2014)
Character: Self (archive footage)
Oleksandr Dovzhenko shot his first films while living in Odesa. Contemporary renowned filmmakers comment on this period of Dovzhenko's creative work. Reconstructions of moments from the great master's creative explorations immerse the viewer in the atmosphere of film production in the 1920s. Footage from films of the 1920s is used.
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Довженко. Український Гомер кiно (2013)
Character: Self (archive footage)
An inspiring portrait of Dovzhenko, one of the greatest film directors, known as Homer of Cinema. The film features Sergei Trimbach, Oleksandr Muratov, Vyacheslav Bihun, Raisa Prokopenko, and Peter Simms.
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Олександр Довженко у спогадах (2004)
Character: Self (archive footage)
The short film is dedicated to the outstanding Ukrainian film director. The video features archival footage in which writers Vasyl Chekhon, Viktor Shklovsky, and Armenian film director Levon Isakyan share their memories of Oleksandr Dovzhenko. It includes excerpts from Dovzhenko's films, archival photographs, and footage of memorable places in Armenia.
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Сумка дипкур'єра (1927)
Character: stoker
The Soviet embassy in England sends two couriers with diplomatic mail to Leningrad. The inspector of security police, White, and a group of policemen attack the Soviet diplomatic couriers at night. The documents get to an English trackman, who gives them to his son, a sailor in Portsmouth.
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Соната про художника (1966)
Character: (voice)
The film is about Ivan Honchar, an ardent collector of Ukrainian antiquities, who turned his Kyiv apartment into a unique museum.
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Довженко. Щоденник. 1941-1945 роки (1992)
Character: (archival footage)
An outstanding poet, student of Oleksandr Dovzhenko, Mykola Vinhranovsky reads excerpts from his teacher's diary, comments on it - thereby emphasizing the tragic fate of the great artist. The film uses a chronicle of the war and post-war years.
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Лариса (1980)
Character: Self (archive footage)
Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.
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Довженко. Великий компроміс (2025)
Character: Self (archive footage)
This film, marking the 130th anniversary of Oleksandr Dovzhenko's birth, reveals the artist's controversial path—from his first attempts at cinema to the creation of masterpieces that became symbols of Ukrainian poetic cinema. The authors show his ability to maneuver between creative ambitions and the political demands of the era, remaining a unique figure in cultural history.
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Обыкновенный фашизм (1965)
Character: Self (archive footage)
Romm pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firm conviction that nothing of the sort should be allowed to happen again anywhere in the world.
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