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Sublime Beauté (1915)
Character: Undetermined Role (as Louise Emerald Bates)
Audrey Munson (a real-life 'perfect' model for numerous Beaux-Arts sculptors) first appeared artistically nude as a sculptor's model, recreating classic artistic (nude) paintings in George Foster Platt's controversial film from the Mutual Film Corporation. In fact, the film told the story of her own life. This film has generally been regarded as the first non-pornographic American film to feature nudity. This was the first known film in which a leading actress stripped down to be naked, making her the first nude film star. (filmsite.org)
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The Men She Married (1916)
Character: Ada Semple
Tricked into marriage with a villain, the woman, believing him dead, marries another, only to have the first husband reappear and cause her much worry.
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Wrath of Love (1917)
Character: Ethel Clarke
Roma Winnet, the author of Jealousy, loves and marries Bob Lawson, but worries that her own difficulties with that emotion will destroy their relationship. When Dave Blake enlists in the secret service, he entrusts Ethel Clarke, his girlfriend and Roma's best friend, to Bob's care, an arrangement that immediately causes Roma to fret.
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Guiders (1916)
Character: N/A
Oscar and Conrad comedy produced by Thanhauser.
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The Marionettes (1918)
Character: Madame de Lancey
Fernande de Ferney, a young French girl, has spent her time between the convent and the country home of her uncle, where she has learned to passionately love Roger, the son of the Marquise de Monclars. He marries her for her fortune, but does not value what he has so lightly won until she profits by the lesson taught in the little marionette play written by their friend, Nizerolles, and finds that men are much like marionettes.
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Here's to Romance (1935)
Character: Bit Part
Kathleen Gerard, a high society wife fed up with her husband's artistic "protegées", decides to take one of her own in Nino, a promising tenor, patronizing him to study in Paris. He and her girlfriend are perfectly happy until the Gerards pay a visit and Mrs. Gerard starts to show too much interest in him.
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Silas Marner (1916)
Character: His sweetheart
After having been wrongly accused of murder and robbery, a heretofore kindly and gregarious weaver becomes a nasty, bitter, lonely old miser. Originally a seven-reel picture, a three-reel re-release survives.
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A Wife's Romance (1923)
Character: Isabel de Castellar
Joyce Addison, wife of an American attache in Madrid, looks to her painting as sole entertainment, as her husband neglects her for business. One night late, while driving, she meets and is robbed by a bandit who proves sufficiently chivalrous to see her home.
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It's a Wonderful Life (1946)
Character: Building & Loan Depositor (uncredited)
George Bailey has spent his entire life giving to the people of Bedford Falls. All that prevents rich skinflint Mr. Potter from taking over the entire town is George's modest building and loan company. But on Christmas Eve the business's $8,000 is lost and George's troubles begin.
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Mr. Deeds Goes to Town (1936)
Character: (uncredited)
Longfellow Deeds lives in a small town, leading a small town kind of life. When a relative dies and leaves Deeds a fortune, Longfellow moves to the big city where he becomes an instant target for everyone. Deeds outwits them all until Babe Bennett comes along. When small-town boy meets big-city girl anything can, and does, happen.
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The Beloved Brat (1938)
Character: Mrs. Morgan's Guest
Roberta Morgan is being raised in a wealthy home where her mother is occupied with her society-club activities and her father is immersed in his business activities. She also feels that the household staff is against her and that no one understands her needs and problems. Things spiral out of control.
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A Chump at Oxford (1940)
Character: Minor Role (uncredited)
The boys get jobs as a butler and maid-- Stan in drag-- for a dinner party. When that ends in disaster, they resort to sweeping streets and accidentally capture a bank robber. The grateful bank president sends them to Oxford, at their request, and higher-education hijinks ensue.
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Give Me Your Heart (1936)
Character: Ethel Hayle (uncredited)
An American lawyer's wife is reunited with her child and his father, an English nobleman.
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The Toast of New Orleans (1950)
Character: Dowager (uncredited)
Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera but comes to regret this rash decision when the singers fall in love.
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Mrs. Miniver (1942)
Character: Miniver Guest (uncredited)
Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.
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Slightly Dangerous (1943)
Character: Woman mistaking paint for blood (uncredited)
Small-town soda-jerk Peggy Evans quits her dead-end job and moves to New York where she invents a new identity.
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Arms and the Girl (1917)
Character: Olga Karnovitch
Ziegfeld Follies headliner Billie Burke starred in a handful of silent films, of which Arms and the Girl was the second. Burke plays an American lass who journeys to Europe to be reunited with her fiance. Not only has her sweetheart been unfaithful, but she arrives on the continent just as World War I breaks out.
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The Easiest Way (1917)
Character: Elfie St. Clair
A young actress seeks an engagement in New York but faces obstacles due to jealousy and politics. Her wealthy broker finances a production, demanding her best role. She resists, then moves to Denver for a stock engagement and falls in love with a newspaper writer.
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A Night at the Ritz (1935)
Character: Banker's Wife (uncredited)
A PR man talks a swanky hotel into hiring his girlfriend's brother as chef.
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Here Comes Happiness (1941)
Character: Party and Wedding Guest (uncredited)
Jessica leaves her upper class home to assume an anonymous working class identity. She meets a blue collar guy, Chet and falls in love with the poor but ambitious man. Chet observes a series of suspicious, clandestine meetings with her rich father and his chauffeur which makes him think she is stringing along a "Sugar Daddy" on the side. Financial trickery and sequences of misunderstandings and coincidences culminate with a wedding that turns out much differently than planned.
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