|
Dear! Deer! (1942)
Character: Taxi Cab Driver
Errol goes to a convention with his pal, but upon his return tells his wife he was on a deer hunting trip, and then lapses into amnesia.
|
|
|
Gem-Jams (1943)
Character: Stone & Co. Secretary
Leon tells his wife that he has to leave to meet a client--unaware that the client is a beautiful woman and that his wife is suspicious.
|
|
|
The Big Street (1942)
Character: Showgirl (uncredited)
Meek busboy Little Pinks is in love with an extremely selfish nightclub singer who despises and uses him.
|
|
|
Merrily We Go to Hell (1932)
Character: Bridesmaid (uncredited)
A drunken newspaperman, Jerry Corbett, is rescued from his alcoholic haze by an heiress, Joan Prentice, whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.
|
|
|
42nd Street (1933)
Character: Chorus Girl (uncredited)
A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.
|
|
|
Around the World (1943)
Character: Mary Jane
Bandleader Kay Kyser takes his troupe of nutty musicians, goofball comics and pretty girl singers on a tour around the world to entertain the troops during World War II.
|
|
|
Bride by Mistake (1944)
Character: Minor Role
The staggeringly wealthy Norah Hunter, a shipyard owner, too often finds herself the romantic target of gold-digging men. To attract a suitor whose main interest is not money, she changes places with her secretary, Sylvia Lockwood, and assumes the role of a young working woman. However, she then falls for recuperating fighter pilot Anthony Travis, who, in turn, is madly in love with Sylvia -- or, perhaps, with the millions he thinks she has.
|
|
|
Music in Manhattan (1944)
Character: Hotel Switchboard Operator (uncredited)
Frankie Foster and Stanley Benson are a pair of small-potatoes performers. Both try to make it to the big-time after winning an amateur talent contest. Though this leads them to a few professional gigs, something is missing from their act and they are not popular. Believing a little cash will boost their career, Frankie heads for Washington, D.C. to see if her wealthy father will help them. En route Frankie is mistaken for the wife of the well-known pilot Johnny Pearson and ends up in his suite having to pretend she is his spouse. When the pilot meets her, romantic sparks fly.
|
|
|
Flying High (1931)
Character: Chorus Girl (uncredited)
An inventor and his lanky girlfriend set an altitude record in his winged contraption.
|
|
|
Cat People (1942)
Character: Blondie (uncredited)
A Serbian émigré in Manhattan believes that, because of an ancient curse, any physical intimacy with the man she loves will turn her into a feline predator.
|
|
|
Night World (1932)
Character: Chorus Girl (uncredited)
"Happy" MacDonald and his unfaithful wife own a Prohibition era night club. On this eventful night, he is threatened by bootleggers, and the club's star dancer falls in love with a young socialite who drinks to forget a personal tragedy, among other incidents.
|
|
|
The Merry Widow (1934)
Character: Maxim Girl (uncredited)
A prince from a small kingdom courts a wealthy widow to keep her money in the country.
|
|
|
The Seventh Victim (1943)
Character: Minor Role (uncredited)
After young Mary Gibson discovers that her older sister Jacqueline has disappeared, she leaves her boarding school and heads to New York City to track down her sibling. But Mary gets drawn deeper into the mystery.
|
|
|
Betrayal from the East (1945)
Character: Carter's Showgirl (uncredited)
A carnival showman tries to keep Japanese spies from sabotaging the Panama Canal.
|
|
|
This Land Is Mine (1943)
Character: Girl
Somewhere in Europe, in a city occupied by the Nazis, a gentle school teacher finds himself torn between collaboration and resistance, cowardice and courage.
|
|
