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越後獅子祭 (1960)
Character: N/A
1960 version of Lion Festival of Echigo
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稲妻草紙 (1951)
Character: N/A
Gensaburo Funaki and Oyuki were childhood friends, but Gensaburo misunderstood that Oyuki was hesitant to get married because he had to feed his father and younger brother. I left the town.
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快盗三人吉三 (1954)
Character: 忠七
On March 11 in the seventh year of Tenpo (1836), a monk named Bennō, who fell in love with a geisha named Oshima, was publicly exposed at Nihonbashi for committing an illicit act with a woman. While this was happening, an extravagant procession led by another monk named Nikkei passed over the bridge. Nikkei, the head of the Kanouin temple, in collusion with Nakano Harima-no-Kami, had schemed to make his younger sister, Miyoshi, the Shogun's mistress and aimed to transform Kanouin into the Shogun's family temple. To fund the renovations, Nikkei accepted bribes from a corrupt merchant named Koya Bunzo.
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美男天狗党 (1954)
Character: 下妻新太
During the tumultuous end of the Tokugawa shogunate, the Tengu Party rose in rebellion in Mito. Friends from their hometown, Tanaka Genzo and Fujita Koshiro, each walked different paths. Koshiro, who upheld the philosophy of "Revere the Emperor, Expel the Barbarians," became a leader of the Tengu Party, taking refuge in the mountains. Genzo, however, did not have any particular ideological stance.
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晴姿稚児の剣法 (1956)
Character: 鴨甚太郎
Underneath Himeji Castle, Miyamoto Bensuke was determined to inherit the will of his late father, Shinmen Munenori, and aimed to become a great swordsman. For this purpose, he challenged anyone he could to matches and eventually forced a duel upon a martial artist named Arima Kihei, whom he killed. Munenori's old friend, the monk Guan Ando, reprimanded Bensuke's brutality and told him to go to the capital to refine his skills.
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荒木又右衛門 (1955)
Character: 孫右衛門
Watanabe Kazuma and Kawai Matagorō from the Bizen Okayama Ikeda clan were close friends, but they inevitably became enemies after Matagorō killed Kazuma's younger brother, Gentayū, and fled. Seeking assistance, Kazuma asked his brother-in-law, Araki Mataemon, for help, but Mataemon refused, saying that it was against the code for a brother to avenge another brother's death. On the other hand, the lord of the clan, Ikeda Tadao, ordered a search for Matagorō, who was found to be sheltered by the Hatamoto, including Andō Jiemon, in Edo. Tadao was furious but unable to act. Matagorō, in Edo, came to regret his birth as a samurai. He met and fell in love with Okō, a bathhouse maid. As the discord between the Hatamoto and the Ikeda clan deepened, Tadao died of illness. Seizing the opportunity to ease the conflict, the shogunate ordered the Ikeda clan to be succeeded by the young lord Katsugorō and to relocate to the Ikeda clan of Inshū Tottori. Meanwhile, Matagorō was exiled from Edo.
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若き日の千葉周作 (1955)
Character: 与え吉
Chiba Sōsaku, whose childhood name was Otome, was raised by his father Yukiuemon, the successor of the Hokushin Ittō-ryū style, and his wet nurse in Rikuzen Onikobe, where he early on earned the nickname "Little Tengu of Chiba." One day, Otome heard a rumor that Arao Miyauchi, who once was an internal student at the Chiba family but now ran his own dojo in Onikobe, was spreading false rumors out of resentment for not inheriting the Chiba house—a situation that led to his mother's suicide and his father's abandonment of the sword to become a doctor. Enraged, Otome stormed into the Arao dojo only to be captured and publicly humiliated at Onikobe Pass. However, in his heart, Miyauchi hoped to marry his daughter Nanae to Otome and have him inherit the Chiba family.
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大江戸出世双六 (1955)
Character: 勝田久之進
Isshin Tasuke, a friend of Ōkubo Hikozōemon, the esteemed public arbitrator of the realm, saved the maid Onatsu from punishment after she accidentally broke a plate gifted by Lord Ieyasu. Tired of the strict samurai service, Tasuke moved to the Genbei tenements and opened a fish shop. This tenement housed various characters, including the landlord's daughter Osen who had a crush on Tasuke, the midwife Okan, the blind masseur Oyone and her husband, the carpenter-loving couple Yoshigorō and Ohama, the rōnin Takeuchi Yogoemon, and the siblings Ochika and Shin'nosuke who cared for their sick mother.
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涙の花道 (1956)
Character: 大三郎
Nakamura Yukinojō, Edo's most popular actor, discovered that his parent's enemy, Ohara Genba, had changed his name to Isshiki Kurōnosuke and become a hatamoto, a direct retainer of the shogun. Yukinojō's younger brother, Shingorō, traveling to Edo from their hometown, helped the town boy Kiyohē and his daughter Michi from troublemakers led by Kumosuke. This act led to a reunion with Yukinojō through the assistance of their associate, Daisaburō.
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薔薇合戦 (1950)
Character: N/A
A Japanese melodrama about three sisters, rival fashion companies, and attempted murder by overheated bathroom.
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絵島生島 (1955)
Character: 清七
This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.
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月夜の渡り鳥 (1963)
Character: N/A
A resolute young man searching for his mother, whom he was separated from as a child, defies a family who mistreat the poor and homeless.
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裸体 (1962)
Character: N/A
The sexual experiences of the passionate Sakiko, from her fling with her boss in her first job to her ending up as a prostitute.
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望郷と掟 (1966)
Character: N/A
Shochiku's popular series of gang films, this one has the hero returning from prison bent on revenge. He runs into Chinese hoodlums, blackmailers and gold-smugglers. But he also aids and abets young lovers yet, despite his help, their love ends in tragedy and he tracks down his prey in Kobe.
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新二等兵物語 吹けよ神風の巻 (1959)
Character: Private second class Iwasa
First installment of the "Pfc. Story" series of military-themed comedies from Shochiku, and seventh overall sequel to "Story of Second Class Private".
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新二等兵物語 敵中横断の巻 (1960)
Character: N/A
First "Pfc. Story" sequel and eighth overall sequel to "Story of Second Class Private".
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新二等兵物語 めでたく凱旋の巻 (1961)
Character: N/A
Second "Pfc. Story" sequel and the ninth and final sequel to "Story of Second Class Private", the only one in both series not directed by Seiichi Fukuda.
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喜劇 団地親分 (1962)
Character: N/A
A country boss gives up his way of life because of his daughter's marriage.
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惚れた強み (1968)
Character: N/A
A mayoral candidate and his love child.
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昆虫大戦争 (1968)
Character: Toru Fujii
A group of military personnel transporting a hydrogen bomb are left to figure out how and why swarms of killer bugs took down their plane; the answer is more deliriously nihilistic, and convoluted, than you could imagine. Also known as War of the Insects, GENOCIDE enacts a cracked doomsday scenario like no other.
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破れ太鼓 (1949)
Character: Laundryman
When the future of his construction company falls into danger, a controlling father pushes his children into unsatisfying marriages and careers in order to regain financial stability.
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鞍馬天狗 青面夜叉 (1953)
Character: 乾分満太
At the end of the Edo period - On his way back after being invited by the three Mikados of Higashi Shirakawa, Kurama Tengu was attacked by the Shinsengumi. Given the circumstances, he began to suspect a connection between the Mikado and the Shinsengumi.
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森の石松 (1949)
Character: N/A
The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.
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駆逐艦雪風 (1964)
Character: N/A
Yutaro Kida, a worker at the Sasebo Naval Arsenal, volunteers for the navy but finds himself a cook's mate in the galley of a gunboat. But his dream is eventually realized when he is transferred to the new and powerful destroyer Yukikaze which he helped to build. When the Pacific War breaks out Yukikaze performs valiantly in the South Pacific, and while on shore leave, Kida meets and falls in love with Yukiko, younger sister of his commander.
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おぼろ駕籠 (1951)
Character: N/A
A period mystery in which an unconventional priest exposes the truth behind the bizarre death of a maid in the shogun's harem. Kinuyo Tanaka stylishly plays a constantly intoxicated geisha in this all-star entertainment film.
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暗殺 (1964)
Character: Sankichi
Assassination begins with the events of 1853 when "four black ships" anchored at Edo Bay, sparking civil unrest and the major political manoeuvring that saw the end of the Tokugawa Shogunate. At a time when assassination had become a disturbing political tool, Shinoda's film follows Hachiro Kiyokawa, an ambitious, masterless samurai whose allegiances drift dangerously between the Shogunate and the Emperor.
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死闘の伝説 (1963)
Character: N/A
A Tokyo family escaping the war relocates to a Hokkaido village; their daughter is set to marry the local leader's son, but her siblings disapprove.
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破戒 (1948)
Character: N/A
In the Meiji period, a schoolteacher tries to hide his lower-class upbringing as he supports a visiting liberal intellectual.
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とんぼ返り道中 (1950)
Character: N/A
A young boy named Chomatsu (Misora Hibari) lives with an old man Denbei near the grounds of Asakusa temple as bell ringers. In their house is an Echigo lion mask, a memento of Chomatsu's deceased father. After several incidents of Echigo lion masks being destroyed in the area, a local kingpin Saheiji shows up at Denbei's demanded he hand over the mask, a request Denbei rejects out of pity for Chomatsu. However, after it is accidentally revealed that the mask contains an important map, Saheiji plots to steal the mask. Chomatsu gets involved after his mother makes a sudden reappearance that sends the boy on a roundabout journey that will reveal the truth about his family.
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勝海舟より あばれ獅子 (1953)
Character: N/A
A gripping historical drama that follows the explosive growth of Katsu Kaishu, the hero of the Meiji era, and the interesting human image of his father, Kokichi, who lived for the common people, his neighbors and his children. A film about paternal and maternal love and conjugal love in the creation of mankind, about the healing power of which laughter and tears have. The film that became the last work of the giant star Tsumasaburo Bando.
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折鶴さんど笠 (1957)
Character: N/A
Akitaro Orizuru, who set out on a journey to avenge his father's death in the darkness, returned to Itako, his hometown, where the Ayame Festival was approaching, for the first time in five years. His late father's brother, Sutezo, who took off his waraji, runs a small prostitute with only one child, Sutematsu. In addition, only Shigezaburo, who left a mark in the middle wind, was ill-mannered by Inomatsu. Akitaro was accompanied by a daughter named Omitsu on the way to here, but she was Ura's younger sister who works at Fujikura's house, and the villagers worked on the fifty cars to meet her critically ill father.
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五瓣の椿 (1964)
Character: N/A
A young woman begins murdering all those responsible for her ailing father's condition. Because the girl is so outwardly sweet and innocent, the detective looking into the deaths does not suspect her.
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異聞猿飛佐助 (1965)
Character: N/A
Years of warfare end in a Japan unified under the Tokugawa shogunate, and samurai spy Sasuke Sarutobi, tired of conflict, longs for peace. When a high-ranking spy named Tatewaki Koriyama defects from the shogun to a rival clan, however, the world of swordsmen is thrown into turmoil. After Sasuke is unwittingly drawn into the conflict, he tracks Tatewaki, while a mysterious, white-hooded figure seems to hunt them both. By tale’s end, no one is who they seemed to be, and the truth is far more personal than anyone suspected. Director Masahiro Shinoda’s Samurai Spy, filled with clan intrigue, ninja spies, and multiple double crosses, marks a bold stylistic departure from swordplay film convention.
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次郎長外伝 石松と追分三五郎 (1957)
Character: Komasa
Ishimatsu is strong in fights, but weak in relationships with women and enjoys great popularity among them, and we see how an exciting historical drama about love, enmity and friendship is played out.
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パイナップル部隊 (1959)
Character: Buddha Head
The story of the role played by Japanese-American soldiers from Hawaii in the Korean War of the 1950s.
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恋と涙の太陽 (1966)
Character: Suzuki
The golden duo of Yukio Hashi and Chieko Baisho. A film rich in a variety of songs, dances and falling in love to the rhythm of Yukio Hashi's song of the same name.
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道場破り (1964)
Character: N/A
Misawa Ihei (Nagato) is traveling with his wife Tae (Iwashita Shima) who abhors the practice of sword fighting for prize money. Tae is the daughter of the clan's chief counselor who married the low-ranking Ihei to avoid becoming the clan lord's mistress. Into the mix comes Oba Gunjuro (Tetsurō Tamba), a mysterious ronin who will do anything for money. This leads to a fitting climax as the forces of hate and love converge while the couple attempt to break through the border!
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姿三四郎 (1965)
Character: Toranosuke Shinkai
Remake of Kurosawa's films Sanshiro Sugata and Sanshiro Sugata part 2. A young man, Sanshiro Sugata, troubled by personal problems, takes up judo. His teacher, Shogoro Yano, is a devout man who has aroused the enmity of the local practitioners of jujitsu, the older and more accepted of the two sports. Sugata uses his newly learned prowess to gain a measure of respect from others; however, Shogoro insists that the sport has a spiritual side, a lesson Sugata has yet to learn. Eventually, in hand-to-hand combat with the father of a young woman he loves, he comes to understand the true meaning of judo.
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必殺仕掛人 (1973)
Character: Geta ya no Kinzô
Two assassins are hired to carry out a hit on the second wife of a candle merchant, but someone is watching...
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夜の女たち (1948)
Character: N/A
In early post-war Osaka, three women, war widow Fusako, her sister Natsuko, an expatriate from Korea, and Kumiko, Fusako's sister-in-law, descend into prostitution, all for their individual reasons.
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霧の旗 (1965)
Character: N/A
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.
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七変化狸御殿 (1954)
Character: Kurosuke
This is a paradise of dream and illusion, a country of Raccoon Dogs. The Bat Tribe lives in a neighboring country took a young prince of Raccoon Dogs as a hostage, and try to take a Buddhist saint from the temple by force.
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この声なき叫び (1965)
Character: N/A
Shinichi is not only poor, he is also deaf, and leads a joyless life with his sick mother. His one happiness is his friendship with a girl who works in a bar nearby. Then, one day, his mother dies after drinking the medicine that Shinichi himself gave her. It is discovered that the pills contained poison. He is apprehended on suspicion of murder and taken away for interrogation, unable to defend himself - being deaf and dumb - or even to proclaim his innocence.
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情火 (1952)
Character: 押上屋
The time was the first year of Keio (1865). Upon hearing the news that the Imperial Army was approaching Hida Takayama, the district head Shimizu Uzen fled to Edo. Local officials like Yoshida Bunsuke and Yoshizumi Hironoshin showed their allegiance by welcoming them. The commander at the time, Umemura Hayami, was a former member of the Tengu Party and had previously been pursued in the town. He took refuge in a restaurant named Kabuya, and owing to a tip-off from a woman named Oraku, he was almost captured for her lover, Yoshizumi. Oraku and Yoshizumi probably feared revenge from that previous encounter, but Umemura had come back to Hida because he couldn't forget Oraku.
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日本暗殺秘録 (1969)
Character: Nagamitsu Kawasaki
This anthology film consists of nine incidents in the late 19th and early 20th centuries when assassins changed the course of Japanese history.
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月形半平太 (1952)
Character: N/A
During the ultra-violent era of the downfall of the Tokugawa Shogunate one man rose above the rest with his ideas of how to overthrow the corrupt government and end the bloodshed between the Choshu and Satsuma clans which would ultimately lead to the alliance of these 2 clans and restoration of the emperor to full power. Based on the play that made Sawada Shojiro famous, this is the story of Tsukigata Hanpeita, a forward looking samurai from Choshu, who along with Katsura Kogoro and Sakamoto Ryoma of Tosa worked to bring their dream of a new era in Japan.
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びっくり五十三次 (1954)
Character: N/A
Kintaro goes on a journey to his hometown to meet his mother and sister. His love for singing leads him to a perceptive and cheerful girl named Onatsu... A road trip comedy featuring Kokichi Takada and Hibari Misora singing and dancing.
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