Yevgeniya Rogulina

Personal Info

Known For

Acting

Known Credits

0.1657

Gender

Female

Birthday

26-Dec-1906

Age

(120 years old)

Place of Birth

NO INFO PROVIDED

Also Known As
  • Е. Рогулина

Yevgeniya Rogulina

Biography

NO BIOGRAPHY AVAILABLE


Credits

Поэт и царь Поэт и царь (1927) Character: N/A
Tsar Nicholas I is enamoured by Natalia, the wife of Alexander Pushkin. To cover his tracks, the tsar encourages the suit of Georges d'Anthès, a French officer, with the help of Count Alexander von Benckendorff. Pushkin hears rumours of D’Anthès’s love for his wife and challenges him to a duel. The officer attempts to save his life by marrying Natalia’s sister Ekaterina. Returning from his country estate, Pushkin receives anonymous letters and insists on a duel with D’Anthès.
Последний табор Последний табор (1936) Character: Ganna, poultry maid
A Soviet agent tries to win over a band of gypsies to a happy life on a farm co-op.
Пастух и царь Пастух и царь (1935) Character: Ivan's wife
Inspired by communist slogans, a simple shepherd named Ivan takes part in the Russian Civil War and becomes a decorated officer of the Red Army.
Декабристы Декабристы (1927) Character: (uncredited)
The film recreates episodes from the December Uprising of 1825. Against the backdrop of the uprising, a love story unfolds between the Decembrist Annenkov and Polina Gebl.
Простой случай Простой случай (1930) Character: Mashenka
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m)



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