|
Tête d'horloge (1970)
Character: Le premier ministre
One night in Paris all the clocks and watches of the whole world stopped except that of a small professor.
|
|
|
Fort Dolorès (1939)
Character: Carlos Orgaz
Several men of different nationalities have decided to free themselves from the clutches of women and have vowed to help each other in case one of them might relapse. They find shelter in a hacienda on the pampas. They believe they are now safe from the evil influence of the fair sex. Unfortunately there is a farm nearby in which... a gorgeous woman is said to live. Great principles are short-lived, as they soon realize: lust, jealousy and hate set in at once.
|
|
|
L'âge d'or (1942)
Character: N/A
Véra, a vivacious woman, and her alleged brother Boris, are both hired by the Dubelairs as their chambermaid and caretaker. But Dubelair has done bad business while his wife Juliette plays at the races and... loses ! So when it comes to paying their domestics wages, Dubelair gives them lottery tickets. Chance has it that one of them is winning...!
|
|
|
Le valet maître (1941)
Character: N/A
Some, like Ravier de l'Orne are born... masters, but ,like him, do not live up to their rank. Others, like Gustave Morillon, are... born masters, even if, like him, they are valets. Morillon will indeed prove better at bridge than his master and will eventually win the affection of Antonia, a lively foreigner Ravier also coveted.
|
|
|
Vie privée (1942)
Character: The lawyer
Beautiful and adored by the public, the great actress Florence once faulted with Remi, a disreputable individual. A little girl was born who lives in the countryside. Dorcier, the director, would like to marry Florence and wonders about her private life and her past existence. A jealous rival unleashes slander.
|
|
|
Retour de flamme (1943)
Character: N/A
The professional and sentimental misadventures of Maurice, a young engineer who works unsuccessfully on the development of a new model of airplane.
|
|
|
Mademoiselle de Paris (1955)
Character: N/A
Micheline Bertier is as wise as she is graceful, and is the perfect assistant to her boss, couturier Maurice Darnal. Darnal's business is faltering and he has to close down. Micheline's family is also in trouble. Her crazy-headed sister is about to steal her fiancé away from her. At the suggestion of singer Jacqueline François, Micheline goes on tour as an accompanist, and meets up with Darnal in Nice, full of projects he wants to involve her in. Micheline, who arrives in time to save her sister from a suicide attempt, will know how to run the new fashion house.
|
|
|
Les enfants de l'amour (1953)
Character: Policeman
In a maternity hospital, young single mothers are accompanied by social worker Hélène Lambert, who tries to make them aware of their new responsibilities, while Dr. Baurain stresses the importance of their moral and sexual education. They come to the aid of several young women: one who would like to give up her child to a couple applying for adoption, another who, after the death of her first baby in dramatic circumstances, is expecting a second, and many others.
|
|
|
Les amours finissent à l'aube (1953)
Character: The Medical Examiner (uncredited)
Didier's wife is ill, and he does the best he can to take care of her. But he's often absent and he has casual love affairs. But Leone he meets in Bruxelles wants to become his one and only mistress.
|
|
|
Fusillé à l'aube (1950)
Character: The Austrian Colonel
During the Great War, in Austria, an officer was shot on the orders of his superior von Pennwitz. Out of revenge, his widow becomes a spy in the pay of France, preoccupied with removing the person responsible for her husband's death. In charge of a mission to von Pennwitz, she suddenly finds herself face to face with her husband, who is still alive. It was a ruse of war to deceive the enemy. It is only at the armistice that the couple will be able to live in peace.
|
|
|
Son dernier rôle (1946)
Character: N/A
An actress who has just played the part of an old lady says that she would like to grow old like that character did.Sadly, she will not get her wish because she is terminally-ill.
|
|
|
Le Bagnard (1951)
Character: Professor Elie Dubois, a doctor
The practice of Dr. Julien, a GP of Marseilles, consists mainly of drug-addicts. One day, one of his patient dies at his surgery and Julien yields to the temptation : he steals the dead man's money and hides the corpse in a trunk. But the whole thing is discovered and ... misinterpreted. The doctor is condemned for killing the junkie and sent to the Cayenne convict prison, from which he escapes. The Indians give him shelter and he is soon given the opportunity to return their good deed when a yellow fever epidemic strikes their tribe. A young woman helps to fight the disease and, thanks to her, Julien starts considering that a new life is possible for him.
|
|
|
Jocelyn (1952)
Character: N/A
In 1786, Jocelyn entered the Seminary. He leaves his share of the inheritance to his younger sister Julie. In 1793, on the point of being ordained a priest, the Revolution forced him to take refuge in the Alps. There he meets Laurence, first disguised as a young boy. A great friendship binds them which turns into love when Jocelyn discovers the girl's true identity. Yet faithful to the promise he made to the Superior of his Seminary, Jocelyn will not abandon his faith.
|
|
|
La peau de l'ours (1957)
Character: N/A
A police commissioner lives with his two children, wife, mother-in-law and maid. But he discovers that he has been poisoned with arsenic, and that the culprit must be someone close to him.
|
|
|
L'Ange Gardien (1942)
Character: Carpent
A former colonial official lives far from Paris with a dry cousin who pays attention to his heritage. He never took care of his son, married to a singer, even less of his granddaughter Colette. The chances of life mean that the grandfather is obliged to take in Colette for a while. This works wonders, unmasks the cousin conniving with cronies, unravels the intrigues, thwarts the machinations and reconciles all the members of the family.
|
|
|
Identité judiciaire (1951)
Character: Monsieur Prévost
Identite Judiciare stars Raymond Souplex as wily French police inspector Basquier. The villain is Berthet (Jean Debucourt), a high-ranking government official. Basquier suspects that Berthet is a vicious murderer, but is unable to prove anything thanks to bureaucratic interference. Thus, the good inspector plays a waiting game a la Columbo, hoping for that one fatal slip on the part of the killer. Certain portions of Identite Judiciare proved a bit too intense for American audiences, and were accordingly snipped by the censors.
|
|
|
Horizons sans fin (1953)
Character: 3rd shareholder
The life story of famed French aviatrix Helene Boucher is detailed in Horizons sans fin (Endless Horizons). Giselle Pascal stars as Boucher, who is first seen in 1930, leaving her millinery shop behind in favor of the wild blue yonder. Though the world of aviation was still essentially an all-male one (despite England's Amy Johnson and America's Amelia Earhart), Boucher perseveres, eventually breaking all existing male and female speed and height records. A bit slow on the uptake in the dramatic scenes, the film soars (no pun intended) during the aerial sequences. Horizons san Fin was the winner of the Catholic Award at the 1953 Cannes Film Festival.
|
|
|
Jéricho (1946)
Character: (uncredited)
June 1944, a French town towards the end of the occupation. Following several attacks perpetrated by the resistance, the inhabitants who listen to English radio are rounded up by the Germans in a prison and considered as hostages. In one of the cells are found men from all walks of life: an aristocrat, the Viscount of Saint-Leu, Doctor Noblet, a resistance fighter, Béquille the wanderer with a wooden leg, and a strange character nicknamed "Black Market". The latter arouses mistrust among the prisoners, because it could well have been introduced by the enemy.
|
|
|
Dernier métro (1945)
Character: N/A
Leaving the station after having caught the last Paris Metro, a man comes to the rescue of a woman who is being assaulted and finds himself drawn into her affairs.
|
|
|
Les Chouans (1947)
Character: Loyalist leader (uncredited)
The Marquis de Montauran was appointed to command the Chouans whose first two revolts were crushed. An aristocrat, Marie-Nathalie de Verneuil, is sent by Joseph Fouché to seduce and capture him.
|
|
|
Émile l'africain (1948)
Character: N/A
Émile Boulard is a props man in a Paris movie studio. He has a wife, Suzanne. Or to be more accurate, let's say he HAD a wife since she left him fifteen years before, allegedly ... to go buy a post stamp. But now that their daughter Martine , who lives with her, is old enough to marry, she resurfaces. She confesses that, in order to explain his absence, she has told Martine her father was a great explorer and lion hunter in Africa. Not to disappoint his daughter, Émile accepts to pose as the adventurer he is supposed to be. At the same time he will help Daniel, Martine's bashful fiancé, not to become a henpecked husband like him.
|
|
|
Les Visiteurs du soir (1942)
Character: (uncredited)
At the end of the 15th century, a man and a woman, posing as traveling minstrels, are sent by the Devil to a castle to seduce its inhabitants.
|
|
|
L'Armée des ombres (1969)
Character: Colonel Jarret du Plessis
Betrayed by an informant, Philippe Gerbier finds himself trapped in a torturous Nazi prison camp. Though Gerbier escapes to rejoin the Resistance in occupied Marseilles, France, and exacts his revenge on the informant, he must continue a quiet, seemingly endless battle against the Nazis in an atmosphere of tension, paranoia and distrust.
|
|
|
L'Étrange Madame X (1951)
Character: general
Irène is the unhappy wife of a wealthy publisher, Jacques Voisin-Larive, who cares about her no more than a beautiful piece of furniture. Her meeting with Étienne, a young cabinetmaker with whom she falls in love, turns her dismal existence upside down. Not wanting to reveal her condition to her lover, she pretends to be a modest maid, employed by the Voisin-Larive. At the end of a weekend spent with her lover, Irène discovers that she is pregnant. The fragile balance of their existence is suddenly broken. Taking the initiative, she reveals her affair to Jacques and tells him about her desire to divorce. But her husband has no intention of giving her back her freedom...
|
|
|
Le ciel est à vous (1944)
Character: N/A
The strength of a couple's fascination with airplanes and flight is to the detriment of their family
|
|
|
La Fugue de monsieur Perle (1952)
Character: N/A
Modest fifty-something, Mr. Perle, is a baker in a small provincial town. He lives there with an authoritarian woman and her cousin, a parasite who poisons his existence. A Parisian notary writes to the hero to ask him to come and take possession of an inheritance. In Paris, Perle meets a pretty adventuress.
|
|
|
Le Ballon rouge (1956)
Character: The Irritated Schoolmaster
A young boy discovers a stray balloon, which seems to have a mind of its own, on the streets of Paris. The two become inseparable, yet the world’s harsh realities finally interfere.
|
|
|
Le ballon de rouge (2014)
Character: N/A
Paris, France, 1963. A couple have an argument in a bar. A young man sitting nearby takes the opportunity to talk to the girl and tells her what their life together could be if she accepts to run away with him, now.
|
|