|
As très graças (1936)
Character: N/A
Bocage was a former naval officer, a cultured gentleman, a passionate man, and a poet. He lived in the second half of the 18th century and had a series of relationships, writing love poems to his Three Graces: his colleague Márcia, a wild girl, and her two sisters.
|
|
|
O Passarinho da Ribeira (1960)
Character: Barata
Popular in the riverside area of Porto, Micas raised her daughter, Madalena, at the cost of sacrifice, as her father emigrated to Brazil. With a happy voice, Madalena works on unloading the coal, seeing her loves thwarted by her humble condition. Barata, another typical figure who makes a living from expedients, helps Madalena's father - meanwhile returned, to "register" her - in a kidnapping plan capable of facilitating her reconciliation with Micas, who is reluctant... Things get complicated, but happiness ends up triumphing.
|
|
|
O Dinheiro dos Pobres (1956)
Character: Barroso, o filantropo
Manuel and Pedro have different approaches to love. Manuel suffers a disgust that makes him sullen, and enters the priesthood. Pedro keeps on in his carefree ways, and commits a robbery. Manuel knows the robber is Pedro, but he learned it in Catholic confession. To keep his vows as a priest, he is prepared to be arrested.
|
|
|
O Pátio das Cantigas (1942)
Character: Evaristo
A portrait of the relations between neighbours in a Lisbon courtyard. A story made of small episodes of humour, friendship, rivalry, love.
|
|
|
João Ratão (1940)
Character: Teotónio
João Ratão is one of many young Portuguese soldiers fighting in Flandres, France, during World War I. Back home, he now needs to fight for the love Vitória, to whom he sent love letters from France... written by a fellow soldier. João Ratão is illiterate.
|
|
|
Sonhar é Fácil (1951)
Character: Silva
Mr. Silva has a dream: to live in the countryside and become a farmer. And one day it happens. He inherits a farm from an old aunt. But not everything will be roses, as Mr. Silva soon finds out...
|
|
|
Aqui Há Fantasmas (1964)
Character: Professor Hermes
Professor Hermes conducts a research on fear, for which he passes contract with a patient to live a supposedly empty mansion. He's counting on his assistant Chico Mota to play a phantom, but soon comes about that there are phantoms (plural) in there.
|
|
|
Os Três da Vida Airada (1952)
Character: Lucas
A typesetter is an amateur stage director, and his niece and an employee are stage actors. When they have an opportunity to go professional, differences arise between the two men. Things get worse when the employee starts seeing the girl even when there is no need for rehearsals - and the uncle opposes their relationship.
|
|
|
As Pupilas do Senhor Reitor (1935)
Character: João da Esquina
Adaptation of the homonymous novel by Júlio Dantas. Trying to highlight the romantic tone, the ruralism of the picturesque situations and environments, the spirit and characters of 1863 are revived: the characteristic loves of Margarida and Clara, the distinguished morals of Pedro and Daniel, the bonhomie of João Semana, finally the disagreements , common sense, tenderness, rituals and landscape involvement of Minho.
|
|
|
Feitiço do Império (1940)
Character: Tio Alberto
Luís immigrated to the USA and intends to become an American. But after his father invites him on a journey to the Portuguese territories in Africa, he will find true love, and also learn to value his country and its colonial grandeur.
|
|
|
Amor de Perdição (1943)
Character: João da Cruz
The fatalism caught up and the amorous tragedy between Teresa de Albuquerque and Simão Botelho, who survives the intolerant litigation of her noble families.
|
|
|
Sarilho de Fraldas (1967)
Character: Castelo
During a tour of the province, someone mistakenly leaves a baby in a singer's car without him noticing. António decides to take the child in, with Madalena, a fellow artist. But the presumed mother, claiming it was a mistake, enlists the help of her brother, a police officer, which leads to a chase to Porto.
|
|
|
A Canção de Lisboa (1933)
Character: Caetano
Vasco is a medical student in Lisbon, supported by his rich aunts, whom he had falsely told he had already graduated. In fact, he devotes himself to a bohemian life, preferring the popular fairs and pretty women, especially Alice, a seamstress from the Castelinhos quarter, which rather upsets her ambitious father, tailor Caetano, who is familiar with Vasco's debts. After failing yet another final exam, he is surprised by his aunts' announcement that they will visit him in Lisbon to see his practice.
|
|
|
Lobos da Serra (1942)
Character: Tio Luís
The film deals with the story of smugglers operating in the border areas of northern Portugal. A group of smugglers who escaped police installed in a village to have a quiet life, but facing hard times have to go back to smuggling.
|
|
|
As Pupilas do Senhor Reitor (1961)
Character: João da Esquina
The characteristic loves of Margarida and Clara, the distinct moral of Pedro and Daniel, the goodness of João Semana, and the dissidents, sensibility, tenderness, rituals and landscape involvement of the Minho.
|
|
|
Ubirajara (1919)
Character: N/A
Ubirajara, chief of the Araguaias, is engaged to Jandyra. One day, however, he falls in love with Aracy, daughter of Itaquê, chief of the Tocantins and sister of Pojucã, his prisoner. He frees Pojucã so he can declare war on Itaquê and retrieve his daughter. Itaquê is wounded by other enemies and goes blind. The two tribes unite and elect Ubirajara as chief.
|
|
|
O Costa do Castelo (1943)
Character: Simplício Costa
André (Curado Ribeiro), is a son of a wealthy family who meets a girl called Luisinha (Milu). Luisinha lives at a small pension house with Rita (Maria Olguim) and Januário (João Silva), who are as parents to her, and with mr. Simplício Costa (António Silva), better known as Costa do Castelo, a lazy but highly talented guitar player who together with (Hermínia Silva) reaches success.
|
|
|
O Leão da Estrela (1947)
Character: Anastácio
Anastácio lives in Lisbon and is fanatic for Sporting CP, one of the city's football teams. When the team travels to face Porto, he follows it with the family, staying in house of his friend, Mr. Barata, pretending to be rich.
|
|
|
Maria Papoila (1937)
Character: Mr. Scott
Maria Papoila, a shepherdess from Beira working in Lisbon, one day meets a rich young man, Eduardo, whom she assumes to be of her own social standing due to his uniform as a private soldier. Some time later, arrested as a suspect in a major robbery, Eduardo is abandoned by his selfish fiancée, Margarida, and it is the "soup girl" who, although despised in her dream and sacrificing her honor, appears in court as Eduardo's lover, and he is acquitted. Without asking for anything in return, Maria Papoila returns to her village.
|
|
|
Camões (1946)
Character: Cabo dos Meirinhos
The adventurous life of Portugal's epic poet, Luis de Camões.
|
|
|
Fado, História d'uma Cantadeira (1947)
Character: Chico Fadista
Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings about new friends, namely bohemian young who play and sing the fado with her, and not so young men but who rich and powerful enough to patronize her, promote her, and wish to become intimate with her. Júlio the guitarist feel betrayed, and he sets his mind to depart to the African colonies, to leave her forever. Knowing that he's going to embark, Ana Maria's heart between her first love, and the appeal of the rich and famous.
|
|
|
|
|
O Grande Elias (1950)
Character: Elias
When Mr. Elias discovers that his aunt, who lives in Brazil, comes to visit him, he decides to temporarily occupy the house of a wealthy neighbor who's away so that she doesn't discover that he's not as rich as he told her.
|
|
|
A Vizinha do Lado (1945)
Character: Saraiva
The story of how the conflicting relationship of Eduardo and vaudeville actress Isabel is affected by the passion he feels for their neighbor, Mariana, a young overprotected, and the unexpected visit of his uncle Plácido, a moral teacher.
|
|
|
A Menina da Rádio (1944)
Character: Cipriano Lopes
Geninha and Óscar are a couple who loves music. He's a good songwriter, she sings well. Despite this, their parents hate each other and do not seem willing to allow their marriage, nor the creation of a local radio for them.
|
|
|
Três Espelhos (1947)
Character: médico
When a businessman's car crashes and burns, inspector Moisés of the criminal brigade is given the case, as the body has been stabbed. He'll try to reconstruct the financier's personality by the mirrored impressions on those who knew him.
|
|
