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Do Not Go Gentle Into That Good Night (1967)
Character: Arthur Selig
Peter Schermann is angry at the world after his children move him into a nursing home. Still physically and mentally strong, he searches for a meaning to his life in a new and uncompromising world.
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Mason of the Mounted (1932)
Character: Royal Mounted Police Officer
Canadian Mountie Mason is sent south of the border to look for a horse thief with only a watch chain for evidence. He befriends young Andy and when Calhoun hits Andy, Mason and Calhoun fight. In the scuffle Calhoun's watch with the missing chain is dislodged. Mason then sets out to bring in Calhoun and his gang.
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Edge of Darkness (1943)
Character: Knut Osterholm
The film pivots around the local Norwegian doctor and his family. The doctor's wife (Ruth Gordon) wants to hold on to the pretence of gracious living and ignore their German occupiers. The doctor, Martin Stensgard (Walter Huston), would also prefer to stay neutral, but is torn. His brother-in-law, the wealthy owner of the local fish cannery, collaborates with the Nazis. The doctor's daughter, Karen (Ann Sheridan), is involved with the resistance and with its leader Gunnar Brogge (Errol Flynn). The doctor's son has just returned to town, having been sent down from the university, and is soon influenced by his Nazi-sympathizer uncle. Captain Koenig (Helmut Dantine), the young German commandant of the occupying garrison, whose fanatic determination to do everything by the book and spoutings about the invincibility of the Reich hides a growing fear of a local uprising.
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Rose of Cimarron (1952)
Character: Deacon
A white girl raised by Indians sets out to find out who murdered her adoptive parents.
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Youth Runs Wild (1944)
Character: Mr. Fred Hauser
The teens of a defense-plant town hop on the road to juvenile delinquency while their parents are busy with the war.
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Just for You (1952)
Character: Leo
Jordan Blake (a widower) is a successful Broadway Producer who has always been to busy for his children, Barbara and Jerry. Girlfriend, Carolina a musical comedy star, urges Jordan to take his kids on a vacation and get to know them before they are all grown up. Is Jordan already too late?
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Manhandled (1949)
Character: Detective Lt. Bill Dawson
Merle Kramer works as a stenographer for a psychiatrist. She is casually dating Karl Benson, a private eye and former cop. Merle mentions in passing that one of her boss's patients is an author with recurring dreams of murdering his wife, and she includes the fact that the wife owns valuable jewels. When the wife is found murdered in a manner identical to that of her husband's dream, the husband is naturally the prime suspect. But as the investigation of the police and insurance investigator Joe Cooper proceeds, it turns out that several people in the case, including Merle, are not what they seem.
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The Next Voice You Hear... (1950)
Character: Fred Brannan
The Next Voice You Hear... (1950) is a drama film in which a voice claiming to be that of God preempts all radio programs for days all over the world. It stars James Whitmore and Nancy Davis as Joe and Mary Smith, a typical American couple. It was based on a short story of the same name by George Sumner Albee.
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Brute Force (1947)
Character: Dr. Walters
Timeworn Joe Collins and his fellow inmates live under the heavy thumb of the sadistic, power-tripping guard Captain Munsey. Only Collins' dreams of escape keep him going, but how can he possibly bust out of Munsey's chains?
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Letter from an Unknown Woman (1948)
Character: John
A pianist about to flee from a duel receives a letter from a woman he cannot remember. As she tells the story of her lifelong love for him, he is forced to reinterpret his own past.
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Red, Hot and Blue (1949)
Character: Laddie Corwin
In her attempts to make a splash on Broadway, a lively would-be-actress lands herself in hot water with the mob.
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The Sound of Fury (1950)
Character: Hal Clendenning
A family man – desperate for a job – latches onto a friend who encourages him into being a criminal.
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South of St. Louis (1949)
Character: Bronco
With the advent of the American Civil War, three partners in a ranch see how this is destroyed. Needing money, will join the Confederate troops, each for their particular motivations.
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The Killer That Stalked New York (1950)
Character: Anthony Moss
In New York, Sheila Bennet and her spouse, Matt Krane, are trying to unload a trove of rare jewels they smuggled into America from Cuba, but the police are hot on the couple's trail. Meanwhile, government officials begin a desperate search for an unknown individual who is infecting the city with smallpox.
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In a Lonely Place (1950)
Character: Mel Lippman
A screenwriter with a violent temper is a murder suspect until his lovely neighbor clears him. However, she soon starts to have her doubts.
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Mr. Peabody and the Mermaid (1948)
Character: Dr. Harvey
As told to a psychiatrist: Mr. Peabody, a middle-aged Bostonian on vacation with his wife in the Caribbean, hears mysterious, wordless singing on an uninhabited rock in the bay. Fishing in the vicinity, he catches...a mermaid. He takes her home and, though she has no spoken language, falls in love with her. Of course, his wife won't believe that the thing in the bathtub is anything but a large fish.
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Arch of Triumph (1948)
Character: Inspector
In the winter of 1938, Paris is crowded with refugees from the Nazis, who live in the black shadows of night, trying to evade deportation. One such is Dr. Ravic, who practices medicine illegally and stalks his old Nazi enemy Haake with murder in mind. One rainy night, Ravic meets Joan Madou, a kept woman cast adrift by her lover's sudden death. Against Ravic's better judgment, they become involved in a doomed affair.
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Quicksand (1950)
Character: Oren Mackey
Young auto mechanic Dan Brady takes $20 from a cash register at work to go on a date with blonde femme fatale Vera Novak. Brady intends to put the money back before it is missed, but the garage's bookkeeper shows up earlier than scheduled. As Brady scrambles to cover evidence of his petty theft, he fast finds himself drawn into an ever worsening "quicksand" of crime.
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The Moving Finger (1963)
Character: N/A
A rare beatnik artifact of the early 1960s, one of only a few such films made before the hippies took over Hollywood. Low budget and in b&w, it's set in Greenwich Village, with what seems like a mostly improvised script. It begins as a late film noir crime tale involving a bank robbery where only one of a group of thieves escapes with his life, as well as $90,000 in loot. Injured and on the run, he hides in a local tour bus and is soon taken in by a group of bohemians who shoot him full of morphine to ease his pain and let him sleep it off on a mattress. Mason is the head beatnik. There's also the owner of both an upstairs coffeehouse and garret, where these beatniks hang out. They, in turn, bring the tourist trade in. Although the robbery is supposed to be the main focus of the plot, it quickly turns into more of a character study featuring these rebellious bon vivants and their odd lifestyle...
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T-Men (1947)
Character: Gregg
Two U.S. Treasury ("T-men") agents go undercover in Detroit, and then Los Angeles, in an attempt to break a U.S. currency counterfeiting ring.
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The Black Parachute (1944)
Character: Joseph - Guerilla (uncredited)
A paratrooper drops behind enemy lines to rescue the deposed king of a mythical Balkan nation.
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The Painted Hills (1951)
Character: Pilot Pete
After years of prospecting, Jonathan finally strikes gold. He returns to town only to discover that his partner has since died and left Tommy fatherless. He decides to leave Shep (played by Lassie) with Tommy to cheer him up. Meanwhile, Jonathan's new partner, Lin, isn't interested in sharing the gold, and lures Jonathan to his death. Lassie immediately deduces what's happened, so Lin poisons Lassie. Lassie barely pulls through and pursues Lin to a climactic confrontation where, due to an off-screen accident with some liquid nitrogen, Lin's gun jams.
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Native Land (1942)
Character: Harry Carlyle
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
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South Sea Sinner (1950)
Character: William Grayson
A tramp steamer lands sick crewman Jake Davis on rubber-growing island Oraka, from which voluptuous, bedroom-eyed saloon singer Coral is about to be ejected because "men like her too much." But Coral's slimy boss Cognac gets her a reprieve so she can learn Jake's secret.
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Song of Surrender (1949)
Character: Mr. Willis
In 1906 in Connecticut, Elisha Hunt, the 55-year-old curator of a small government museum, marries Abigail, the 19-year-old daughter of a local farmer. In addition to the differences in their ages in this May-to-December union, Elizha is a man of culture while Abigail is uneducated. Bruce Edridge, young, handsome and wealthy, comes into her life, and they fall in love. Abigail is now faced with two choices; the chance of wealth versus her present mediocre circumstances, or her love for Bruce versus her loyalty to Elisha.
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A Double Life (1947)
Character: Wigmaker
A Shakespearian actor starring as Othello opposite his wife finds the character's jealous rage taking over his mind off-stage.
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Angel in Exile (1948)
Character: Emie Coons
An ex-convict on his way to make his fortune in a gold mine in Arizona has his trip interrupted when the residents of a small Mexican village believe him to be a sacred religious figure.
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Framed (1947)
Character: Desk Clerk (uncredited)
Truck driver Mike Lambert is a down-and-out mining engineer searching for a job. When his rig breaks down in a small town, he happens upon a venomous seductress. When her boyfriend robs a bank, they intend to frame Lambert.
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Caught (1949)
Character: Psychiatrist
Wide-eyed and poor young Leonora weds an obsessive millionaire named Ohlrig, but the marriage is loveless. Even worse, Ohlrig seems to have manic, violent tendencies. Eventually, young Leonora escapes her unhappy life and begins working with New York City doctor Larry Quinada, who she soon falls for. Unfortunately, Ohlrig refuses to grant his wife a divorce, and things get even darker for Leonora when she realizes she's pregnant with his child.
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Body and Soul (1947)
Character: David Davis (uncredited)
Charley Davis, against the wishes of his mother, becomes a boxer. As he becomes more successful the fighter becomes surrounded by shady characters, including an unethical promoter named Roberts, who tempt the man with a number of vices. Charley finds himself faced with increasingly difficult choices.
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A Tree Grows in Brooklyn (1945)
Character: Charley (uncredited)
In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.
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Appointment in Berlin (1943)
Character: Dutch Pastor (uncredited)
The "war of nerves" which gripped the European continent in 1938, is the background for this war thriller starring George Sanders.
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