Sōtarō Okada (born April 8, 1899; died 1930s, date unknown) was a Japanese actor.
Credits
愛よ人類と共にあれ 前篇 日本篇 (1931)
Character: Driver
The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
愛よ人類と共にあれ 後篇 米国篇 (1931)
Character: Driver
The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
お坊ちゃん (1926)
Character: Matsumara Sentaro (Engineer)
Japanese silent film from 1926. (Obo-chan meaning "Young Master.") Written by Ayame Mizushima, the first female screenwriter in Japan.
真珠夫人 (1927)
Character: N/A
Japanese silent film from 1927, based on a popular serialized novel by Kan Kikuchi.
美人哀愁 (1931)
Character: Yoshida, Yoshie's husband
Two people are fascinated by a sculptor's statue. The film is lost.
Honoo no sora (1927)
Character: Yôtaro Okamoto
Early feature film by Hiroshi Shimizu.
若者よなぜ泣くか (1930)
Character: Ichiro Kano
A modern girl suddenly intrudes into a widower's family home.
蝕める春 (1932)
Character: N/A
It is considered to be a lost film.
国境警備の唄 (1927)
Character: Li Gen'ō
Japanese contemporary drama from 1927.
不滅の愛 (1928)
Character: N/A
Japanese silent film from 1928.
お嬢さん (1930)
Character: Social department head
Lost film. Two reporters find that they are repeatedly beaten to the scoop by a new female journalist, 'young miss'. They decide to team up with her to investigate a secret club for wealthy voyeurs. Considered to be a lost film.
上陸第一歩 (1932)
Character: Detective
The story of a sailor who begins a love affair with a woman he saves from suicide.
淑女と髭 (1931)
Character: Shachou
Graduate Okajima finds his old-fashioned beard makes life difficult in a comedy exploring the tension between tradition and modernity.
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