|
L'Amour avec des si... (1964)
Character: Le journaliste
The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.
|
|
|
Na ! (1973)
Character: Jean-Marie Chalupot
A group of pensioners, exasperated by the Social Security strike, meet Chalupot, a former paratrooper and ex-priest who has just been released from prison. He encouraged them to form the M.L.V. (Mouvement de Libération des Vieillards) and organize demonstrations. But as Chalupot is arrested and locked up, the pensioners plan to hold up the Social Security.
|
|
|
La Maffia du plaisir (1971)
Character: Self (uncredited)
A fictionalized report from the Côte d'Azur. Preparing for vacation (diet and artificial tanning). The vacation route (a hitchhiker has her luggage stolen by a motorist; hitchhikers steal, rape and leave in their victims' cars...). "Dolce vita" in Saint-Tropez. The art of spending a vacation with a minimum of money (prostitution, cheating at gambling, pussies kept by old ladies...). Naturists on the Ile du Levant. Vacation club romance. Drugs (a girl gets stung and falls into a coma next to her friend, already dead). The end of a vacation (a young woman, ruined by her stay on the Riviera, indulges for a day in slaughterhouse prostitution to pay for her return).
|
|
|
Le rock alternatif (une brève période de médiatisation du punk français 1986-1989) (2021)
Character: Self
Following the release of Bérurier Noir's album "Concerto pour détraqués" on the Bondage label in 1985, the French punk scene began to organize itself and attract media attention. Following Bondage's example, François Hadji Lazaro founded the Boucherie Production label. The departure of bands to major companies, Bérurier Noir's lawsuit against its label Bondage, and above all the breakup of the band marked the end of an era.
|
|
|
Qui se souvient de René Lévesque? (2022)
Character: Self
With his charisma, his energy, his integrity - but also his faults - René Lévesque left an indelible mark in the collective imagination of Quebecers: that of a hero of a people. But how can we measure his legacy, 35 years after his death and 100 years after his birth? From Montreal to New Carlisle, L'Actualité journalist Guillaume Bourgault-Côté crosses Quebec to meet certain relatives, colleagues, experts and artists who rubbed shoulders with the man, literally and figuratively. Together, they try to identify what remains of René Lévesque. By traveling through Quebec, we will better understand the legacy left by René Lévesque 100 years after his birth, 35 years after his death: his role in the sovereignist movement, the development of public and economic policies, but also the strength of his personality, which still today arouses a feeling of deep attachment among the Quebec population, regardless of political allegiances. (Translated from French.)
|
|
|
Jacques Martin, derrière vos applaudissements (2021)
Character: Self (arhive footage)
From Le Petit Rapporteur to Sous vos applaudissements, from La Lorgnette to L'Ecole des fans, everyone remembers the mythical programs of Jacques Martin, the Sunday afternoon emperor. Through rare archives and the testimonies of his close friends and collaborators, this documentary reveals the hidden sides of this sacred television monster who would have liked to be an artist.
|
|
|
Le rescapé de Tikeroa (1981)
Character: Le gendarme Yvon Gautier
In 1939 a French policeman (Jacques Martin) is forgotten on a Polynesian island, during an administrative tour. When war broke out, he knew nothing about it and it was only when a German ship called that he learned of the gravity of the events. On the tone of comedy, this drama describes the relationship between this ex-policeman still imbued with administrative stupidity and the naive but joyful population of the island. The comedy prevails over the drama and the gendarme will not take long to acquire the joie de vivre of the natives.
|
|
|
La TV des 70's : Quand Giscard était président (2022)
Character: Self (archive footage)
In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.
|
|
|
Sex-shop (1972)
Character: Bernard
On the advice of a friend, Claude, married to the charming Isabelle and father of two, decided to transform his library, hardly flourishing, into a sex shop. This change of activity proves to be very lucrative and sharpens his desire to spice up his married life through various erotic experiences. Claude asks his wife to share with him the audacity he dreams of. Soon, the household meets a dentist and his wife and is engaged, without much success, to new discoveries. Isabelle, full of good will, tries to follow her husband ...
|
|
|
La Passante du Sans-Souci (1982)
Character: Marcel
Max Baumstein is a reputable businessman who founded an international organization fighting against violations of human rights. Why would he commit an act that apparently negates the principles he has striven for so long to uphold? As he is tried for first-degree murder for killing a Paraguayan ambassador in cold blood, he reveals a secret about himself that he kept hidden from his wife Lina. His act is the conclusion of a struggle that started many decades earlier in his childhood...
|
|
|
Trintignant par Trintignant (2021)
Character: Self (archive footage)
A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.
|
|
|
Erotissimo (1969)
Character: le vendeur
Annie is a middle-age wife, still sexy and pampered by her husband, Phillippe, who is the owner and general manager of a dynamic company. Under the deluge of sexy Swedish movies, sexy advertising on the streets, sexy intimate clothing in ladies' shops, and even talks about sex and marital infidelity with her mother and female friends, Annie starts feeling left aside by her husband, and trying to attract in a number of ways - and failing. It's not the all-purpose secretary at the office that is keeping him late, it's a tax expert that, asking the most innocent questions, is finding out how Philippe can manage a company without profits, and still manage a home, may be two... with high quality levels.
|
|
