|
We Never Sleep (1917)
Character: N/A
Luke is an inept detective who follows the wrong man to a seaside hotel.
|
|
|
The Flirt (1917)
Character: N/A
A man takes a job in a café, hoping to get to know the pretty waitress working there.
|
|
|
|
|
Rainbow Island (1917)
Character: N/A
After finding a note in a floating bottle, our hero is off to resue the heroine. He runs into a tribe of cannibals.
|
|
|
|
|
|
|
Just Rambling Along (1918)
Character: N/A
A nervy young man follows a pretty lady into a diner to flirt with her, but winds up getting stuck with the tab.
|
|
|
A Gasoline Wedding (1918)
Character: N/A
A rich man's daughter has more suitors than she's interested in, and he's going to marry her off -- even if she doesn't know about it.
|
|
|
|
|
Pinched (1917)
Character: N/A
Harold's checked cap, blown from his head by a freakish wind, gets him into trouble. First he comes into conflict with the police as a highwayman, then the cap serves to identify him as a housebreaker and lands him in jail, while the innocent cause of his trouble becomes his cellmate for another reason. Eventually a distracted wife rescues both her husband and Harold from the clutches of the law, the cap this time aiding him to regain his freedom.
|
|
|
|
|
|
|
It's a Wild Life (1918)
Character: N/A
Harold invades the "Gilded Guzzle" café, where he appropriates a lady's roll of money, hides under a table and impersonates a cigar store Indian.
|
|
|
Billy Blazes, Esq. (1919)
Character: Townsman (Uncredited)
Billy Blazes confronts Crooked Charley, who has been ruling the town of Peaceful Vale through fear and violence.
|
|
|
Over the Fence (1917)
Character: (uncredited)
Snitch steals Ginger's (stolen) baseball tickets and takes Ginger's girl to the game. Finding himself without tickets, Ginger dresses as a baseball player and wins the game. A possible debut of the "Glasses" or "Boy" character.
|
|
|
Bashful (1917)
Character: N/A
In order to claim his inheritance, our hero must first produce a wife and family.
|
|
|
Hey There (1918)
Character: N/A
In this early short Harold Lloyd sneaks into a movie studio in order to locate an attractive young lady he's just met at a snack bar. He's retrieved a letter she dropped and wants to return it to her, but it's pretty clear that his interest extends beyond mere politeness. (She's the adorable young Bebe Daniels, so this is easy to understand.) The movie studio setting provides Harold with lots of opportunities to do what comedians do in comedies like this one: flirt with actresses, anger the studio brass, and dash through sets disrupting everything.
|
|
|
Step Lively (1917)
Character: N/A
Snub Pollard plays a drunken man-about-town who believes Harold has robbed him. Meanwhile, Bebe has her hands full with a lounge lizard who won't take no for an answer.
|
|
|
|
|
|
|
Here Come the Girls (1918)
Character: N/A
Bebe and girlfriend go shopping for new corsets. Harold sneaks into the corset shop and a customer asks him to take her measurements - a ticklish task, as the brash young man suddenly becomes playfully bashful.
|
|
|
Beat It (1918)
Character: N/A
Harold Lloyd starred in the successful Lonesome Luke series. However, he soon grew tired of the obvious Charlie Chaplin imitation. In an attempt to reinvent himself, Lloyd donned a pair of horn-rimmed glasses, and thus, a new comedy legend was born. Setting himself against Chaplin, Lloyd's "glasses character" was an everyman, a resourceful go-getter who embodied the ambitious, success-seeking attitude of 1920s America.
|
|
|
|
|
|
