Komil Yormatov

Personal Info

Known For

Directing

Known Credits

0.5492

Gender

Male

Birthday

01-May-1903

Age

(123 years old)

Place of Birth

Kanibadam, Kokand County, Fergana region, Russian Empire

Also Known As
  • Комил Ёрматов
  • Kamil Yarmatov
  • Камиль Ярматов
  • К. Ярматов

Komil Yormatov

Biography

Komil Yormatov was a prominent actor and director in the cinema of Tajikistan during the Soviet era.


Credits

Из-под сводов мечети Из-под сводов мечети (1928) Character: Umar
About the struggle of the Uzbek people against the oppression of local feudal lords.
Шакалы Равата Шакалы Равата (1927) Character: White army officer (uncredited)
At the center of the story is the family drama of farmer Jalil from the village of Rawat, his wanderings and attempts to save his beloved girl Karaman. Her father is in debt to the local bai Abdu-Nabi and gives his daughter to him as his wife. In the vicinity of the village, the remains of Akram Khan's Basmachi gang are rampaging. Abdu-Nabi maintains a close connection with Rawat’s “jackals”. Jalil goes to the mountains to the Basmachi...
Эмигрант Эмигрант (1934) Character: Kamil
A saboteur sneaks into Tajikistan. Having killed a collective farm instructor, according to his documents, he arrives at the collective farm. He manages to persuade the collective farmer Kamil to emigrate. Having experienced the brunt of the exploitation of the Muslim clergy and the bourgeoisie, Kamil flees to his homeland and exposes the enemy.
Дохунда Дохунда (1934) Character: Edgor
The screen adaptation of the novel by Tadjik writer Sadriddine Aini, telling the story of a tramp who falls in love with a rich girl, was supposed to become the first full-length feature film in Central Asian film history. But the unfinished Dokhunda was banned by the Soviet authorities when film production was already in full swing. No footage survived. This is why Izvolov had to rely on Lev Kuleshov’s draft to study and appreciate the maestro’s vision and the unique aesthetic concept, which was never to be realised during Kuleshov’s lifetime.



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