|
Los días del amor (1972)
Character: N/A
In the 1920s, Mexico was still in a state of near-chaos. Rebellions and revolutions had followed one after the other for decades. Though things were beginning to settle down some, it was still a time when one had the feeling that anything could happen.
|
|
|
Una gallina muy ponedora (1982)
Character: Cantinero
A beautiful woman discovers the rooster fighting world and in the process fall in love with a handsome boy.
|
|
|
Tres Mexicanos ardientes (1986)
Character: Cuñado bigotón ladrón
A creative commercial director falls in love with a beautiful model and proposes a torrid romance. She agrees as long as he buys her a car, a luxurious apartment, jewelry, and a new wardrobe as part of the love deal.
|
|
|
Carita de primavera (1977)
Character: Gordo en la cantina (amigo de corcholata)
Tomboy grows up, overalls to frilly pastel dresses. And even a husband.
|
|
|
|
|
Adiós, adiós ídolo mío (1985)
Character: N/A
A strange fantasy about the decadence of the Mexican wrestler "El Santo, The Man in the Silver Mask".
|
|
|
Burdel (1982)
Character: Agente Domínguez
(AKA: Ratero 2 or Cada quien su madre.) Innocent man forced to hide from the police, ends up taking refuge in a brothel.
|
|
|
|
|
...Y la mujer hizo al hombre (1975)
Character: N/A
A completely illiterate general from the Mexican Revolution “wins” a teacher in a game of dice. What happens to him with this woman is something unexpected.
|
|
|
|
|
El testamento (1981)
Character: Don Julio
After the death of her husband the industrialist, unprepared trophy-wife takes over the management of his business concerns.
|
|
|
Los chicles (1968)
Character: Gordo que da limosna
Two little poor kids, who work selling chewing gum in the streets, must face the true nature of the horror surrounding them.
|
|
|
Carne de horca (1973)
Character: Verdugo
Several prisoners escape with a woman and her brother across the desert.
|
|
|
Ante el cadáver de un líder (1974)
Character: Companero Aguado
A union leader dies in a sleazy hotel room, then the wife, mistress, police, co workers, reporters, colleagues, and political figures arrive to the hotel and each has its own intentions.
|
|
|
Click, fotógrafo de modelos (1970)
Character: Empleado gasolinera
Mauricio is a photographer that works for a very important advertisement company. It all starts with Mauricio's work being criticized by the company, to which Mauricio jumps into the discussion and explains to the company that his idea was misinterpreted, and quits. Mauricio bent on revenge, and promises to be enemy number one of his former employers, sets off and works so hard photographing so many models, that he develops a click that when he blinks his eyes, he can see anybody in their underwear. A lot of Mauricio charm, famous quotes and pranks in this movie, very entertaining and beautiful women for that time. Very recommendable.
|
|
|
|
|
La noche violenta (1970)
Character: N/A
Police are chasing him for a murder, so man breaks into an expensive home and takes husband and wife hostage. The bloodshed continues...
|
|
|
La guerrillera de Villa (1967)
Character: Hombre en teatro (uncredited)
Reyes Mendoza (Carmen Sevilla) is a Spanish artist who arrives in Mexico in 1913 and finds herself involved in the Pancho Villa (Jose Elias Moreno) revolution.
|
|
|
|
|
Las ficheras: Bellas de noche II parte (1977)
Character: N/A
Bellas de noche continues. The ex-fichera who bought the cabaret continues to work with several of her former companions, the waiter Fabian, the pugilist Bronco who returns to boxing, Carmen, his wife, who returns to booking, the drunk “La Corcholata”, in love with an old man, and a French woman and the pimp “El Vaselinas”, whose favors are disputed by all the women, but who loses his virility and fights to regain it.
|
|
|
El patrullero 777 (1978)
Character: Delegado segundo turno
Follows Diogenes as he goes about his day as a police officer. He's prone to do things the right way, surrounded by a pretty much corrupt & citizen distant police department, & always resolves his duties with a personal method.
|
|
|
Blue Demon destructor de espías (1968)
Character: Secuaz (uncredited)
The future of the world rests on Blue Demon's shoulders yet again when crazy scientists create a mind-control machine and put an evil plan in motion.
|
|
|
El criado malcriado (1969)
Character: Rateo gordo
Man hiding from the police is trapped into posing as a butler at a rich family's country estate.
|
|
|
El Niño y la Estrella (1976)
Character: N/A
Wanted to fly to the sky ...And one day he got it When a child dares to steal the keys to the orphanage, guarded by a soldier, is exposed to too many dangers. This is the story of that child, freeing his birds, he demanded to life and men, their own freedom. '
|
|
|
|
|
Rosario (1971)
Character: N/A
Rosario and Carlos, husbands, are part of a theater company. In a scene of jealousy, she should shoot and kill him. Carlos has had an affair with Zulma, another acriz of the company. On opening day, in the final scene, Rosario accidentally kills her husband. Someone change the gun ...
|
|
|
La maestra inolvidable (1969)
Character: N/A
Idealistic young teacher takes a post in a small, backwoods town and dedicates her life to schooling the village's children.
|
|
|
El Quelite (1970)
Character: (uncredited)
Agapito, leader of the revolutionary movement of his state, comes to a town, kills all the federales, and gets a girl who was promised to him for his heroic deeds.
|
|
|
La Vida Inútil de Pito Pérez (1970)
Character: Boticario Jose de Jesus Jimenez
A man goes on a trip and then returns to his village pretending that everything went well for him.
|
|
|
Chabelo y Pepito Detectives (1974)
Character: N/A
A commanding friend Pepito and Chabelo ask them to help uncover a gang who kidnaps children. They accept and are out to steal to join the band. Whenthey find that the band mesmerizes children with toys and then the kids are controlled by young boys and they controlled in turn by strangers with long hair and blue eyes.
|
|
|
Faltas a la moral (1970)
Character: Charifas
A family in extreme poverty is forced to make a series of sacrifices in order to survive.
|
|
|
El barrendero (1982)
Character: Supervisor Molina
A cheerful sweeper collects garbage dancing, and the maids of the neighborhood get jealous because he invites another woman out.
|
|
|
¡El que no corre... vuela! (1982)
Character: 'Comandante'
After mistakenly going to jail, Maria makes friends with a woman whose kids live in the streets and Maria gets the idea to help them.
|
|
|
El imperio de la fortuna (1986)
Character: Gordo Comegallos
Poor Dionisio finds himself as recipient of the good fortune, but soon he forgets that everything that goes up also has to go down, and that in the depressing nothingness of his town it is easy to die.
|
|
|
El ministro y yo (1976)
Character: Empleado departamento de quejas (uncredited)
Mateo Melgarejo is a notary public and scribe for the illiterate people of Santo Domingo, a neighborhood north of Mexico City's Zócalo. A squatter friend asks for his help in negotiating with the land census bureau to regularize a land title. After a great deal of frustration with the government bureaucracy, he writes a letter to the cabinet minister, earning an audience with him. The minister hires Melgarejo to reform the bureau, and the appointee proceeds to lecture the officials on their duties in a democratic society. At the end, he gives up the post, returning to Santo Domingo to help its poor residents.
|
|
|
Deseos (1983)
Character: N/A
Snippets of a family drama involving a rebellious son coming to his depressing home village, his father, and a jaded ex-lover, mixed with various surrealist scenes and statements about sin.
|
|