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Cuentan de una mujer (1959)
Character: N/A
Frivolous young society woman gains depth and maturity through contact with the director of an orphanage and his wards.
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Una mujer sin precio (1966)
Character: N/A
Exotic dancer with a masochistic streak can't decide which of two boyfriends treats her more thrillingly badly.
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Ayer amargo (1960)
Character: Manolo
Follows the life of a loving couple that is childless. Juana consults help from many sources so she can conceive, but to no avail. However, her husband Manolo has an illegitimate son by a prostitute. He hopes to raise him as their mutual son, but the boy's arrival marks a profound change in the couple's life, as Juana struggles with her relationship with the child and her husband.
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Mi Borinquen querido (1963)
Character: N/A
Rosita is a young Puerto Rican woman, beautiful but for her scarred face, which she views as a curse. She ignores the men who serenade her nightly for a manipulative man who pursues her for the money she inherited.
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Esposas Infieles (1956)
Character: N/A
A bunch of stories where wives are unfaithful for different reasons: money, revenge or pleasure.
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Machuchal: Agente 0 (1966)
Character: Mister X
Machuchal as a federal agent. He presents his humorous adventures and exploits in the city of New York as Agent 0. The film is an extremely mild spoof of James Bondish-spy films.
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El derecho de comer (1968)
Character: N/A
When a cheerful vagabond discovers a purse, the money and love letter inside make for interesting complications in his life.
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Correa Cotto: ¡así me llaman! (1968)
Character: José Maldonado
The film follows the crime sprees of Antonio Correa Cotto, as he seeks revenge against the people that assaulted his girlfriend.
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Operación Tiburón (1965)
Character: N/A
A popular singer is suspected of being involved with a notorious drug dealer, el Tiburón (the Shark). Meanwhile, a friend of the singer is recruited by Interpol to find the criminal's real identity.
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Organización criminal (1968)
Character: N/A
A summit meeting of rival gangs, one predominantly Italian and the other a mix of Polish, Irish, and Italian mobsters, fails to resolve their differences, and gang war breaks out.
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Los expatriados (1963)
Character: Juan
The film, which is an ode to Rafael Hernández's song "Lamento borincano", is a social commentary of the political and social policies of the 40's and 50's which led to the abandonment of what was seen by many as the "pure", "virtuous" life of the finca (farm) for the "corrupting" influence of urban centers like San Juan and New York City.
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Mr. Dólar (1964)
Character: Juan
A Puerto Rican goes to New York to seek his fortune.
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Tú, mi amor (1972)
Character: N/A
A torrid affair, set in tropical splendor, between the young heritor of a wealthy empire built by German businessmen and an attractive Latin girl from a modest family. Both will have to prove the strength of their love in fighting against the ugly shadow of racial and economic prejudice.
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Dos fantasmas y una muchacha (1959)
Character: N/A
Two ghosts who died in a turn-of-the-century duel and now haunt a theater attempt to help a girl who's in danger from bank robbers.
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En carne propia (1961)
Character: Comandante Núñez
Rookie reporter and his publisher's daughter get caught up in a bizarre crime/traffic accident noir dilemma.
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El fugitivo (1966)
Character: Lucio
Drifter returns to his home town for revenge, but he get caught up in the town's interpersonal dramas.
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Los traidores de San Ángel (1967)
Character: N/A
Henchmen of the dictator from a South American country blackmail Nick Thomas into being a government spy. The former smuggler is to pose as a priest and enter a monastery thought to be sympathetic with rebel guerrillas. The release of the film coincided with real-life events, as Catholic priests continued to be the victims of government persecution throughout Latin America.
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