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Beduino (2016)
Character: N/A
A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.
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Um Crime Nobre (2001)
Character: Mônica Andrade
Claudia Maccari, an Italian doctor who has a Brazilian adopted son suffering from leukemia, goes to Rio de Janeiro to find the child's biological mother for a transplant. She is reluctantly helped by a Detective.
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Sexo, Amor e Traição (2004)
Character: Andréa
The story of two couples who are neighbors and the marital problems caused by the unexpected arrival of two important personages of their past. The first couple, Carlos and Ana, live on the seventh floor of a building. Ana feels she's entitled to more love than her husband is willing to give. Suddenly, an old friend, Tomás, reappears after many years away and stays at their house. Andréa and Miguel live in the building across the street and are also going through a marriage crisis. In a party, they meet Cláudia, Miguel's first girlfriend, and she has no place to stay. Naturally, she's invited to sleep at their place. The presence of the two newcomers will cause many changes in their relationships.
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Rua Aperana, 52 (2012)
Character: Self
In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,
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O Gorila (2012)
Character: Rosalinda
Afrânio is a retired voice actor. Lonely and tormented by memories of his childhood. In her small apartment, looking for a way to re-integrate into society.
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Trópico de Capricórnio (2020)
Character: Self
The recovery of family videos is the resumption of a path: the massification of VHS brought new levels to family recordings. With the incorporation of sound, home videos gave way to commentaries, speeches and the filtering of sounds, giving rise to a documentation of the sounds of each era. In this first-person film, Juliana Antunes revisits, reframes and recombines the discordances between norm and desire in the memories of an LGBT girl in a Brazilian suburb.
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A Erva do Rato (2008)
Character: Ela
The names of the characters are pronouns. She is a teacher, with his father dead just three days ago. Faced with this situation, He intends to take care of her while He is alive. This is the beginning of an odd relationship.
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Mulheres Alteradas (2018)
Character: Marinati
Leandra is in her mid-30s: she wants to get married and have children, but she does not have a boyfriend. Her sister, Sonia, is married and has two children, but all she wants is a night of fun with her best friend, Marinati - a workaholic lawyer who went to fall in love just when her career is on the rise. Marinati is Keka's boss, who is looking forward to the trip she's scheduled to save her marriage.
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Cleópatra (2007)
Character: Cleópatra
The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.
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O Abismo Prateado (2011)
Character: Violeta
Violeta is a married dentist on a normal working day. While listening to a message left on the cell she enters in despair. The message of her husband, Djalma, says he is leaving her and going to another city.
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O Que é Isso, Companheiro? (1997)
Character: Lilia
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. César, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.
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Eu Fico Loko (2017)
Character: Lílian
The biography of the Brazilian YouTuber Christian Figueiredo.
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Acqua Movie (2019)
Character: Duda
A documentarist is convinced by her son to travel to Brazil's Northeast so she can throw his dad ashes at São Francisco river.
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2 Coelhos (2012)
Character: Julia
Edgar is a young upper-middle class man, close to completing 30 years old, he lives a full life crisis and is in a position common to the vast majority of Brazilians. On the one hand the power, represented by a corrupt state, abusive and absent in their taxes before their obligations. On the other, crime increasingly organized violence became a constant in the lives of citizens in large cities. Edgar responds to all this as a modern vigilante. With the help of ingredients such as technology, counter-information and manipulation, Edgar concocts a brilliant plan, using the greed of their opponents as the reason for its destruction. As the plot unfolds, we know more about the dark past of each character as Edgar fit the pieces together in an intriguing puzzle that makes up the film's plot.
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Os Desafinados (2008)
Character: Luiza
A group of friends come of age during the political turmoil that plagued Brazil in the 1960's and 70's. Together, these musicians form a band called "Os Desafinados" and become a part of the groundbreaking Brazilian musical movement called Bossa Nova
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A Longa Viagem do Ônibus Amarelo (2023)
Character: N/A
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
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